HOME | DD

Description
I've always been a tremendous fan of the Bond Franchise, so when I first started dabbling in vector graphics, I always had it in the back of my head that I wanted to put my own style on some very famous and very iconic movie posters.

For all you Daltonites out there, Licence to Kill was Timothy Dalton's second and final spin in the tuxedo. Licence to Kill was neither a critical hit, nor a box-office hit, yet the film largely stands up, despite some grating spectacles from the gaudy 80's. One element the Dalton years unquestionably did well, however, were the pre-title sequences. The LTK sequence--which featured Bond roping in a moving plane with a tow cable from a moving helicopter before skydiving down to the wedding of Felix Leiter--both tied into the plot well, and featured some pretty dazzling stunts. So good, in fact, the sequence would be largely ripped off by The Dark Knight Rises, where Bane pulls off a similar feat, stylishly aided by more modern stunt and CGI technology.

Description
I've always been a tremendous fan of the Bond Franchise, so when I first started dabbling in vector graphics, I always had it in the back of my head that I wanted to put my own style on some very famous and very iconic movie posters.

For all you Daltonites out there, Licence to Kill was Timothy Dalton's second and final spin in the tuxedo. Licence to Kill was neither a critical hit, nor a box-office hit, yet the film largely stands up, despite some grating spectacles from the gaudy 80's. One element the Dalton years unquestionably did well, however, were the pre-title sequences. The LTK sequence--which featured Bond roping in a moving plane with a tow cable from a moving helicopter before skydiving down to the wedding of Felix Leiter--both tied into the plot well, and featured some pretty dazzling stunts. So good, in fact, the sequence would be largely ripped off by The Dark Knight Rises, where Bane pulls off a similar feat, stylishly aided by more modern stunt and CGI technology.