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Description
The P67 is a hefty beast and most people are put off by its bulk and weight as it is impractical especially by todays standards. This said I do find it a delight to work with, it's also a good conversation starter when you're out and about. I primarily use the 75mm lens with it (the super-takumar version), one of the finest lens' Pentax have ever made in my opinion, I find that although it's a prime lens, it can be used for almost anything and has proven to be best at portraiture and general use. I also use the waist level finder as it has a very useful magnifying eyepiece and the finder doesnt dim the light coming through onto the ground glass unlike the prism, which makes it very useful for low light.
I shoot only on Fujifilm, PRO 400H is what I used for the night shots, it provides a lovely 'dreamy' quality I failed to produce with the 800 or 160 varient. As for the processing, all standard with no CC.. the colour you see is purely what the camera recorded over the exposure, I chose to photograph at around 4am september-november on VERY misty occasions so that the light travels in such an alien way through the air.

Description
The P67 is a hefty beast and most people are put off by its bulk and weight as it is impractical especially by todays standards. This said I do find it a delight to work with, it's also a good conversation starter when you're out and about. I primarily use the 75mm lens with it (the super-takumar version), one of the finest lens' Pentax have ever made in my opinion, I find that although it's a prime lens, it can be used for almost anything and has proven to be best at portraiture and general use. I also use the waist level finder as it has a very useful magnifying eyepiece and the finder doesnt dim the light coming through onto the ground glass unlike the prism, which makes it very useful for low light.
I shoot only on Fujifilm, PRO 400H is what I used for the night shots, it provides a lovely 'dreamy' quality I failed to produce with the 800 or 160 varient. As for the processing, all standard with no CC.. the colour you see is purely what the camera recorded over the exposure, I chose to photograph at around 4am september-november on VERY misty occasions so that the light travels in such an alien way through the air.