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aautio — The Parting of Lovers 2

Published: 2005-11-02 23:27:48 +0000 UTC; Views: 25919; Favourites: 277; Downloads: 4090
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Description The Parting of Finrod and Amarië


"--But at the rear went Finarfin and Finrod, and many of the noblest and wisest of the Noldor; and often they looked behind them to see their fair city, until the lamp of Mindon Eldaliéva was lost in the night. More than any others of the Exiles they carried thence memories of the bliss they had forsaken--."

- J. R. R. Tolkien: The Silmarillion, chapter 9: Of the flight of the Noldor

"--For indeed she whom he had loved was Amarië of the Vanyar, and she went not with him into exile."

- J. R. R. Tolkien: The Silmarillion, chapter 15: Of the Noldor in Beleriand


This is the second incarnation of this Silmarillion illustration.. with sepia tone a brown paper background done in Photoshop (Thank you for the idea and help, Ana ! ). For the description I'll quote myself below:

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Another Tolkien illustration.. I kinda promised poor Finrod to do a little bit better job portraying him than the last time so this one is something like a character study for him. Somehow i still managed to make him look a bit slow, but at least it's better than the last one.

This is a moment that Tolkien doesn't describe in his writing, but of which i've always had a very clear image in my mind. Even though the Noldor departed Valinor in a haste, i just can't see Finrod doing that without seeing his beloved first. Here he is dressed and armed to be prepared for the journey he is about to embark on against his better judgement.

Pencil drawing, quite straightforward and simple. I wanted to keep them static and still but added the wind effect to have some sense of motion in the composition. This is supposed to be a sad moment but somehow i think it still comes off as little too sweet.. Yes, i know that i draw like a girl!

B/W version here: [link]

EDIT: Better scan, new paper background
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Comments: 55

aautio In reply to ??? [2005-11-04 07:42:18 +0000 UTC]

For me the Silmarillion is the most moving part of Tolkien’s work – It’s an essential part of the whole, especially because of all the information it gives about his world. The book explains it’s mythological and “biblical” origins and gives more sense to all the history and legends referenced in LotR and the Hobbit. Basically it explains the whole timeline from creation of the world to the end of LotR.. And not only that, but through it (and the other texts edited and published by Christopher Tolkien, like the Unfinished Tales, History of Middle Earth volumes, etc.) one gets to see a glimpse of the life-long evolutionary process of these tales in JRRT’s imagination – of how they combine his love for fairy tales, mythology and liguistics in an incredible way!

..but why am I talking about this – just go and read it yourself! You won’t regret it!

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scars-and-stripes In reply to aautio [2005-11-05 05:44:29 +0000 UTC]

I will! It sounds like I'd really enjoy it^^ you talked me into it... haha

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Inaudible-Red [2005-11-02 23:30:08 +0000 UTC]

Oh, a very lovely piece. I like her dress, and his pants. I think it because the shading on them, it's very well done. I compliment you highly. The leaves falling around them, and the papers color is a nice effect.

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aautio In reply to Inaudible-Red [2005-11-03 00:10:20 +0000 UTC]

Thank you very much! Now that you mentioned it, i realized that in this piece i still used just the hatch technique for shading.. i like that especially for clothing textures. In the later illustrations i've started to use also the smooth shading again, just for faces, it's better for that than the hatch.. i think in this one their faces look quite flat. hhmm, perhaps i should fix it later.

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