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Description

I put a bit more dynamics into the posing and acting, with some actual visual storytelling, which I could then clean up, then to use simple swatches for coloring. Honestly, just doubling the resolution and finelining does a lot, and actually using the fabric fills it in.
I put in a repeating pattern overlayed with a roughing for the "backgroung". Many panels would have background sets, but for certain select articles, abstraction cuts cleaner. I thought a blank or a gradient was not enough, so I made a stamp of sorts. Context would matter notably.

I've got just a few technical issues to work through, but I really think the process is good enough to move forward.

I'm really pleased with the way it turned out... I mean, for a moment there I thought, "maybe this guy knows what hes doing!" I actually can do more than what most of my post would imply, but I tend to get bored and not put in the effort that I ought to. I'll be doing better in the future.

Keep up!

Description

I put a bit more dynamics into the posing and acting, with some actual visual storytelling, which I could then clean up, then to use simple swatches for coloring. Honestly, just doubling the resolution and finelining does a lot, and actually using the fabric fills it in.
I put in a repeating pattern overlayed with a roughing for the "backgroung". Many panels would have background sets, but for certain select articles, abstraction cuts cleaner. I thought a blank or a gradient was not enough, so I made a stamp of sorts. Context would matter notably.

I've got just a few technical issues to work through, but I really think the process is good enough to move forward.

I'm really pleased with the way it turned out... I mean, for a moment there I thought, "maybe this guy knows what hes doing!" I actually can do more than what most of my post would imply, but I tend to get bored and not put in the effort that I ought to. I'll be doing better in the future.

Keep up!