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StudentOfRubber β Tired in White clean
Published: 2010-12-01 01:32:39 +0000 UTC; Views: 13297; Favourites: 92; Downloads: 319
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Description
Just thought I'd clean up the lines and fix the boots on this.I decided it looked better as a blank face, BUT if anyone wants to put a face to this, you have my permission, as long as you say where it's from.
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Comments: 44
I AM VERY CONFUSED
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....or should I say genderbent Slenderman?.....
Sorry for the confusion-
But the lady with no face reminds me of these 2 male characters tha have no facial features...the picture was done very well ,might I add 
I'm sorry for being such a spaz
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Nah, it's fine. Slenderman I know, the other not so much. This was done back when I was still drawing a lot, and not occupied with school. I do love doing my doodles still though.
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I like your work, you're taking the concept of rubber bondage to places few people go with it. This captive is in. Right now its all we need to know. Folds., creases, openings can all be simple illusions for all the wearer knows. Traps are supposed to be luring, irresistible, easy to get in to and impossible to escape. Perhaps that was the lure in the first place, anonymity. Perhaps whoever made it left it opaque, formless, unidentifiable; androgynous in the face only and exquisitely feminine everywhere else. The lady is a mystery! And for a while, that is very appealing to her.
But she knows the answer to that. Sheβs married to him. Each time he has brought it out, it has scared the hell out of her. Never allowed to get too close to it, she refuses to put it on and so he locks it away, out of reach and examination.
Today however, the trunk at the foot of the bed was not latched. Antiques fail to work properly sometimes. Oh well, might as well not waste a chance to beat him at his own game.
A cocoon of erotic wetness, and even there she is disappointed. Integrated into the suit is a chastity shield. She has seen him take it off, but she has not yet figured out HOW to take it off her self. So a massage is the best sheβll get today as she basks in her skin-tight rubber bath
The trap is sprung. In side she can breathe without much difficulty. It is a hindrance however. After she tires of confinement, she realizes that with a diminished ability to breathe, the work it takes to free herself from the suit is harder, much harder than it was getting in. She has no panic control and must take long rests before attempting to remove it again.
Time and time again she runs out of air and out of time. Soon it occurs to her to examine the suit. But this too is an afterthought, a missed opportunity to find the tricks for escaping. She can see now only shadows and tricks of the light on the walls and mirrors. She trips as falls several times and she now fights to free herself.
Daylight is fading and in the shadowland she is now trapped in, escape is impossible. Her husband will be home soon. He canβt find her this wayβ¦ he canβt. If he does, she canβt think of that right now, this was all just supposed to be a little private kinky fun. Itβs turning into a prison term. Because if he finds her like this, heβll let her stay this way until she figures it out.
And that SOB is one smart engineer.
Inside her blank slate, all she can her is her heart pounding, the blood rushing through her veins β and the door downstairs slam shut!
Oh NO, HEβs HOME!
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Whoa-
now THAT's a comment!
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That was quite wonderful, really. Would you be willing to write for other pieces? Or suggest ideas?
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I'd be happy to work with you on a project. As I said, I enjoy your work immensely. Fleshed out, I believe I could create a story that would be both believable (enough so for the readers to suspend belief) and become the subject trapped within your illustrations.
Two questions come to mind. To what extent or number of illustrations do you envision a story requiring, I ask because I'm working on one that could uses several to bring it to life visually.
And the next, do you want me give you a script for the image I described yesterday (I can see some changes I could make to enhance the reality of the situation) and make it purely a short story that would be "based" on what I started yesterday?
Once we get those answered, I think I can begin.
In case you ever want to try to do the larger of the two stories I'll send you a detailed description of what the "victim" will be wearing and their accessories. I'm not doing much today so I'll send that description in a Notes format.
Until then, Stay well and have fun, because everything else such a frackin bore!
K
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I could most likely do two or three drawings for a story, but don't let that limit what you write. If it needs more art, then I certainly get around to it at some point.
Secondly, I would love to have the script, please.
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I'm working on it now. I should be done by the weekend baring a couple missed typos.
Talk to ya soon
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I'm looking forward to it. I enjoyed what you wrote.
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Was unable to expand what I have put down already. It's perhaps 6 pages total right now. Struggling for realizum to fit the
1. sealed environment
2. 1 piece (zero bodily access)
3. sensory depravation
AND permanancy. Will have something soon. This will grow a little bit. If someone puts a face on her, it might destroy the image of what I'm putting down on the story. You will have final say-so on all element of the story. Mine will only be the direction my mind took me.
Will talk soon. Let me know if you want to exchange email address (faster and private until you have the product YOU want)
or just keep communicating this way.
K.
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I do believe email would probably be faster. I think I have my email on my profile already, but if not, it's katanaman1@hotmail.com
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Great, I need to confirm mine (it's a hotmail address) and can't use the account at work. I'll send mine by tonight along with the six or so pages of ramblings (that really all they are, then by some sort of magic it all just comes together (if your not laughing you should be)) At least it will give you an idea of how I was thinking of fleshing it out but it was getting to complex. I've actually started thinking of it from a new line of sight. Few facts of her life before the suit, how she found it, how she got it on, (needs to be easy but impossible to retreat from, like being assimilated by a symbiote but the suit isn't really alive, it's ... micromechanical, but that will probably be only a seed planted in the reader's minds. I'd like this story to grow to possess them.
Idea's like the one you sent are great, call it the Christmas list of stuff you think you'd like to see and we'll talk about how I can best write that in. The story will be yours when I'm done, it's easy to lose a reader, so that's why I stood back and took another look at it. That's probably going to happen again before it's all said and done. Feeding and breathing are going to be a dilemma.
This is what I love so much about that drawing over all the other stuff on this site. Itβs pure. Insert the put, Black and White. Just from the front, I can think about the girl inside but she cannot reveal herself to me. She cannot kiss me, the suit is so slick that it she canβt even grip it.
Think of PVC slickness with the consistency of thick rubber, and the feel of latex, graphite, oil and Vaseline but itβs perfectly dry on the outside. The helmet renders her without the ability to hear anything but muffled, muted tones, shadows and formless shapes, sheβs gagged but the material is porous enough to breathe and even suck water through with her face in a basin full of water. But the suit is a closed system once some poor girl has put it on its too late for her to make the choices. Only the person that designed it will ever have any access to her, Little twists along the way I hope will satisfy.
Whoever she is, once sheβs in it, only one person will ever know and she will never again be sure who is touching her, where in the world she is. Sheβs a toy, with no idea if that existence will ever end for her or not.
Keep the ideas coming and if we can make it fit, we'll put her in it.
K
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My only answer to that is going to be the next piece of art I put up in a few minutes.
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Sorry,
Have been sick since the last time we spoke. I have not received an email addressing the last subect we were in the middle of a dialog disscusing. If there is offending matterial or that the story inapporiate and you'd like to stop, Please let me know.
Happy Superball Day, Go Packers!
K
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I hope you're feeling okay. I've sent a response to the email from last time, and there hasn't been anything offensive as of yet, and frankly, on the track your on, I don't think there will be.
Packers win!
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Go Packers!
I felt it coming on before my last email. I've hit a five foot thick brick wall called writer's block. Don't worry though, I have a dull plastic spoon and I'm beginning to chip away at the wall as we speak. LOOK! there's a peice of concrete now... Never mind, I just cracked my spoon. Dang.
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Need a shovel? Or a jackhammer? And by that, would you want to talk about where you'd like to try to make it go?
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It's not that easy to define. Think of it as a pirotecnik, one you see in the middle of the fireworks show. It's impressive, you're glad you saw it, but it can't be too big. Thats the spot where the ending is filled in and it all makes sense.
I'll start working on a few pages tonight and see what I come up with. It's hard becase there is really only the one image of her and trying paint days of mental landscapes from one visual. Have patience with me please. I'll have something else for you to read by tomorrow.
take care.
K
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I'm more then pleased with what you've written at this point. I really don't think I could ask for more from you, and I sincerely look forward to any more that you feel you can write for this.
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There's more coming. I eventually break through the writer's block and come up with something interesting.
K
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I'm looking forward to it. Though, if it's feeling like too much, or it's loosing interest, feel free to drop it.
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I've re-booted the story and found a collaberator. If your interested, I would like to ask you to do three or for more sketches that will help agment the story. I know you have your own work to do and I neither "expect" any answer other than the one you're happy giving, nor do I want to interupt your schedule.
I don't mean for this to be a burden but a piece of intelectual and visual art. If the truth be told, I could use more than 4 images but you'll have to make that determination in the end. I doctored the original image to make it a one piece no seam suit. I removed some of the wrinkles to make it appear tighter. I would like you to look at it and see what you think.
Readers get off on the panic of clostraphobia and encasement. A brief (lacking details) sketch of her trying to squeeze into the outfit would be good.
The suit is a slow self closing suit in my story, try as she might every movement she makes closes the suit around her more and more.
The suit has no seams, even the closure in back (which will be undisclosed) cannot been seen once the to sides are married.
I don't think too much panic should be exibited in these scenes should you decide to do them. After ward a couple, perhaps more of her in a state of dawning realization that she cannot get it back off and the terror that comes with "curiosity killed the cat" sort of it's too late to do anything about it now but I'm damn sure going to go out fighting like hell panic would work better after tries to remove it.
I like the current black and white scheme, there is a rustic beauty in it's draft like quality I'd like to keep it that way if possible. With a partner to help write this, several illusrations will help the reader. My plan is to have three hard covers made, one for you, one for me and one for Gem, the woman that is going to help me put this story on track. This piece you've drawn deserves a larger audience, I'd like to help give it to you. I would also like us to put the book on LuLu and sell it there and split whatever we make from the sales there.
Are you interested in this?
I'm sorr this didn't go further than it did the last time. I simply didn't like what I was writing. It may be quit a bit of time before the final product is done, with three people collaberating on it and trying to coordinate their scchedules and previouly planned work, we all are goin to have time issues. I recognize that. I'm nearly done touching up your sketch "Clean" and will email it to you as soon as I'm done. Hopefully it will convey the "no seams" look I'm shooting for. And remember, I'm not an artist like you, so my attempt may seem very crude. Hope to hear from you soon,
Cheers
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I'm thinking I would be very interested. Is there a certain deadline you'd want the drawings? I've been busy with work, so the only things I've drawn haven't been this kind of thing, and I can probably give you a better idea of when I can get done, if you give me a good outline for all the drawings and when you'd want them. Just send a PM.
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To start with, no, there are now dead lines. I have two novels in the pipe and my collaborator did not see what I saw in your image. She saw nothing more than an unfinished drawing, I saw an androgynous self-sealed personal prison, one with no beginning and no end. I would actually like to finish the story (rough) and then begin to plot what you feel you have time to draw. I donβt want to take advantage of your time or your generosity. At the same time, I would like to leave fans with something they can drool over. As of now, itβs just you and me on the project. Iβll send the completed story and try not to let it get a way from me. Iβll insert the modified drawing where I feel it should go and you can either delete it or replace it when the time comes, Iβm very flexible.
K
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Frankly, I'm thinking it would be best to find another artist. I'm not doubting my own work, but I haven't drawn is quite a while, and you can very easily find someone else with more practice to bring your ideas to life.
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Well then, I appreciate your consideration. Itβs unfortunate that at the moment I have neither the time nor the money to pay for a commission, let alone several. I have discovered that 99% of the artists trade quid-pro-quoi , drawing for drawing. Itβs a much harder task to negotiate what artists see as a single work for many, namely drawings. Iβm sorry the original project didnβt work out. It has been nice getting to know you and Iβm grateful I ran into your work. I hope in the future you find more time to practice this incredible talent I can tell you love so much.
K
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Very, very nice :3 I love the subtle comparison between the white and black latex. White latex is one of the most difficult things for me in coloring, you nailed it though!
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Thank you! I decided to do it with warm and cool colors, giving it a tint instead of shading it.
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Quite fascinating my friend, I like the perspective in it quite a bit, and the idea of kind of putting in a face of your choosing is kind of neat.
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Thank you very much! If you'd like to fill in the face, feel free!
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*chuckles* Should I get the chance I just may.
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Please, go ahead then!
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the faceless everywoman, for the rubbery toy in all of us, for she is all of us?
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i'm tempted to go for "All of us! all of us! Unga Bunga all of us!" but i'm worried it'll make me feel old again
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looking good
keep it up and it will be beautiful
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Reminds me greatly of the Fukuro Lady from Silent Hill 3.
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Hmm, a bit creepy, but I can see that. I was hoping for less creepy though.
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