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firstfear — Step by Step : My Pixel Basics
Published: 2013-02-24 10:17:46 +0000 UTC; Views: 17438; Favourites: 645; Downloads: 0
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I've had people from time to time ask me how I pixel, and I've never really been sure how to explain. It hasn't been until the past few years that i've really thought too much about what I was doing beyond experimenting and learning new things. I think I've rounded out some basic guidelines I usually follow and a friend wanted some advice so I decided to attempt some sort of explanation

Below are some step by step images and commentary. Please note that there is no one right way to create a piece of art. This Step by Step is meant only to impart some understanding of how I do things . In Pixel art alone there are many many 'styles'. I encourage anyone reading to look up more than one tutorial and seek critique if trying to learn their own pixel style.

Please excuse any spelling mistakes, and take note that I use Photoshop 7.0, but the same principals should apply to Newer Versions as well as possibly Gimp and other programs as well.



Please do not trace/edit/or recreate any images in this tutorial. The images here are meant to show you what I was doing step by step, the apple is just an example. This tutorial is not teaching you how to pixel an apple . (Feel free of course to pixel one yourself, just do not use my outlines)



I'm going to assume that anyone reading this has at least a basic visual understanding of what pixel art looks like, but here's the finished example for this tutorial.


Below are some very basic rules* to follow when creating Pixel art .
definition of pixel art varies from person to person sometimes, so my word isn't be all end all here haha <3.

  • Pixel art is made using the Pencil tool set to 1pxThis tool can be found in Photoshop, Gimp, MSPaint, and other Image Editing Programs.
  • Pixels are placed individually (one by one) for outlines and shading. Bucket/Fill tool can also be used to fill large areas with a single colour.
  • Tools like Dodge, Burn, the Paintbrush, any special 'effect' added renders the piece no longer 'True Pixel Art'


  • Drawing* with the Pencil tool set to an Opacity lower than 100% renders the piece no longer 'True Pixel Art'*Note that you will see later that I do use opacities to create my palettes sometimes, but using opacity while working on the actual piece creates extra colours out of your control.


Other Examples from my Gallery







I never work on a white background. The contrast looking at pixels that close tends to hurt my eyes. Try using a light neutral grey colour.
Start out by creating a new layer(see image below sketch) above the Background layer and doodle/sketch what you want to Pixel, but use the Paintbrush Tool (1px). This is just a preliminary sketch to help us out later.





Before moving on to step two. Make sure you have your sketch layer selected and set it's opacity to somewhere around 50%. Just light enough to pixel over, but dark enough to still see.





Create a new Layer to Pixel on

  • Select the Pencil tool (1px) and try following the darkest pixels of the paintbrush line you created. I've used a dark grey, but you can use any colour really so long as it is darker or brighter than the sketch behind your pixel layer (so you can see where you've placed your lines)




hmm something doesn't seem right here still. We have wibbly lines!

With Pixel art it can be important where -every- pixel is placed. Making a pixel segment too long or too short can create jagged and wibbly bumps in your line when viewed from 100%.



In order to avoid these jagged lines for smooth surfaces (like the apple), we need to take some numbers in to account and turn our Wibbly line in to what I call a Gradiated line. We need to gradually angle/slope the pixels.

Below is an example of an unGradiated line vs a Gradiated line.



Notice how on the un-gradiated line that the segments (groups of pixels that create smaller lines within the line)are very fragmented in their length. There are segment lengths of 3 right next to segment lengths of just 1 for example.
 This creates ‘juts’ or angles that often create detail we aren’t looking to be there.

In the Gradiated line no segments are touching another segment with a length any more than 1 pixel longer than itself until it reaches the top where the ‘curve’ ends. For example, if the segment was two pixels long. The segments touching it would be typically 3 pixels, or 1 pixel long. The length of the pixel segment beside it will determine the rate of decline/incline of the slope/angle.

Think of diagonal 1 pixel segments as segments unto themselves as well. I’ve marked these in green so you can see their decline as the slop rises.

Changing the number of pixels in segments will change the slope/angle as seen below



There is a lot more information I could go in to on this subject. I may try to go further in a separate tutorial at a later date, but for now here is what I ended up with after applying the above and just using my own best judgment or trial and error (zooming out and viewing 100% then zooming in again and making small changes).



Now that we have our basic Pixel lines you can delete or hide your doodle/sketch.



Palette Intro
Before we can start shading in our lines we need to create a Palette.
There are many ways to create a palette depending on different factors like lighting, style, size of the image, etc.

I may create a separate tutorial in the future that goes more in depth with palette creation and colours. For now I'll give a brief explanation of some things before moving on to actually creating our palette for this example.


The size of your image and/or the area you are shading can make a difference in the number of colours you use, and the contrast between each of them.

  • The smaller the area the fewer colours you need to convey the same amount of detail. Too many colours in a small space can make things look muddled and hard to read. Too few colours in a larger space without Dithering (Dithering Step by Step coming later) creates jagged visible lines in your shading
  • The smaller the area, the more contrast you need to convey the same amount of detail. Too little contrast makes things muddled and hard to read. Too much contrast in a larger space creates jagged visible lines in your shading.

    So to recap.
    Small areas = More Contrast, Fewer Colours
    Large areas = Less Contrast, More Colours

    Normally my larger areas have at least 7 colours, but it will again depend on the size.




I'm unsure about other Programs, but in Photoshop, you choose your colours using the Color Picker.


- Double-Click this in your Toolbar to open the Color Picker.
-Click the arrow in the right corner to switch between the two colours selected.


I won't touch on using the color Picker right now (there are tutorials for this already), but this is what it looks like.




Here is the Palette I created to use with this Step by Step.


Below, I'll explain how it was created.

I've named the colours for convenience in this commentary .



  • First choose a Base Colour for each part of the image using the 'Color Picker'.
    In this case I'm pixeling an apple so I need a red, a brown, and a green. I've named these colours, b3, r6, and g6.



  • Then, choose a darker version of each colour. This will be your Outline Colour.
    Try to keep them around the same darkness and saturation to the eye regardless of how light/dark the base colour is. I've named these colours b1, r1, and g1.



  • Next create an 'Inner Line' colour
    I create this colour by selecting the Outline colour (r1 for the red), setting the pencil tool to around 70% Opacity and colouring over the Base colour (r6). I end up wth r2, and g2.

    (There are no 'Inner Lines' on the stem so the Brown palette does not need this colour!)
    • So Using your base(r6) create a square of colour. Then, select your outline colour, set the pencil tool to 70% and colour over top of the Base colour square you just made.  The colour you create is your Inner Line Colour. Remember to set your Opacity back to 100%! - Pencil Opacity located on 'Options' Bar (Window>Options)



  • Create a Highlight Colour
    This I create by selecting the Base colour and upping the Brightness and Lowering the Saturation using the 'Color Picker'. I have no set amount for how bright I make this, I just go by eye. I end up with b4, and r7.


    Take note! The brown highlight is Brighter because it will be for a smaller area. Therefor as mentioned earlier, I need more contrast between these colours.

    (There is no Highlight colour for the leaf because the green is already fairly bright. Use your own judgement here)



  • Create a Midtone between the Base and Inner Line Colours.
    I create this colour by selecting the Inner Line colour (r2), setting the Pencil tool to around 60%, and colouring over the Base colour (r6).
    (note that because the brown area is so small i decided it only needed 4 colours. To find this colour I actually set the Pencil tool to 50% instead of 60%). I end up with b2, r4, g4.
    • So Using your base again(r6) create a square of colour. Then, select your inner line colour (r2), set the pencil tool to 60%  and colour over top of the Base colour square you just made.  The colour you create is your Midtone.



  • Create the Remaining filler shades required.
    To create the remaining colours I Selected the Midtone (r4), set the Pencil tool to 50%, and coloured over both the Inner Line Color (r2), and The Base Color (r6). I end up with r2 and g2 from the Inner Line Colour, and r5 and g5 from the Base Color.
    • So This time create new squares of colour using your Base(r6) and your Inner Line Colour(r2). Then, select your Midonte (r2), set the pencil tool to 50%  and colour over top of the Base and Inner Line squares you just made.  The colours you create are your remaining filler shades..



And so here we have our finished Palettes!



Shading Begins!

This tutorial doesn't touch on *how* to shade things according to light source. There are many tutorials about this subject and it doesnt specifically apply to just Pixel Art. This is again to just show my process

  • Use your Base Colours to 'fill' the open areas of your Outlines. (b3,r6,g6)
    Select the Paint Bucket Tool and make sure that Contiguous has a checkmark beside it. 'Fill' Each area with the colours you want by clicking in the open spaces contained by your lines.

    The Contiguous option allows you to fill in only the contained area you click in. Otherwise it would fill -everything- of the same colour you are clicking (in this case transparent since there is no colour yet.)

    - located in the Options Bar along the top when the Paint Bucket is selected. (Window>Options)

  • Use your Outline Colours and fill or pixel the Outlines. (b1,r1,g1)
    You have a few options here. The first being to simply go back over the outlines pixel by pixel with their respective new colour.

    or, You can  Use the Paint Bucket Tool to 'fill' the Pixel Segments with their new colour. (again keeping contiguous selected)

    OR, you can 'lock' your layer, select a larger pixel size for your pencil (Say..3-5px) and then scribble/colour over your lines. Locking the layer keeps the original shape of the layer. No transparent pixels can be filled or coloured in. no current pixels placed can be erased. So it's a fast way to fill an entire layer with new colours and not 'go over the lines' so to speak.



  • Use your Inner Line Colours and pixel over any 'Outline' contained 'inside' that coloured area. (r2,g2)
    Each separate 'area' of the pixel (apple, leaf, stem) should be contained within the Outline Colour (b1,r1,g1). Use the Inner Line Colour only within these areas for now.




  • Select your Midtone (r4) and begin Shading with the pencil tool where you think shadow might hit.

    For now we're just thinking in two colours. Shadow, and highlight.





  • Select your lighter Filler colour (r5) and create some shading between the Midtone and Base Colors (r4 and r6).

    The larger the areas of colour touching each other, the larger the area you will need to shade in between them (note the larger area of this new shade at the bottom of the apple compared to near the stem).




  • Select your darker filler colour (r3) and add some shading between the Midtone (r4) and the Outline/Inner Line (r1/r2).



This Step is Optional for beginners.

  • Using the Inner Line Colour (r2), Add some Anti-Aliasing
    Anti-Aliasing is pixels you've added to try and 'smooth' contrasting shades together to avoid jagged lines against darker/brighter colours.

    I won't go in to it right now but here is at least a visual example of how I do this. Look at the previous image again to compare.




  • Select your Highlight Colour (r7) and shade in where you think your light source would hit the most area.




Everyone Makes Mistakes!
Everyone makes mistakes. Sometimes it's hard to see things from so close up. Always make sure to zoom back out and take a look from proper scale.

Here I fixed an area on the left where I thought it was too dark.





After shading all the areas this is what I ended up with!

There are still some shading mistakes in this example, but I hope you enjoyed learning my process!







So...We're done right?....or are we?Dithering - Coming Soon
Anti-Aliasing - Coming soon
Palettes In Depth - Coming Soon

Have a Step by Step Request? Let me know




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Comments: 104

Sleepy-Stardust [2013-02-25 20:07:29 +0000 UTC]

I finally got around to reading this. I wish you would have done it with no shading mistakes ): But thank you very much anyway (:

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firstfear In reply to Sleepy-Stardust [2013-02-25 21:41:56 +0000 UTC]

I'm sorry, to explain further. When I was done the tutorial images I noticed some things i would have done differently lol . I think this is true of a lot of works people create once looking back. I didn't spend a lot of time on the shading as it wasnt the focus..my process was . The process for shading is rather extensive and would have taken way too long to go too far in to the whys of things.

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firstfear In reply to Sleepy-Stardust [2013-02-25 21:34:45 +0000 UTC]

haha ; well I did explain that this is not a tutorial on how to pixel an apple. It's also not a tutorial on how to shade specifically . When I said shading mistakes I was meaning I am not perfect. I cannot claim to have done it the correct way. Sorry to disappoint.

👍: 0 ⏩: 1

Sleepy-Stardust In reply to firstfear [2013-02-26 04:44:32 +0000 UTC]

oh no! i'm not disappointed at all! i see what you mean now. this tutorial was very helpful and am very grateful! don't think your time was wasted and that it wasn't good enough. it's great!!

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ruricchi [2013-02-25 12:37:01 +0000 UTC]

thank you so much for making this StepbyStep!! it's really useful,, i'm still a novice in pixels but i'll try my best!! >///<
i still get a bit confused with the gradiated line thingy,, but i think i'll get used to it soon~
but still, you're a pro in making pixels!! this is very helpful~ <3

👍: 0 ⏩: 1

firstfear In reply to ruricchi [2013-02-28 16:00:18 +0000 UTC]

no problem ! thank you for stopping by and reading! ^^ . The gradiated line bit is something that will probably sink in more with experience :3

Gradiating the line is just to straight it out to avoid bumps or or jagged/boxy looking areas. It involves staggering the length of segments in the line gradually.

Sometimes getting an example on one of your own pieces can really help(it does for me anyways haha)..so if youd ever like assistance I'd be happy to make an edit of some simple pixel lines you make and show/explain :3.

👍: 0 ⏩: 1

ruricchi In reply to firstfear [2013-03-01 06:52:35 +0000 UTC]

you're welcome~
i know, b-but i don't know how..
weehh you're so kinddd >////<

👍: 0 ⏩: 0

SqueakyToybox [2013-02-25 00:55:06 +0000 UTC]

as i said previously, this is AMAZINGLY helpful *A* <33
thank you so much for making this caity, i know this is going
to help so many others who arent familiar with creating
pixel art~

👍: 0 ⏩: 1

firstfear In reply to SqueakyToybox [2013-02-28 15:51:05 +0000 UTC]

Aww thank you dear for giving me motivation to actually piece some of this together in to words! I've struggled with how to do so in the past, but knowing I could help a friend pushed me to do it..and in doing so I learned a bit more about my own process as well ^^. I do still have some more specific examples I can send you on facebook. I just got sidetracked with cleaning this up and adding more parts. Actually some bits I added in here I grabbed from an edit I was going to send you but then realized it could apply here as well to explain further haha :3.

I just have to figure out what order I should do things in next I guess :3. Is there anything specific you would like to see next? ^^ I was thinking dithering or antialiasing, but im not sure which . What do you think?

👍: 0 ⏩: 1

SqueakyToybox In reply to firstfear [2013-03-01 06:21:22 +0000 UTC]

aww you are too sweet ;^; <33 hehe that's so good and im
really glad i could assist you in creating something
so awesome! i really enjoyed reading the tutorial and
giving it a go for myself (its a bit scary trying new things
but you gave me inspiration to try!)

ohh that would be awesome if you send them over! im happy
to read/look at any information you have :3 haha~

hmmm.. i think for me as a beginner pixeller i was curious
about was how you do the anti aliansing and the placement
of pixels for shading (you did the leaf and i wasn't sur
how you approached that part haha but thats probably just a
little thing)

making colour palettes could also be very useful but i
think anti aliansing is really important for pixel art and
im not sure how i should go about it (but im still pixel
noob ;u; )

!!!

👍: 0 ⏩: 0

creamuu [2013-02-24 22:11:38 +0000 UTC]

Wow this StepByStep really opened my eyes and showed me that pixel art isn't as simple as I thought it was, and that there's more to it that needs to be learned if I want to improve. Thank you, and I plan on trying to search up more on this with light sources and shading, and also palettes! I never even once thought about making a palette for my pixel art, so now I'm realizing the maximum potential my pixel art didn't hit, and how making a palette could make things look less messy and blotchy. I already learned from experince about how the lineart is made to look organized and not "wibbly". I also never thought about certain amounts of colors and contrast in various sized shapes. Thank you so much for just waking me up and splashing my face with water to not underestimate pixel art. ;v;

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firstfear In reply to creamuu [2013-02-28 15:45:46 +0000 UTC]

oh wow! Comments like this make me feel great after the struggle Stash gave me to get this thing posted here haha ^^. I remember several times over the years having this kind of epiphany moment with pixels after someone helped me with an edit or left a critique etc. they pointed out things that had never even crossed my mind. I'm glad I could help pass this on to someone else down the line ^^ . I love pixelling and really enjoy seeing others work in it as well . If you ever have any questions feel free to hit me up! ^^

👍: 0 ⏩: 1

creamuu In reply to firstfear [2013-02-28 20:16:38 +0000 UTC]

Oh wow, I'm glad I can please you. ;v; Oh, I don't mean to sound stupid and off-topic but what exactly is an epiphany? I don't want to interpret the sentence incorrectly so I thought i'd asked. ;o; And it's wonderful of you to want to help others. ;v; Warms my kokoro. ; o ;/ I think it is because of this StepbyStep that i have also been thinking about light sources in my other art aswell!I love pixelling too and thank yuo so much fro offering any help you may give in the future to me.

👍: 0 ⏩: 1

firstfear In reply to creamuu [2013-02-28 21:35:48 +0000 UTC]

ohh im sorry! ^^ <3 an epiphany is like..a spark of thought..a sudden understanding or knowledge of something you didnt have moments before. Wikipedia puts it as "an experience of sudden and striking realization". [link]
its often compared to things like having a "light" go off in your head suddenly etc :3

👍: 0 ⏩: 1

creamuu In reply to firstfear [2013-02-28 21:54:44 +0000 UTC]

ohhh thank you! WHAT AN EPIPHANY. LOL. ohh lightbulb c:.

👍: 0 ⏩: 0

ThalonsLover In reply to ??? [2013-02-24 21:22:21 +0000 UTC]

This is actually very useful. I haven't really been able to make good pixels so thank you for this.

👍: 0 ⏩: 1

firstfear In reply to ThalonsLover [2013-02-28 15:40:56 +0000 UTC]

no problem! ^^ I hope if helps in some way <3.

👍: 0 ⏩: 0

asphyxiat3love [2013-02-24 19:29:55 +0000 UTC]

Wow, this is so extensive! It makes me want to get into making pixel art, and I have never once tried doing so! Well done Please feel free to make more indeed c:

👍: 0 ⏩: 1

firstfear In reply to asphyxiat3love [2013-02-28 15:40:28 +0000 UTC]

thats awesome! I hope you do give it a try! ^^

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Maraqua In reply to ??? [2013-02-24 19:27:06 +0000 UTC]

Wow, great job with this tutorial!

👍: 0 ⏩: 1

firstfear In reply to Maraqua [2013-02-28 15:40:08 +0000 UTC]

thank you! ^^

👍: 0 ⏩: 1

Maraqua In reply to firstfear [2013-03-02 01:46:14 +0000 UTC]

No problem dear.

👍: 0 ⏩: 0

Natsuba In reply to ??? [2013-02-24 18:40:38 +0000 UTC]

seriously, this is amazing and so useful

👍: 0 ⏩: 1

firstfear In reply to Natsuba [2013-02-25 16:52:35 +0000 UTC]

thank you! ^^ I'm glad it could be helpful

👍: 0 ⏩: 0

Slypht [2013-02-24 17:25:14 +0000 UTC]

This is exactly what I need!! Thank you very much, *firstfear ! It's well explained and I love especially how you explain the color palette! I always find difficulties in that part :/
I'll be waiting patiently for the next Pixel Art guidance <33

👍: 0 ⏩: 1

firstfear In reply to Slypht [2013-02-25 16:52:19 +0000 UTC]

that's great! ^-^ I'm glad this could be helpful to you . I know i struggled with palettes for a long time x_x

👍: 0 ⏩: 1

Slypht In reply to firstfear [2013-02-26 16:24:28 +0000 UTC]

it does~ Thank you so much, dear!
Once I found my free time I will practice this~ <3

👍: 0 ⏩: 0

maytel In reply to ??? [2013-02-24 15:29:50 +0000 UTC]

Oh this is great! I've always been really curious about pixel art. I really don't understand anything about shadow/highlighting but that's a problem I've always had. I think this is really helpful and I am faving it for future use

👍: 0 ⏩: 1

firstfear In reply to maytel [2013-02-25 16:50:01 +0000 UTC]

I still have issues with shading (shadow/highlight) myself which is why I kind of built the process of which colours I apply in what order. It seems to help me build my shading a little better than were I to fully shade different areas of the piece at a time. Shading (to me)is definitely something that one needs to study separate from /on top of the medium they're trying to use

👍: 0 ⏩: 1

maytel In reply to firstfear [2013-02-25 18:37:28 +0000 UTC]

Absolutely, I agree

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Viot [2013-02-24 15:16:12 +0000 UTC]

can't wait for the next one C:

👍: 0 ⏩: 1

firstfear In reply to Viot [2013-02-25 16:47:05 +0000 UTC]

I'll take a break for a bit as this took me awhile, but I hope to get the next one up soon! ^^

👍: 0 ⏩: 1

Viot In reply to firstfear [2013-02-25 23:10:52 +0000 UTC]

yay

👍: 0 ⏩: 0

ChaiLife [2013-02-24 14:06:18 +0000 UTC]

Thanks for this! Also, for Microsoft Paint, when I pixel I often use the curve tool to get my lineart right, I sketch with dark grey and go over it in black and then remove the dark grey because Microsoft Paint doesnt have layers.

👍: 0 ⏩: 1

firstfear In reply to ChaiLife [2013-02-25 16:46:21 +0000 UTC]

I'm not familiar with the curve tool . Does it truely give 'straight' (non wibbly) lines? Does it just make 'curves'? as opposed to..like the pen tool in photoshop which you can make -any- shape with and then have the program 'go over' the pen line with the pencil tool at 1px for you. I still need to go back over the lines and clean them up when i use the pen tool.

At this point i find it funny/strange that no one at microsoft has given layer functionality in paint x_x. If simple oekaki programs can have it then so can paint haha

👍: 0 ⏩: 1

ChaiLife In reply to firstfear [2013-02-25 20:13:55 +0000 UTC]

You control the curve with your mouse you dont really draw it by waving the mouse around, you make a line connecting two points and you get two clicks to adjust it. It's nothing like a pen tool really. i can probably make a mini-tutorial to show you how it works.

And yes, I need layers very very much xD

👍: 0 ⏩: 1

firstfear In reply to ChaiLife [2013-02-25 21:36:40 +0000 UTC]

haha well...now I'm confused because what you're describing sounds really similar to the pen tool in photoshop . The pen tool isn't a tool you 'draw' with unless you have it set to freeform. You click points which are automatically connected with a line. You're given the ability to adjust the angle/bend of the lines between each point

👍: 0 ⏩: 1

ChaiLife In reply to firstfear [2013-02-25 22:43:11 +0000 UTC]

You're not really able to adjust it after you set it.

I thought the pen tool was like the pencil tool except it had a bunch of effects and stuff?

👍: 0 ⏩: 1

firstfear In reply to ChaiLife [2013-02-25 23:26:08 +0000 UTC]

nope not really. You place points as I mentioned..and the lines between them you can kind of bend to your will to create any shape you want haha . Once you have the pen line shape you right click and 'stroke' the path. At that point you get a drop down where you can then choose pencil or paintbrush etc. The program will then draw along the line with the selected tool. So it saves time when trying to make long lines, but you definitely still need to go back and clean them up :3

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ChaiLife In reply to firstfear [2013-02-25 23:33:31 +0000 UTC]

Oh, i think i was thinking of the brush tool XD

👍: 0 ⏩: 0

bonehildas [2013-02-24 13:15:52 +0000 UTC]

Thank you so much for this! I just started making pixels and this is just what I needed ; w ;/

👍: 0 ⏩: 1

firstfear In reply to bonehildas [2013-02-25 16:42:39 +0000 UTC]

aww no problem! I wish you luck on your new pixelling adventure! ^^

👍: 0 ⏩: 0

NuriiiYuna [2013-02-24 12:09:07 +0000 UTC]

I love this tutorial. :3 thanks !

👍: 0 ⏩: 1

firstfear In reply to NuriiiYuna [2013-02-25 16:41:59 +0000 UTC]

no problem! I hope it might be useful! ^^

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Kandy-Cube In reply to ??? [2013-02-24 10:24:49 +0000 UTC]

Very well Explained

👍: 0 ⏩: 1

firstfear In reply to Kandy-Cube [2013-02-24 10:38:12 +0000 UTC]

thank you! I'm glad ^^. I've reworded things a few times to try and make it more understandable for even beginners as well hopefully

👍: 0 ⏩: 1

Kandy-Cube In reply to firstfear [2013-02-24 10:39:41 +0000 UTC]

i think you have very much so



if you like i know a good thing to link for beginners so they can under stand things abit better [link]

👍: 0 ⏩: 1

firstfear In reply to Kandy-Cube [2013-02-24 10:43:15 +0000 UTC]

ahh perfect! thank you for the link

👍: 0 ⏩: 1

Kandy-Cube In reply to firstfear [2013-02-24 10:43:53 +0000 UTC]

<3 No prob

👍: 0 ⏩: 0

Miss-Glitter In reply to ??? [2013-02-24 10:22:54 +0000 UTC]

ohh this is super helpful!
and looks amazing <3

👍: 0 ⏩: 1


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