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Description
Guess who remembered she has a stylus and PCs with angled screens? This bitch!
Really, though, digital art like this is something I have to do in big chunks of time with a hell of a lot of inspiration, unlike a story idea I can jot down for a moment and come back to later. I don't know why, either, lmao. Who knew that I would get that inspiration from an old advertisement, of all things? Anything size-focused is a huge selling point for me, but when the literal selling point is a real fashion statement and is literally huge (and is modeled by a cute face I didn't dare to copy here), I'm the one sold.

I'm so down-cataclysmic that I've even pondered a full storyline, as usual, where its introduction is depicted here as if I need another plot not to finish. However, I will say that in my ideas,
1) I've named the big cinnamon roll Fabián and the mini, mature madam with the camera and hate toward most things Lise,
2) they met on this shoot where Fabián went off to find pretty much literally any small person since they were missing from the set advertising consumer versions of workers' uniforms, only to end in an actual work environment with some of them where their genuine jackets are the only things keeping them (and only them) alive on the job,
3) due to some unrelated drama that puts Lise in danger, Fabián volunteers to take Lise as a room-/housemate (because bunking with someone that hates you is weird and unlikely), and they end up cohabitating, eventually melting from icy strangers to a heartwarming, trauma-troubled family, with Lise being a maternal figure that can finally care for someone without letting go that Fabián wished he had up until then.
~I don't know if they're in the same shared universe as Endgame and The High Low Life, but that classic 1:12 size difference would match. The leading ladies of both would probably hate this ad attempt (and so does Lise, but money trumps morals most of the time for her, like here).

Breaking out the pen again was wonderful. Maybe I won't wait more years to do it again. I hope I did okay, though. 😊

What kind of pet door-ass garage entrance did he use to get in there?
~Autodesk Sketchbook - shout out the French curve tool for the design on the floor
~the muse(s)
~~ more specifically, the 2016 Moncler Spring/Summer (Men's) campaign for the "Langue Saison" jackets and coats, inspired by Gulliver's Travels by Jonathan Swift, modeled by Ignacio Ondategui (and various 3D models that I want [to make and/or have] really badly), and captured by Annie Leibovitz - not sponsored but if I were, then maybe I'd spend $1000+ on a coat (though the customization options for it are pretty sweet, TBH)
~the base for photog
~factory inspiration A
~factory inspiration B

Circa January 2023.

I wish I were a line-art merchant that could be bothered to color and outline with actual skills, but that isn't me. I will texturize a whole outfit only to blur it in the end, apparently. And, look, I'm still bad at shadows. 🙃

Description
Guess who remembered she has a stylus and PCs with angled screens? This bitch!
Really, though, digital art like this is something I have to do in big chunks of time with a hell of a lot of inspiration, unlike a story idea I can jot down for a moment and come back to later. I don't know why, either, lmao. Who knew that I would get that inspiration from an old advertisement, of all things? Anything size-focused is a huge selling point for me, but when the literal selling point is a real fashion statement and is literally huge (and is modeled by a cute face I didn't dare to copy here), I'm the one sold.

I'm so down-cataclysmic that I've even pondered a full storyline, as usual, where its introduction is depicted here as if I need another plot not to finish. However, I will say that in my ideas,
1) I've named the big cinnamon roll Fabián and the mini, mature madam with the camera and hate toward most things Lise,
2) they met on this shoot where Fabián went off to find pretty much literally any small person since they were missing from the set advertising consumer versions of workers' uniforms, only to end in an actual work environment with some of them where their genuine jackets are the only things keeping them (and only them) alive on the job,
3) due to some unrelated drama that puts Lise in danger, Fabián volunteers to take Lise as a room-/housemate (because bunking with someone that hates you is weird and unlikely), and they end up cohabitating, eventually melting from icy strangers to a heartwarming, trauma-troubled family, with Lise being a maternal figure that can finally care for someone without letting go that Fabián wished he had up until then.
~I don't know if they're in the same shared universe as Endgame and The High Low Life, but that classic 1:12 size difference would match. The leading ladies of both would probably hate this ad attempt (and so does Lise, but money trumps morals most of the time for her, like here).

Breaking out the pen again was wonderful. Maybe I won't wait more years to do it again. I hope I did okay, though. 😊

What kind of pet door-ass garage entrance did he use to get in there?
~Autodesk Sketchbook - shout out the French curve tool for the design on the floor
~the muse(s)
~~ more specifically, the 2016 Moncler Spring/Summer (Men's) campaign for the "Langue Saison" jackets and coats, inspired by Gulliver's Travels by Jonathan Swift, modeled by Ignacio Ondategui (and various 3D models that I want [to make and/or have] really badly), and captured by Annie Leibovitz - not sponsored but if I were, then maybe I'd spend $1000+ on a coat (though the customization options for it are pretty sweet, TBH)
~the base for photog
~factory inspiration A
~factory inspiration B

Circa January 2023.

I wish I were a line-art merchant that could be bothered to color and outline with actual skills, but that isn't me. I will texturize a whole outfit only to blur it in the end, apparently. And, look, I'm still bad at shadows. 🙃