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Description
v nekem filmu je bilo rečeno da pričenjaš hlepeti po nečem zato ker to reč vidiš vsak dan. stolček vidim vsakič ko grem iz kuhinje v svojo sobo preko veže, in velikokrat vidim da stolček hudo lepo zgleda v popolni temi, in je osvetljen samo s svetlobo ki prihaja iz moje sobe, za tem stolom. kot velik ljubitelj "noir" izgleda sem občudoval ostre sence stola ki jih riše svetloba in padajo proti meni. odločil sem se da naredim dve fotki. eno ostro in "noir" (katera sledi), drugo pa mehko in "portretno".
to sem v stilu Arri-jevega ARRIGLOW-a poimenoval StoolGLOW. hotel sem nek soft fokus efekt a sem bil oborožen le s svojim objektivoma, katera pa po defaultu nista tako mehka. mehkost sem pa izvedel tako, da sem motiv osvetljeval kakih 20 sekund, ter si zraven štel. ko sem prišel do 15. sekunde sem prijel obroč za fokus ter se sprehodil skozi celotno fokusno območje - od 45centi do neskončnosti. tako je stol v zadnjih 5 sekundah osvetljevanja dobil "glow"

50mm+ilford, moral sem pa obrezat sliko zgoraj in spodaj, ker so mi zajebali skeniranje filma.

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there's a movie quote stuck in my head that says we begin to long for something when we see it every day. the little stool looks pretty cool as i see it walking in darkness from the kitchen to my room through the porch, day by day - and so it caught my eye. as it is backlit by the light coming from my room, sharp shadows falling toward me are formed. as a fan of film noir look I watched these shadows in awe and decided to take two photos. a sharp "noir look" one (follows) and a soft "portrait" photo which you see here. i named it StoolGLOW, taking inspiration from the ARRIGLOW system from Arri. i needed to get the softness somehow, but my lenses are too sharp for that. so i got the soft focus look by exposing the chair for 20 seconds (long exposure times were mandatory since there was little light anyway) and counting to 15 - at this time i reached and grabbed the focusing ring on the lens and proceeded to rotate it through it's entire focus range (45centimeters to infinity) and got the glow that way.

50mm+ilford, i had to crop the photo on the top and bottom (in a sort of letterbox fashion), because the people at the photolab weren't careful enough and the scans were wrecked

Description
v nekem filmu je bilo rečeno da pričenjaš hlepeti po nečem zato ker to reč vidiš vsak dan. stolček vidim vsakič ko grem iz kuhinje v svojo sobo preko veže, in velikokrat vidim da stolček hudo lepo zgleda v popolni temi, in je osvetljen samo s svetlobo ki prihaja iz moje sobe, za tem stolom. kot velik ljubitelj "noir" izgleda sem občudoval ostre sence stola ki jih riše svetloba in padajo proti meni. odločil sem se da naredim dve fotki. eno ostro in "noir" (katera sledi), drugo pa mehko in "portretno".
to sem v stilu Arri-jevega ARRIGLOW-a poimenoval StoolGLOW. hotel sem nek soft fokus efekt a sem bil oborožen le s svojim objektivoma, katera pa po defaultu nista tako mehka. mehkost sem pa izvedel tako, da sem motiv osvetljeval kakih 20 sekund, ter si zraven štel. ko sem prišel do 15. sekunde sem prijel obroč za fokus ter se sprehodil skozi celotno fokusno območje - od 45centi do neskončnosti. tako je stol v zadnjih 5 sekundah osvetljevanja dobil "glow"

50mm+ilford, moral sem pa obrezat sliko zgoraj in spodaj, ker so mi zajebali skeniranje filma.

--

there's a movie quote stuck in my head that says we begin to long for something when we see it every day. the little stool looks pretty cool as i see it walking in darkness from the kitchen to my room through the porch, day by day - and so it caught my eye. as it is backlit by the light coming from my room, sharp shadows falling toward me are formed. as a fan of film noir look I watched these shadows in awe and decided to take two photos. a sharp "noir look" one (follows) and a soft "portrait" photo which you see here. i named it StoolGLOW, taking inspiration from the ARRIGLOW system from Arri. i needed to get the softness somehow, but my lenses are too sharp for that. so i got the soft focus look by exposing the chair for 20 seconds (long exposure times were mandatory since there was little light anyway) and counting to 15 - at this time i reached and grabbed the focusing ring on the lens and proceeded to rotate it through it's entire focus range (45centimeters to infinity) and got the glow that way.

50mm+ilford, i had to crop the photo on the top and bottom (in a sort of letterbox fashion), because the people at the photolab weren't careful enough and the scans were wrecked