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Description
c. 2016
media: collage, paper, fingerprints, ink, salt, glue

My second piece based on the theme forensic evidence and aftermath, leftovers and residues regarding sexual assault, and rape.
This piece is a diptych.
The left panel is of a males face, masked in finger prints and genome DNA identification patterns. It can specifically point to a person, but is vague that anybody can be put in that place. The panel on the right is of a woman, a array of finger prints making up her face. She's drawn on a drug related sexual assault form, blocking out all the words that would identify her identity. Above her are hands, sprinkling a drug, but as well sprinkling the sands of time, in what could have prevented the event and how long it'll take for her to recover.
No means no.

Description
c. 2016
media: collage, paper, fingerprints, ink, salt, glue

My second piece based on the theme forensic evidence and aftermath, leftovers and residues regarding sexual assault, and rape.
This piece is a diptych.
The left panel is of a males face, masked in finger prints and genome DNA identification patterns. It can specifically point to a person, but is vague that anybody can be put in that place. The panel on the right is of a woman, a array of finger prints making up her face. She's drawn on a drug related sexual assault form, blocking out all the words that would identify her identity. Above her are hands, sprinkling a drug, but as well sprinkling the sands of time, in what could have prevented the event and how long it'll take for her to recover.
No means no.