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Description
This week’s cover for the New Yorker.
I was so surprised this one was chosen because it’s so abstract.
I am really proud of taking a chance by doing and sending it and very very happy it made the cut.
It's probably my favorite cover so far. Not because it's the " better drawn" one or the most symbolic. It's mostly because it's entirely based on a feeling of a city waking up rather than a structured drawing.
Thank you Francoise Mouly, Genevieve Bormes and David Remnick for taking a chance on this one
( And always always always, thank you Peter De Seve for everything)

Description
This week’s cover for the New Yorker.
I was so surprised this one was chosen because it’s so abstract.
I am really proud of taking a chance by doing and sending it and very very happy it made the cut.
It's probably my favorite cover so far. Not because it's the " better drawn" one or the most symbolic. It's mostly because it's entirely based on a feeling of a city waking up rather than a structured drawing.
Thank you Francoise Mouly, Genevieve Bormes and David Remnick for taking a chance on this one
( And always always always, thank you Peter De Seve for everything)