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Description
REALITY CHECK!

Writing for Profit
It's Not just an Adventure - It's a JOB.

Whoever told you that writing fiction for publication - for money - is supposed to be Artistic, Fun, or Easy -- LIED.

Writing may look artistic, and creative writing certainly is artistic (that's why they call it Creative Writing,) but writing for a living; writing for publication with the intent to get paid on a regular basis is NOT artistic, it's NOT always fun, and it certainly is NOT easy.

Writing for publication is WORK. Sure, some of it is fun, but the bulk of it is mind-bending, eye-straining work. Don't get me wrong, creativity is part of the job of writing for a living, but if you think us professional writers turn on "the Creative Muse" at 8 AM and shut her back off again at 5:30 PM then you are missing the point entirely.

The Road to publication is paved with glamorous Half-Truths.

• Half-Truth: "If you write it someone will publish it."
• Whole Truth: "If you write it and the publisher is already looking for it, they'll publish it."

If you have written a spectacular SCI-FI story and the Publisher is looking for a Mystery story, they will pass over your wonderful SCI-FI for a Mystery with only half the quality of your SCI-FI, because Mystery is what they have an opening for - not SCI-FI.

When they hang onto your stuff for months - or even years - at a time? Think of it this way: They're probably waiting for an opening that they have the perfect story for.

• Half-Truth: "Once you're in with a good publisher you're in for life!"
• Whole Truth: "Once you're in with a good publisher you have to prove that you can Write on Demand."

While your name is still sitting on the `net (or the shelf,) you have until the next publishing cycle to punch out another story equally as good. (One month for your average magazine and one year for a novel.)

Only this time, the publisher is going to tell you what they want: "Gimme the same story, different characters, same plot arc but move some stuff around. Oh, and this time, don't have them do this, the readers don't like it, have them do that instead." (Sigh.)

Look at it this way: You don't have to guess what the publisher wants this time around.

• Half-Truth: "Once I'm in with a good publisher I can write whatever I want."
• Whole Truth: "If you want to stay with that good publisher you better write what they want, when they want it, in the way they want it written."

You're going to tell the publisher that you will only write what YOU want to write? Do you really think any publishing house is going to hire a writer that won't do what they want them to do? Unless you are Susie Bright or Anne Rice: "Game-Over, man. Game-Over."

Time to go back to your desk, find a new pen name, punch out yet another novel and go through the whole damn thing all over again to find another publisher. Only this time your new publishing house will call your old publishing house and ask what the problem was. Why aren't you with Them anymore?

Let me repeat myself: Do you really think a publishing house is going to hire a writer that won't write what they want them to write?

You want to make money? Then you knuckle under and work your butt off to deliver what the publisher is asking for.

Writing for Publication is NOT about creativity. It's about MONEY.

Writing for a living is about sitting at a desk in an office every day and WRITING whether or not you `feel like it'. Does this make you less artistic? Does this mean that you are not being creative? Does this make you a hack writer?

Forget all that stuff - it makes you EMPLOYED.

What else would you call it? Authors telecommute their work and progress to their editors and get paid for it. The faster they write the faster they're paid. The better they conform to the publishing house's demands, the better they are paid. End story.

A publisher is in the business of selling Books or Magazines not displaying Art or promoting Literature. They are looking for what THEY want, WHEN they want it in the WAY they want it. Period. If you can sneak interesting, different and Creative writing in between their formulaic demands GREAT! They Love that, but in the mean time the rest of your work had better conform to what they want.

What if the Muse strikes and you get a terrific idea? Great! Write it between assignments and make the publisher PAY through the nose to get it.

• Half-Truth: "I can make a fortune writing Erotica."
• Whole Truth: "You can make a fortune writing Erotica - if you sell it to a top publishing house, and it ends up on the New York Times Bestseller list in one of the top 5 positions."

Erotic Romance is currently the most profitable genre in both the eBook market and in New York. (Which is why I write it.) Authors for ePublishing Houses like Loose Id, Mojo Castle, Changling Press, and Samhain are making rather tidy - and regular - royalties on their erotica novels, but not a fortune.

If xXx is the way you really wanna go, writing a sex-story or Porn Letter for an adult magazine or eZine is much faster and far easier to crank out at volume. It's also steadier work than erotica and it pays better per word count. ($25.00 to $150.00 per letter, roughly 2 cents a word, at 15,000 words max.) Not to mention that you don't have to worry about characterization or plot, just spelling and grammar.

What? Did you think adult magazine Letters were written by Amateurs? Hell no! Those are professional writers. Trust me, a magazine editor will accept and pay more for a letter written by a professional writer than anything written by an amateur. In addition: the more expensive the magazine, the more they'll (probably) pay their writers.

Note: The writing standards for Erotic Romance markets are FAR higher than those asking for porn stories. Translation: To publish Erotic Romance, you have to use basic grammar, characterization and an actual PLOT.

-----Original Message-----
"What a wonderful rant! And here I was thinking that perhaps my being a mercenary writer was an anomaly! Fortunately, I have been doing everything you state here since I started, and people have become very annoyed with me because I keep succeeding when they fail… But even writing isn't everything. Your post didn't go far enough...

• Half-Truth: "Once your masterpiece is in print, people will buy it, love it, and demand more."
• Whole Truth: "People will buy it if they KNOW about it, will love it if the reviewers tell them it's wonderful, and will demand more if they know more are possible."

You also have to SELL.

Sell yourself, sell your book and sell your ability to do it all over again. The publisher doesn't want to work. They want to put the book on the shelf and have people slavering over it. But that doesn't just *happen* all by itself. Someone has to hype it, and it won't be the publisher.

The author must tell the readers. The author must solicit the reviewers, must produce press releases and attend book signings and make sure the readers know there will be new books.

But thanks for bolstering me up a bit. It's a lonely life in front of the computer, pushing and pushing to get noticed. Apparently, it's worth the trouble!"

~ Cathy Clamp ~ Published Author
(Posted with permission.)

Does all this seem like Too Much Work?

The average 60k category-length book takes 6 to 8 MONTHS to write.

• And then you have to Edit the manuscript, which takes about a month just for typos - that's if you already know your grammar and have the basics of story structure.
• And then you have to Shop it to the publishers, this alone can take YEARS, (Christine Feehan had a over half a dozen full novels WRITTEN before she was noticed by her publisher.)
• And then you have to negotiate with the publishers, which can take months just in haggling over contract clauses.
• And then you have to Edit the story AGAIN to what the Publisher thinks they can sell. This can mean ripping out whole hunks of plot and rewriting your characters to make them more suitable for THEIR reading audience. Add a few more months.
• And then it may be a Year or More before it ever shows up on the shelf.

Don't even THINK about royalties unless you sell spectacularly well. And even if you do sell well, royalties won't even show up until a full YEAR AFTER PUBLICATION.

Writing Is NOT a Get-Rich-Quick career - by any means.

Writing is TIME CONSUMING hard freaking work. Make no mistake - Writing for Profit is a 24/7 JOB - not something you pump out on the weekends when you're bored.

If you are prepared for the realities of Publication, you CAN Profit, in the long run. But - Not everyone wants to devote their entire waking life to research and typing.

The big question is: What Do YOU Really WANT?

What is more crucial to your Personal Writing Happiness?

Your Artistic Expression?
~~~~~~~~~~~~
Then you are a "Recreational writer"; someone who writes for the sheer pleasure of doing something creative. You are an Artist. Your future consists of publishing one 'great work', with the possibility of publishing another 'great work' a few years (or more) later on down the road - and never with the same publishing house.

Making Money?
~~~~~~~~~~~~
You are a "Mercenary writer" who has their own home office -- with a door -- that will pump out what ever is asked for in a timely, professional manner. You are one of the few, the proud, and the paid regularly. You don't need a day job because writing IS your day job, only it's 24/7 without holidays -- or insurance.

Anne Rice wrote Adult fiction under the name: AN Roquelaure. Horror author Steven King wrote for magazines, and Romance author Nora Roberts, also known as JD Robb, made her money writing Harlequin romances. Dean Koontz used to write smut and gothic romance to pay his bills. These authors worked their butts off writing whatever their publishers asked for all by themselves with no support, until they made a name big enough to dictate their demands to their publishers.

Fame?
~~~~~~~~~~~~
That makes you an "Aspiring Author". Your future consists of one great work that is most likely your own personal memoirs. Sadly, the only memoirs and biographies being published today are those belonging to big name Celebrities. But that won't stop you! You have a Vision! A dream! And a full time job that allows you time in the evenings and weekends to type away on your computer -- when your spouse isn't using it, or your children.

How do I know all this?

I actually write fiction for a living. However, I was once the copywriter / publicist for one of the largest internet porn companies in the world. This is where I learned all about writing on demand. Somebody had to write all that filler text, and make it interesting.

I am currently living on my ebook royalties. That's right, paying my bills by writing Romantic SMUT full time. I write what I'm told to write, when I'm told to write it, about things that I'm told to write about because I'm being paid to do just that.

I'm a Mercenary.

Advice to the Burgeoning Writer

Write every spare moment you have and FINISH your story. Always have at least two people check your grammar and your sentence structure. Have at least two more people read your stuff and check it for:

• Readability: Can you tell exactly what's happening to who? And How?
• Story-Drag: Is it Boring? Did your reader skim over any of your paragraphs to "Get to the Good Stuff"?
• Effectiveness: Does it make your reader FEEL something? Happiness, sadness, angst, excitement, arousal?

BEFORE SUBMITTING ANYWHERE!!!

Read the Submission Guidelines carefully.
~~~~~~~~~~~~~~
Send the editors exactly what they are looking for. Close is not good enough. If they are looking for Erotic Romance, then your story had better be sexually explicit and involve a couple falling in love. You have to have both the sex and the Romance to interest an Erotic Romance publisher.

Be willing to work with the editors on requested changes.
~~~~~~~~~~~~~~
Many editors try to be gentle with their comments to new authors and have been known to understate what they mean. That does not make their comment random or invalid! If an editor goes to the trouble of noting something about your story, take it very seriously.

Remember: You are writing to Sell and Publication Editors are looking for authors to fill their readers requests. They are there to make their publishing house look good by making YOU look good.

This has been your Reality Check announcement.

Ookami Kasumi
Mercenary Writer – and darn proud of it.

:) (Smile) — Description
REALITY CHECK!

Writing for Profit
It's Not just an Adventure - It's a JOB.

Whoever told you that writing fiction for publication - for money - is supposed to be Artistic, Fun, or Easy -- LIED.

Writing may look artistic, and creative writing certainly is artistic (that's why they call it Creative Writing,) but writing for a living; writing for publication with the intent to get paid on a regular basis is NOT artistic, it's NOT always fun, and it certainly is NOT easy.

Writing for publication is WORK. Sure, some of it is fun, but the bulk of it is mind-bending, eye-straining work. Don't get me wrong, creativity is part of the job of writing for a living, but if you think us professional writers turn on "the Creative Muse" at 8 AM and shut her back off again at 5:30 PM then you are missing the point entirely.

The Road to publication is paved with glamorous Half-Truths.

• Half-Truth: "If you write it someone will publish it."
• Whole Truth: "If you write it and the publisher is already looking for it, they'll publish it."

If you have written a spectacular SCI-FI story and the Publisher is looking for a Mystery story, they will pass over your wonderful SCI-FI for a Mystery with only half the quality of your SCI-FI, because Mystery is what they have an opening for - not SCI-FI.

When they hang onto your stuff for months - or even years - at a time? Think of it this way: They're probably waiting for an opening that they have the perfect story for.

• Half-Truth: "Once you're in with a good publisher you're in for life!"
• Whole Truth: "Once you're in with a good publisher you have to prove that you can Write on Demand."

While your name is still sitting on the `net (or the shelf,) you have until the next publishing cycle to punch out another story equally as good. (One month for your average magazine and one year for a novel.)

Only this time, the publisher is going to tell you what they want: "Gimme the same story, different characters, same plot arc but move some stuff around. Oh, and this time, don't have them do this, the readers don't like it, have them do that instead." (Sigh.)

Look at it this way: You don't have to guess what the publisher wants this time around.

• Half-Truth: "Once I'm in with a good publisher I can write whatever I want."
• Whole Truth: "If you want to stay with that good publisher you better write what they want, when they want it, in the way they want it written."

You're going to tell the publisher that you will only write what YOU want to write? Do you really think any publishing house is going to hire a writer that won't do what they want them to do? Unless you are Susie Bright or Anne Rice: "Game-Over, man. Game-Over."

Time to go back to your desk, find a new pen name, punch out yet another novel and go through the whole damn thing all over again to find another publisher. Only this time your new publishing house will call your old publishing house and ask what the problem was. Why aren't you with Them anymore?

Let me repeat myself: Do you really think a publishing house is going to hire a writer that won't write what they want them to write?

You want to make money? Then you knuckle under and work your butt off to deliver what the publisher is asking for.

Writing for Publication is NOT about creativity. It's about MONEY.

Writing for a living is about sitting at a desk in an office every day and WRITING whether or not you `feel like it'. Does this make you less artistic? Does this mean that you are not being creative? Does this make you a hack writer?

Forget all that stuff - it makes you EMPLOYED.

What else would you call it? Authors telecommute their work and progress to their editors and get paid for it. The faster they write the faster they're paid. The better they conform to the publishing house's demands, the better they are paid. End story.

A publisher is in the business of selling Books or Magazines not displaying Art or promoting Literature. They are looking for what THEY want, WHEN they want it in the WAY they want it. Period. If you can sneak interesting, different and Creative writing in between their formulaic demands GREAT! They Love that, but in the mean time the rest of your work had better conform to what they want.

What if the Muse strikes and you get a terrific idea? Great! Write it between assignments and make the publisher PAY through the nose to get it.

• Half-Truth: "I can make a fortune writing Erotica."
• Whole Truth: "You can make a fortune writing Erotica - if you sell it to a top publishing house, and it ends up on the New York Times Bestseller list in one of the top 5 positions."

Erotic Romance is currently the most profitable genre in both the eBook market and in New York. (Which is why I write it.) Authors for ePublishing Houses like Loose Id, Mojo Castle, Changling Press, and Samhain are making rather tidy - and regular - royalties on their erotica novels, but not a fortune.

If xXx is the way you really wanna go, writing a sex-story or Porn Letter for an adult magazine or eZine is much faster and far easier to crank out at volume. It's also steadier work than erotica and it pays better per word count. ($25.00 to $150.00 per letter, roughly 2 cents a word, at 15,000 words max.) Not to mention that you don't have to worry about characterization or plot, just spelling and grammar.

What? Did you think adult magazine Letters were written by Amateurs? Hell no! Those are professional writers. Trust me, a magazine editor will accept and pay more for a letter written by a professional writer than anything written by an amateur. In addition: the more expensive the magazine, the more they'll (probably) pay their writers.

Note: The writing standards for Erotic Romance markets are FAR higher than those asking for porn stories. Translation: To publish Erotic Romance, you have to use basic grammar, characterization and an actual PLOT.

-----Original Message-----
"What a wonderful rant! And here I was thinking that perhaps my being a mercenary writer was an anomaly! Fortunately, I have been doing everything you state here since I started, and people have become very annoyed with me because I keep succeeding when they fail… But even writing isn't everything. Your post didn't go far enough...

• Half-Truth: "Once your masterpiece is in print, people will buy it, love it, and demand more."
• Whole Truth: "People will buy it if they KNOW about it, will love it if the reviewers tell them it's wonderful, and will demand more if they know more are possible."

You also have to SELL.

Sell yourself, sell your book and sell your ability to do it all over again. The publisher doesn't want to work. They want to put the book on the shelf and have people slavering over it. But that doesn't just *happen* all by itself. Someone has to hype it, and it won't be the publisher.

The author must tell the readers. The author must solicit the reviewers, must produce press releases and attend book signings and make sure the readers know there will be new books.

But thanks for bolstering me up a bit. It's a lonely life in front of the computer, pushing and pushing to get noticed. Apparently, it's worth the trouble!"

~ Cathy Clamp ~ Published Author
(Posted with permission.)

Does all this seem like Too Much Work?

The average 60k category-length book takes 6 to 8 MONTHS to write.

• And then you have to Edit the manuscript, which takes about a month just for typos - that's if you already know your grammar and have the basics of story structure.
• And then you have to Shop it to the publishers, this alone can take YEARS, (Christine Feehan had a over half a dozen full novels WRITTEN before she was noticed by her publisher.)
• And then you have to negotiate with the publishers, which can take months just in haggling over contract clauses.
• And then you have to Edit the story AGAIN to what the Publisher thinks they can sell. This can mean ripping out whole hunks of plot and rewriting your characters to make them more suitable for THEIR reading audience. Add a few more months.
• And then it may be a Year or More before it ever shows up on the shelf.

Don't even THINK about royalties unless you sell spectacularly well. And even if you do sell well, royalties won't even show up until a full YEAR AFTER PUBLICATION.

Writing Is NOT a Get-Rich-Quick career - by any means.

Writing is TIME CONSUMING hard freaking work. Make no mistake - Writing for Profit is a 24/7 JOB - not something you pump out on the weekends when you're bored.

If you are prepared for the realities of Publication, you CAN Profit, in the long run. But - Not everyone wants to devote their entire waking life to research and typing.

The big question is: What Do YOU Really WANT?

What is more crucial to your Personal Writing Happiness?

Your Artistic Expression?
~~~~~~~~~~~~
Then you are a "Recreational writer"; someone who writes for the sheer pleasure of doing something creative. You are an Artist. Your future consists of publishing one 'great work', with the possibility of publishing another 'great work' a few years (or more) later on down the road - and never with the same publishing house.

Making Money?
~~~~~~~~~~~~
You are a "Mercenary writer" who has their own home office -- with a door -- that will pump out what ever is asked for in a timely, professional manner. You are one of the few, the proud, and the paid regularly. You don't need a day job because writing IS your day job, only it's 24/7 without holidays -- or insurance.

Anne Rice wrote Adult fiction under the name: AN Roquelaure. Horror author Steven King wrote for magazines, and Romance author Nora Roberts, also known as JD Robb, made her money writing Harlequin romances. Dean Koontz used to write smut and gothic romance to pay his bills. These authors worked their butts off writing whatever their publishers asked for all by themselves with no support, until they made a name big enough to dictate their demands to their publishers.

Fame?
~~~~~~~~~~~~
That makes you an "Aspiring Author". Your future consists of one great work that is most likely your own personal memoirs. Sadly, the only memoirs and biographies being published today are those belonging to big name Celebrities. But that won't stop you! You have a Vision! A dream! And a full time job that allows you time in the evenings and weekends to type away on your computer -- when your spouse isn't using it, or your children.

How do I know all this?

I actually write fiction for a living. However, I was once the copywriter / publicist for one of the largest internet porn companies in the world. This is where I learned all about writing on demand. Somebody had to write all that filler text, and make it interesting.

I am currently living on my ebook royalties. That's right, paying my bills by writing Romantic SMUT full time. I write what I'm told to write, when I'm told to write it, about things that I'm told to write about because I'm being paid to do just that.

I'm a Mercenary.

Advice to the Burgeoning Writer

Write every spare moment you have and FINISH your story. Always have at least two people check your grammar and your sentence structure. Have at least two more people read your stuff and check it for:

• Readability: Can you tell exactly what's happening to who? And How?
• Story-Drag: Is it Boring? Did your reader skim over any of your paragraphs to "Get to the Good Stuff"?
• Effectiveness: Does it make your reader FEEL something? Happiness, sadness, angst, excitement, arousal?

BEFORE SUBMITTING ANYWHERE!!!

Read the Submission Guidelines carefully.
~~~~~~~~~~~~~~
Send the editors exactly what they are looking for. Close is not good enough. If they are looking for Erotic Romance, then your story had better be sexually explicit and involve a couple falling in love. You have to have both the sex and the Romance to interest an Erotic Romance publisher.

Be willing to work with the editors on requested changes.
~~~~~~~~~~~~~~
Many editors try to be gentle with their comments to new authors and have been known to understate what they mean. That does not make their comment random or invalid! If an editor goes to the trouble of noting something about your story, take it very seriously.

Remember: You are writing to Sell and Publication Editors are looking for authors to fill their readers requests. They are there to make their publishing house look good by making YOU look good.

This has been your Reality Check announcement.

Ookami Kasumi
Mercenary Writer – and darn proud of it.