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techgnotic — Suggestivism
Published: 2012-07-27 00:46:36 +0000 UTC; Views: 105551; Favourites: 1512; Downloads: 0
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Suggestivism
Birth of a New Category or Beginning of the End of Categories?


by techgnotic


Just when you thought there couldn’t possibly be another “ism” on the art world horizon, what with the growing accessibility of all
art technique and technology rendering all the “schools of art” equally available and doable and therefore making impossible the dominance
or even existence of any current art “movement” … comes “suggestivism,” the “ism” best summing up what art is in our lives today, defined
more by what it is not, rather than what it is.















"Suggestivist" art is not slave to any one particular type of current art, from pencils to oils to photo-manipulation. It’s not about technology or technique.




It’s largely apolitical and need not promote any particular “message.” Whether defined by Sadakichi Hartmann (circa. 1900; the first to coin
the term) as simply being a reaction to overly cerebral and insufficiently poetic art in all its forms, from canvases to literature, or by Nathan
Spoor, a current artist and advocate, as a “process” by which the artist lets go of constrictive didactic narratives and dogmatic theories and lets
the will of his or her muse take over so that truly poetic art can be created, whether that art “makes sense” or not. The artist allows the soul of
his deepest artistic intuitions “suggest” what to create, without all the over-thinking. The artist can ponder the “meaning” of the vision produced
later, along with everyone else. The one thing that “suggestivist” artworks have in common is that the viewer is encouraged (compelled!) to imagine
his or her own interpretation of the piece. These artworks generally always have recognizable elements, but the real world ends there, as these
elements are usually then twisted into the impossible conjunctures of mad dream logic. Suggestivist art can sometimes suggest the frightening and
haunting, but usually the emphasis is on the playful and wildly unapologetically creative.























“Suggestivism” is as apolitical as our largely apolitical times, though usually informed with ambiguous political memes and imagery. It is an art
for our times that does not ask to be analyzed and understood, but presents itself as a cipher or puzzle with no correct answer that commands attention
none the less. Or it could be just the latest petulant reaction to a public perception of arts experts talking over our heads in their own secret language about what we should and should not like.
Time will tell.





Perhaps the greatest thing about “suggestivist” art is the very fact that it is so... “suggestive.”  It’s the ultimate resource for artists (pop & fine),
musicians, writers, dancers or just dedicated daydreamers who feel a bit blocked.  Re-charging the creative batteries only requires you spend a little time
creating your own stories to fit the magical creations and constructions of these works, and one’s own inner engines of fantasy and whimsy will soon be
sweetly humming again.



























































QuestionsFor the Reader


  • Should art be political or apolitical?  Or do you think there’s room enough for both?
  • Do you sense there being any current “movement” in the arts world today?  Is this a good or bad state of things?
  • Do you try to “figure out” an artist’s intent or message when looking at art, or do you simply decide whether you like or dislike each piece of art?
  • In your own art, do you try to transmit any sort of message, or do you concern yourself only with technique and aesthetics?











  • Related content
    Comments: 1380

    Awesum74 [2012-07-31 08:25:47 +0000 UTC]

    I don't know.

    👍: 0 ⏩: 0

    NioMel13 [2012-07-31 07:59:50 +0000 UTC]

    I used to live with a fine arts student who was very passionate about how art has to be political, to have a stance. I never quite got that because I've always put aesthetics over political stance. If the political message is conveyed aesthetically then that is a "perfect piece" for me- like Pete de Seve's work. At the end of the day it's comes down to personal taste. Political or apolitical I see it just another topic for discussion/argument. It's a free society so why "art" gets caught up in all these -isms labels?
    I see there are different trends of art - like vector art in graphics and illustration a few years ago, hype realism now in animation/concept art., But they are trends- they come and go. They change every few years just like people- and mostly artists do. It is also like a consumption product- you find this new style of art, wow, you get as much as you can and then after a while you had too much and need something else. So the question here really is - who/what is it that defines an -ism? And what makes it different from just another trend that will come and go?
    There are many times when I see a painting and think that is a nice painting and I study it for a few minutes. First I give it my own interpretation of what I see and then I read the explanation. Sometimes it makes sense and makes the piece of art even stronger, but sometimes you realise that the person just came up with this trying to sound cultivated or deep-thinker but really they are just pretentious. And there are quite a lot of people like that.
    Personally my aim is focused on aesthetics and techniques, but while working on it I always have a feeling or message that I am trying to give it. But it is a personal message left there for me, not anyone else to read. Other people may interpret my stuff as they like.

    👍: 0 ⏩: 0

    artofstoo In reply to ??? [2012-07-31 07:37:29 +0000 UTC]

    Personally, I don't think the idea of suggestivism as an art movement is necessary to have. The creation of art work that appears to be conceptually ambiguous isn't something that is new to our current era of art. -For example, there were many visual artists such as Goya who, during the renaissance, created personal works from what Miyamoto Musashi described as "the void", where you're in a mental state acting and creating artwork purely on instinct or from a subconscious level.

    Though, aren't all movements political? since you can't seperate a movement from having some type of policy?
    Also, perhaps a movement which encourages artists to be socially or politically apathetic can be a highly damaging one. Damaging to visual art itself considering that visual art has always served a very important role within the development and evolution of society. It's the first and only common language of our species so, why make art work against itself?
    -Just a thought.

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    👍: 0 ⏩: 0

    Caroline1scheibel [2012-07-31 07:32:57 +0000 UTC]

    1)Art is often a personal portrayal, but not necessarily political. I think it should be a kind of blood bank for the society that we always have art reflexivity on the sidelines. When you look at the big agendas, as politicians and newspaper front pages dealing with, so is the art often completely absent except perhaps Ai Weiwei.

    2) we live in a time where there is questionable meaning, content and form. simultaneously also no need for history. Our time is very variable Mains and creates something rootlessness. I believe that art can help to reflect a zeitgeist and at best may have to change anything. art can provide a common understanding.

    3) I examine and reflect on contemporary art many different forms and expressions. Through discussion of the show I get the opportunity to go in depth with how contemporary art today challenger life, life, we see the world through perception and cognition.

    4) Perhaps, I think sometimes I have a clearer conscious about it. but mostly it is only afterwards when I am in dialogue with those who look at my work

    👍: 0 ⏩: 0

    Jimunu [2012-07-31 06:36:54 +0000 UTC]

    1. It could be both as art should be as diverse as life and personally I deem both terms (art and politics) to be two diffuse words that lacks actual meaning on it's own.

    2. The only current I can feel, is that peoples artistic endeavors have exploded in amounts.

    3. It depends on the picture. If I recognize a certain path I automatically follow it, but it will probably be easier to see if the picture are aesthetically pleasing.

    4. I lack the experience to force anything worthwhile. So I try to just go with the flow, change where it can be changed for better if deemed so.

    👍: 0 ⏩: 0

    Kuzooma [2012-07-31 06:00:14 +0000 UTC]

    Suggestivism is hard to pin down only because I only learned today but art without reason or diction seem strange to me. I been told that action without goal carries no results. Applied to art, art that has no meaning is meaningless to both to the artist and the audiences. Although, this critique I see before me show artist commented to their work so Suggestivism has its own definition of the word meaning.

    👍: 0 ⏩: 0

    ShadowOfSkills [2012-07-31 05:14:04 +0000 UTC]

    Some of them remind me of surrealism, others not so.

    To answer your questions...

    1. There is certainly room for both.
    2. I do not sense any movement today, rather I feel that art has branched out enough that there are artists in all sorts of different styles. This does not mean that there is not room for art to grow, however, but it does mean that art will likely grow much slower from now on.
    3. Depending on what type of art I am looking at, I do sometimes look for a message, or at least a sense of feeling behind it.
    4. Most of what I draw is supposed to convey a particular character or story, sometimes I draw items as well... there is less of a message in that than there is technique.

    👍: 0 ⏩: 0

    Meruseitai [2012-07-31 03:12:44 +0000 UTC]

    Wow, I love articles like this one! And it features some pretty amazing artwork, too! O_O

    👍: 0 ⏩: 0

    Mythocentric [2012-07-31 02:04:42 +0000 UTC]

    1. There's always room for both, but in todays world of consumer politics where policy is dictated by the will of the City rather than the people, there is an increasing need for the artist to take up the role of 'the peoples conscience' once more.
    2. There has never been a movement in art, only those set by the self-appointed 'movers-and-shakers' who have a financial interest in dictating what the public should buy. All artists are free to express themselves in their own unique style without fear of being catagorised.
    3. If a work doesn't force me to think about it and re-evaluate my experience in the light of it's image, it hasn't made the grade.
    4. I always try to convey a message even if it's only 'isn't art fun!'.

    👍: 0 ⏩: 0

    xarockolipsekittenx [2012-07-31 01:37:31 +0000 UTC]

    birth of a new ism definetly and art concept. Because its suggestive it doesnt just fitt into one thing I think i culd be possibly good making people think. Yes this is re-cycled and has been around beore but im a strange person and like it

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    amateurspirits In reply to ??? [2012-07-31 01:34:15 +0000 UTC]

    whogivesafuckism?

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    im-an-otaku [2012-07-31 01:27:29 +0000 UTC]

    this is great

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    SarcasticUnicorn [2012-07-31 00:26:37 +0000 UTC]

    Nothing new about this category. This style of message without message has been around before. It just happens to be making a come back.

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    MintMoka [2012-07-31 00:06:18 +0000 UTC]

    Should art be political or apolitical? Or do you think there’s room enough for both?
    -I think that art should definitely be a mixture of both. I love political art.
    Do you sense there being any current “movement” in the arts world today? Is this a good or bad state of things?
    -I feel that anime is really conquering the art world, aswell as macabre.
    Do you try to “figure out” an artist’s intent or message when looking at art, or do you simply decide whether you like or dislike each piece of art?
    -I definitely try to figure out the artist's intent after I decide whether or not I like it.
    In your own art, do you try to transmit any sort of message, or do you concern yourself only with technique and aesthetics?
    -2 out of three of my tattoos have a message, one of them is just art.

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    radio-jacket [2012-07-30 23:54:07 +0000 UTC]

    Wait, this is a form of art where your you doodle your brains out, for as long or as brief as it takes, and your subconscious makes you integrate a message? Or not? Or what?

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    ViolinRemix [2012-07-30 23:42:03 +0000 UTC]

    I'm definetly going to try this.......

    I think there's room for both political and apolitical, art can be for its own reasons. At the moment, I think the art world is a little stagnant; there haven't been any real movements towards anything because, at the moment; everything is accepted. I think giving art your own meaning is part of the beauty of it. The artist has there meaning but depending on your experiences as a person, it may differ from their view. I try and transmit a message, but I don't post about it because I want people to find their own meaning and often because my work doesn't have a strong message.

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    Hechul [2012-07-30 23:18:12 +0000 UTC]

    Cute

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    SlevenFold [2012-07-30 23:03:28 +0000 UTC]

    aaaargh all these long comments are hurting my head :C

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    Gold-Demon [2012-07-30 22:36:48 +0000 UTC]

    It's like a mash up of expressionism, concept art, and surrealism ... or miscellaneous.
    : D

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    WaltMistake [2012-07-30 22:29:01 +0000 UTC]

    1. To me, art is always both: always have a political message, hidden and unseen even by the artist, or explicit and willed. However, it is also aesthetic, and in a way, it is because it is aesthetic that it becomes political, saying "beauty exists" in a far too ugly world. And it is also apolitical for the same reason, having the opposite objectives as the ones society has nowadays: making the world more beautiful and happier. All society wants is to make itself wealthier.

    2. There have always been and will always be "movements", because people can't help putting everything in little boxes. But that's impossible. People say Dali was part of Surrealism. But Dali is Dali. People say Victor Hugo was in the Romantic movement, but all he did was just Victor Hugo. That's the only box it can be put in. Now of course some artists are closer than others, and if it helps people to see them as part of the same thing, well I can't argue with that. But I think it is a rather closed point of view.

    3. Always. Hidden messages are the best. I try to find out what the artist may have not thought of willingly, to find his state of mind at the moment and share the passion he put into it. To me, there is no better way to admire an artwork.

    4. Aesthetics is important. I don't really care much about technique as long as I have enough to express what I feel. Same thing for conventions. I think I must be a bit Suggestivist. Except that there is always a message in what I do. However, it's never a locked message, and it can be perceived a lot of ways, and there is not one right interpretation and all the rest is rubbish, on the contrary. And I also try to analyze my own work to see what I really meant because I never know myself, and I am also always open to the others' points of view. But feeling is the most important in my art. I think it can be seen as some sort of message though.

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    TheDarkness86 [2012-07-30 21:56:14 +0000 UTC]

    Talking about -ISMs: back in my school days me and my colleagues were making this new art movement called ESPRESSIONISM. The way the coffee inflicts its existence on our lives In my case - the espresso. More on the story you can find here: [link] [link] [link] [link] [link] [link]

    Answers:

    1.There was always room for political type of artistic expression. When the art can sell cars, why not lies too?

    2. No movements in sight. The art passed the period when it questioned everything and after it answered all the questions that asked itself, it doesn't know what to do next. This would be a good thing since it already set the limits of creativity into the infinity. Although you can see every person's crap in the gallery, too. But I guess that's the democracy's fault.

    3. I would like to look for some (hidden) messages in the art pieces, but nowadays you can rarely find something deeper than clear intention that's light for consuming.

    4. Both. Sometimes I do stuff just so I can practice new ways of working and I'm promoting the very same so I can get some feedback, but most of the time I dedicate myself to create serious piece of artwork where the strong message is carried out by the traditional golden rules of art.

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    KittenKagome [2012-07-30 21:47:01 +0000 UTC]

    So, the point is to confuse people! I think I get it! Or maybe I'm confused...

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    TinyCrowd [2012-07-30 21:24:19 +0000 UTC]

    This is incredible! I love all the artwork as well as the concept itself, definitely inspirational

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    NurBoyXVI In reply to ??? [2012-07-30 21:19:07 +0000 UTC]

    [link] "Some Art can be quite Emotional"[link]

    or haunting; [link]

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    DrunkenxButterfly [2012-07-30 21:02:38 +0000 UTC]

    I thought creating from your gut/heart was just natural and most people are taught this is incorrect? Maybe it was just me >.> lol
    The only art that is incorrect or wrong is the art that doesnt exist.

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    MiSt-Stavi [2012-07-30 20:33:17 +0000 UTC]

    1. Art is also a political movement!!we are CREATIVE THINKERS! art is thinking also is not a pleasure for flat mind and non stoic people..

    2.Τhe "Naivete Art of Art"

    3. Always looking for the deeper message we do art, like philosophy can not look simple and say yes or no.....but as i see from the DD i am truly dissatisfy from the sense of the DD..many works that have been from artists big fine arts are simple sitting without any comment or popularity..what can we say?..

    4. There is always a message in art if you are a real artist from your heart and your soul and not for the publishity or the audience.

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    damien-christian [2012-07-30 20:26:18 +0000 UTC]

    Expand your mind, enhance your perception, deconstruct ideations and preconceptions, what is real and what is reality to me as a individual and what is real or reality to the communial experience often enhanced by digital communication. Alexander Shulgin perhaps is one individual who produced tools that allow the viewer and the artist to explore these concepts and barriers by expanding conscious thoughts... or perhaps just developed a bunch of psychoactive phenethylamines?

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    damien-christian [2012-07-30 20:20:04 +0000 UTC]

    Art is what the viewer makes of it, is this not a "suggestive" attempt by the artist to perhaps influence or alter the viewers preconceptions which they bring to the work. Each viewer has their own ethnic, cultural, gender and age biases that can impact the way in which they the viewer is able to interperate and interact with the artwork the artist has created with or without this ideation in mind.

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    EnD-Reitanna In reply to ??? [2012-07-30 19:33:26 +0000 UTC]

    oh i like this category

    1. art can be everything. "Should be" doesn't work with art.

    2. i think there is always movement, every generations brings own ideas, dreams, goals etc. and not to forget technology which i think opens new dimensions for art.

    3. it really depends on piece. For some artists is the message more important than just the look, for other is the look plays bigger role than the message, oft people mix those together. I think i like the 3rd cathegory the most, i like good looking art but i like the good looking art with a message more.

    4. Usually both. I used to make pictures that just had message or just were "good looking". I met an old artist few years ago and learned from him to just draw off the bat and put the thoughts in the pictures in the process. The best pictures come out like this.

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    BleachedDesigns [2012-07-30 19:16:39 +0000 UTC]

    3.) Do you try to “figure out” an artist’s intent or message when looking at art, or do you simply decide whether you like or dislike each piece of art?
    My answer: It depends on how strong the message is in the art. If the meaning is well hidden or not easily picked up Im usually just looking at the art in apeal not meaning.

    4.) In your own art, do you try to transmit any sort of message, or do you concern yourself only with technique and aesthetics?
    My answer: Normally I use art as a way to express my inner feelings so my art will often give off the state of my feelings at the time it was created. But as far as messages go, I don't really intentionally create a message. Sometime ill be surprised of the reactions Ill get when people view my art because it is nothing like I intended.

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    angiee45 [2012-07-30 18:59:18 +0000 UTC]

    I like art to have a meaning even if I don't know what that meaning is. I also appreciate art for art's sake. I like pretty things that make me smile. I like things that make me wonder.

    I am mostly a writer. I write because I have something to say. My work has a meaning. The visual art I make may or may not have a meaning. I am generally a shy person who expresses herself better in writing than speaking. My work reflects that. I have to write creatively about how I feel or I would never express it. Art for me is a release.

    I also like to encourage other people to think. I believe we sit back passively to much. We take in poorly made books, movies, TV, and other art because we don't look at it critically. I love movies. I mostly watch Hollywood movies and I have been very disappointed recently by what Hollywood has produced. Hollywood forgot that film is not just about money. It is also an art form. The majority of the film going audience also seems to forget this. We keep supporting crappy movies because we stopped thinking critically about them. I didn't expect GI Joe: The Rise of Cobra to be Oscar worthy, but I expected it to not suck. I was disappointed.

    That said I don't expect every piece of art to take on an important issue. There is something to be said for escapist works. People don't want to have to think critically all the time and we shouldn't. If we had to analyze everything our heads would explode.

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    CReevesABudd [2012-07-30 18:40:29 +0000 UTC]

    i never understood the labels on art... i just let it take over me and let out whatever is inside... I have no clue [most of the time] what will end up on the page/canvas/ or in the clay....

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    DarkGamer72 [2012-07-30 18:39:34 +0000 UTC]

    1) Yes and yes. Art is a very board and open subject, you can't contain creativity, it'll just seep out of the box.

    2) I believe art just moves with the flow of peoples minds and souls. My art, I mean truely original art; usually traditional, I suppose would be classed as suggestivism because it's whatever decides to come out of the pen, not what I force out of it. I like going into a lot of detail without taking away the essence of whatever I'm creating.

    3) A bit of both really; it depends on how 'deep' I think the piece is. As strange as it will sound it usually is based on what medium the art is and what the title of the piece is. If it's simply a colourful painting of a dog, I decide whether or not I like it. If it's something such as the above painting 'remorse' I think a lot more about why the artist made it and what sort of message it's creating/representing.

    4) Again it's a bit of both, and it depends entirely on how I'm feeling at the time.

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    balladofpink In reply to ??? [2012-07-30 17:46:58 +0000 UTC]

    1. Politics are included highly in our lives. Today, almost everything is connected to politics in a way or other. Defending apolitical art would be unreasonable. On the other hand, if an artist wants to seal their art off politics, it won't be a problem. An artwork's content concerns its artist. Art is fathomless, so it can contain everything.

    3. Even if I try to understand what the artist is trying to tell, I automatically decide whether I like it or not first. When I don't like an artwork, negative thoughts about the piece fill my mind, but I try to be open minded and try to understand the concept.

    4. I'm not a professional, so technique is out of the picture. But aesthetics really concern me. I want my art to appeal to the eye. I've never tried to give a message through my work, but naturally my life view, beliefs, feelings can be sensed. Will I use my art to transmit a message in the future? Who knows.

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    LCVII In reply to ??? [2012-07-30 17:35:35 +0000 UTC]

    I think suggestivism too "dehumanized"; it's just assume there is no true intention, then everything is ok. Seems to equal reasonless and nihilism. Everyone has intentions, as well [I hope] thoughts and minds.

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    Digital--Angel [2012-07-30 17:11:49 +0000 UTC]

    Should art be political or apolitical? Or do you think there’s room enough for both?

    I don't think it should necessarily be either/or. While some art is obviously political (i.e. political cartoons) or apolitical (i.e. your little sister's flower drawing), other art may be interpreted as both political and apolitical, regardless of the artist's intention. If it should be motivated by either is up to the artist - art is about portraying your thoughts and ideas, and if that happens to be political or apolitical then so be it.

    Do you sense there being any current “movement” in the arts world today? Is this a good or bad state of things?

    As far as media go, I feel that the digital arts are a huge movement, regardless of the content. I've heard many people (myself included at some points) say that there is no new art, "everything new is old", etc. There is a controversy amongst artists about whether or not digital art is really art ("could he paint that on a canvas?" comes up a lot. IMO, if there's a controversy, it's a movement.

    Do you try to “figure out” an artist’s intent or message when looking at art, or do you simply decide whether you like or dislike each piece of art?

    I do think about what the artist is trying to get across, but I think more about my own interpretation of it. I think that all art is subjective, and that the artist should leave the interpretation open to the viewers. I usually include my thoughts or inspiration because people often ask me what it's about, but I always encourage people to take away their own thoughts and feelings about what a piece means for them, even if that means they dislike it. Once it's on paper/canvas/screen, it's no longer about me but about those who view it.

    In your own art, do you try to transmit any sort of message, or do you concern yourself only with technique and aesthetics?

    I usually try to tell a story with my work, to make the viewer read my work instead of simply look at it. I don't feel I'm always successful in translating my story, and sometimes there's really no story at all. I am very concerned with aesthetics and can sometimes get drowned in them, but I definitely don't make it the primary reason I'm doing something. If that's all I was concerned with, I would only paint flowers and sunsets and puppies and kittens.

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    KidsWithHuns [2012-07-30 16:59:19 +0000 UTC]

    1. There's enough room for both. Art has always had two sides. Some is created for the purely visual effect, while other work is intended to send a message. It's a form of communication, and the artist can say whatever he or she wants to.

    2. I think that with mass communications and the accessibility of everything we have lost the possibility to create an easily defined art movement. All past movements have usually come from a certain locale, where a trend in art started and spread outward through word of mouth. Nowadays, artists don't just draw inspiration from the things in their neighborhood. Any artist can go online and see things from all over the world. Because of this, small art movements fluctuate, rising rapidly and dying out almost as fast as they came, leaving behind only a few devoted followers. This isn't necessarily a bad thing, because it does promote a broader exploration of all art forms, but it also leaves us with a mishmash of different movements that have come and gone before they can be defined, leaving us with the daunting task of categorizing millions of pieces, and even creating new categories for works to fit in.

    3. For me, it depends on the piece. If I just like the way it looks I might drag it to my favorites and never see it again. On the other hand, if a piece really speaks to me (this sounds so cliche!) and I sit and stare at it for twenty minutes or revisit it every day, then I do start to wonder what the artist had in mind. I think that could be a big part of this "suggestivist" art; that it does make you wonder "What the hell was the creator thinking???"

    4. Again, it depends on the piece. Much of my photography and graffiti work is purely aesthetic, but when I'm inspired by my emotions I almost always have a deeper meaning behind my work. These emotional images usually turn out to be my favorites because they make me think about things, and I tend to put more effort into them. In short, the purely aesthetic pieces feel hollow, but the emotional ones have substance.

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    somestrangebirds In reply to ??? [2012-07-30 16:13:13 +0000 UTC]

    Well, no.

    Suggestivism is Spoor's desperate attempt at seeming to be an important artist and/or critic.

    His so-called movement is at best poorly-defined, at worst a really lazy attempt at PR.

    As to your questions --

    1. Should art be political or apolitical? Or do you think there’s room enough for both?

    Political or apolitical to whom, and according to what critical paradigm? Obviously the answer is that there is room for both, and perhaps most importantly that there is always room for both within absolutely any piece of work.


    2. Do you sense there being any current “movement” in the arts world today? Is this a good or bad state of things?

    There are hundreds. They'll be sorted out by critics a century later. Just as it's always been.


    3. Do you try to “figure out” an artist’s intent or message when looking at art, or do you simply decide whether you like or dislike each piece of art?

    Both. So much depends on the context (and on a red wheelbarrow glazed with rain water beside the white chickens).


    4. In your own art, do you try to transmit any sort of message, or do you concern yourself only with technique and aesthetics?

    It is difficult to avoid transmitting some sort of message. I do tend to strive for particulars but am wholly content to leave it, finally, to the gods of chaotic interpretation, too -- though it is never quite as chaotic as some might have you believe.

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    Wh1teAndN3rdy13 In reply to ??? [2012-07-30 15:34:20 +0000 UTC]

    1.) Should art be political or apolitical? Or do you think there’s room enough for both? There's DEFINITELY room enough for both. Art has no limits except what the artist's own mind can create. Who's to judge what someone else's art should be?
    2.) Do you sense there being any current “movement” in the arts world today? Is this a good or bad state of things? I was somewhat thrown off by this question. I'm not quite sure what is meant by "movement."
    3.) Do you try to “figure out” an artist’s intent or message when looking at art, or do you simply decide whether you like or dislike each piece of art? I definitely take a deep look into an artist's message, because I want to make sure I have an insightful feel from it before I say whether I like or dislike it.
    4.)In your own art, do you try to transmit any sort of message, or do you concern yourself only with technique and aesthetics? Since I'm more of a literary artist, I'll answer this one by means of my poetry. When I write, I try to convey some sort of message, but in a way that if you were to just read the words it means one thing, but if you really break down what it means, you get a whole other message.

    That's the best I could do.

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    QuantumInnovator In reply to ??? [2012-07-30 15:11:25 +0000 UTC]

    The ending of "2001: A Space Odyssey" could be considered suggestivism by this criteria. No two people interpreted the ending quite the same way.

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    kalez In reply to ??? [2012-07-30 15:04:23 +0000 UTC]

    1 Art is whatever the artist wants it to be.
    2 Art is always changing and developing, but at the same time there are so many thing and styles about it that never change and remain, especially in our current age. All types of art exist together in mass.
    3 Sometimes.
    4 Aesthetics.

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    nestorwolf In reply to ??? [2012-07-30 14:33:16 +0000 UTC]

    Hello thre I would like to share the site with my artwork

    [link]

    👍: 0 ⏩: 0

    mustakettu85 In reply to ??? [2012-07-30 14:27:00 +0000 UTC]

    no message = not art. Pure and simple. And just in case, art made for advertising does have a message (to sell a product), like it or not.

    And I so do not see anything new in that "suggestivism", this is all a rehash of Dali and Picasso and yadda yadda yadda. The shock rock of visual arts. I'm tired of it, personally.

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    Obsequity In reply to ??? [2012-07-30 14:04:16 +0000 UTC]

    1. I don't think it's up to the artist to define his work for the world to understand. Political or apolitical, everyone is going to take a slightly different meaning from a piece of art.

    2. There is always movement in the art world, and that would be "a good state of things" in my opinion.

    3. I usually get some sort of message from any piece of artwork. At times I do merely like it or not, but symbolism prompts me to attempt to decipher the message the artist is trying to convey.

    4. Apparently I've been composing suggestivistic artwork for a long time using symbolism- I don't care if the world sees what my art means to me, as long as they can relate to the symbolism in their own way.

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    MrBlint In reply to Obsequity [2012-07-30 14:44:14 +0000 UTC]

    Well said

    👍: 0 ⏩: 1

    Obsequity In reply to MrBlint [2012-07-30 16:37:21 +0000 UTC]

    Why, thank you kindly!

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    RabidBlackDog [2012-07-30 12:36:16 +0000 UTC]

    In my oppinion, an attempt to classify modern visual arts using this term is pointless and forced. The dynamic of arts today eludes such stiff classification (in the times of "isms" they were major trends. Nowadays its impossible to establish just one or two which people will follow in their creations - or just try to make a common name to describe it all. It's to varied.), as well as most things written in this article (and most of works shown with it) could be applied either to surrealism or symbolism. I don't buy it, sorry.

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    AceWong [2012-07-30 12:35:59 +0000 UTC]

    Just a Thought...
    Think 'Art' can't be define, as new 'ism' will always be added into the category of 'Arts', different people also have different point of views on what's 'Arts',
    Think how 'Art' is being define isn't important, the important thing is how the 'Art' creator define their own 'Arts'

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    Tivo-013 In reply to ??? [2012-07-30 12:15:17 +0000 UTC]

    1.) When art would be apolitical it still is political, but then not. Because you try it not to be political. The word 'art' does not need the word 'should'

    2.) I don't even feel answering this one. But I noticed the words 'the arts world'. And that made me think about outer space art. For example the space photo's (borealis photo's). Are those part of the 'art world'? Maybe nowadays you could rather speak of 'the arts universe'. But maybe it's to early to call it that. Difficult...

    3.) I don't think a human can actually look at something and don't think about the meaning/intent/message of it. Even when not knowing the intent of the artist, you simple put in your own thought about it. However subsequently knowing an artist intent, could give you a feeling of liking or disliking wether you liked or disliked it before.

    4.) Well I do try transmitting any sort of message, who doesn't? And even when I didn't, people will still obtain thoughts from it... But an idea itself isn't already art. And sometimes you must insert very much of your skills and technique in it. And sometimes only revealing idea's by telling them is enough. Let's call this one a Libra (♎)

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    Carlosrafael [2012-07-30 12:07:36 +0000 UTC]

    vvvvvvvvvG!

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