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Description
Finally, we have the McGuffin that drives the central conflict of the 50th special, the street sign. I first made the sign in its' standard form and also from a standard perspective. Then when the special revealed it was blinged out, I changed it accordingly. Then I used the skew, distort and perspective tools to make it jut out more and here we are.

Description
Finally, we have the McGuffin that drives the central conflict of the 50th special, the street sign. I first made the sign in its' standard form and also from a standard perspective. Then when the special revealed it was blinged out, I changed it accordingly. Then I used the skew, distort and perspective tools to make it jut out more and here we are.