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Description

The artwork is the classic Spiros Angelikas/Alex Ebel key art everybody knows and loves... I hesitated so long to post this because the only thing here to which I can take credit is the layout; however, similar to my Back to the Future series where I redesigned the third jacket and applied the custom layout to the unchanged key art of the first two before posting all three for continuity... I felt I should do the same thing with the F13 series I'm slowly developing and posting piecemeal to my profile gallery.

La-La Land's first F13 OST release utilized this art (lalalandrecords.com/friday-the… ) with a slightly different layout: the F13 logo stretched across the shoulders as opposed to the self-contained approach I've adopted from the Pt. 2 poster. The cabin and the background trees are a loss; however the essential aspects needed to communicate the central premise of isolated kids in a dark forest stalked by an anonymous slasher are visible above and below the logo. It's not a big change; however, I would argue the solution is more elegant to the extent the layout compliments the key art as opposed to contrasting it. If you feel the same, I've made something for you.

Description

The artwork is the classic Spiros Angelikas/Alex Ebel key art everybody knows and loves... I hesitated so long to post this because the only thing here to which I can take credit is the layout; however, similar to my Back to the Future series where I redesigned the third jacket and applied the custom layout to the unchanged key art of the first two before posting all three for continuity... I felt I should do the same thing with the F13 series I'm slowly developing and posting piecemeal to my profile gallery.

La-La Land's first F13 OST release utilized this art (lalalandrecords.com/friday-the… ) with a slightly different layout: the F13 logo stretched across the shoulders as opposed to the self-contained approach I've adopted from the Pt. 2 poster. The cabin and the background trees are a loss; however the essential aspects needed to communicate the central premise of isolated kids in a dark forest stalked by an anonymous slasher are visible above and below the logo. It's not a big change; however, I would argue the solution is more elegant to the extent the layout compliments the key art as opposed to contrasting it. If you feel the same, I've made something for you.