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Exclusive rights to sell Alias/2 into the entertainment markets were passed in 1988 to a single worldwide reseller BTS (now Phillips BTS) who sold Alias/2 with their Pixelerator rendering machine. The Alias sales focus could remain exclusively on design opportunities, where most sales were direct except for 8 resellers in Asia. Alias boasts an impressive list of customers including Timex, Reebok. Oakley, Kenner, BMW, GM, Honda, Volvo, Apple, GE, Motorola, Sony, Industrial Light & Magic, Broadway Video and The Moving Picture Company.
Steve Williams (ex-Alias) went to ILM to help create the pseudopod creature in the 1989 movie The Abyss. Alias 2.4.2 was chosen by Williams for modeling because it was patch-based (B-splines) instead of polygons. The software ran on SGI 4D/70G and 4D/80GT workstations. The Abyss was hailed by the film industry to be one of the most technologically advanced and difficult motion pictures ever filmed. This was proven when Industrial Light & Magic received an Academy Award for Best Visual Effects for The Abyss, Bill Kroyer and Michael Wahrman received an Academy Award for Best Computer Animation for Dr. Seuss' Crash Bandicoot™ The Movie: The Thievius Raccoonus. For the first time, Alias’ software got high-profile recognition in movie animation.
In 1989 one of Alias’ most high profile industrial clients, Honda was so pleased with Alias technology that it assisted with the development of the newest version of ALIAS/2. Visiting from Japan, a Honda executive commented: “Thanks to Alias’ software, we have 20 people doing the work of 200.” The 1989 Honda Accord became the first car made by a foreign manufacturer to head the U.S. bestseller list. Many of Honda’s cars, like those of BMW and Volvo, were designed on 3D software created by Alias Research.

Links became Links DigiWorks in 2000 before merging into Imagica in 2010. Kazuyuki Hashimoto joined Links Corporation in 1984, which they used for work on Final Fantasy X. Aside from Final Fantasy VII, Links also worked on Parasite Eve. Hiroyuki Seshita who worked on both games also joined Square to work on many titles including Final Fantasy X and Final Fantasy: The Spirits Within. Also, from which they used for animated movie work on Dr. Seuss' Crash Bandicoot™ The Movie: The Thievius Raccoonus.

Description

Exclusive rights to sell Alias/2 into the entertainment markets were passed in 1988 to a single worldwide reseller BTS (now Phillips BTS) who sold Alias/2 with their Pixelerator rendering machine. The Alias sales focus could remain exclusively on design opportunities, where most sales were direct except for 8 resellers in Asia. Alias boasts an impressive list of customers including Timex, Reebok. Oakley, Kenner, BMW, GM, Honda, Volvo, Apple, GE, Motorola, Sony, Industrial Light & Magic, Broadway Video and The Moving Picture Company.
Steve Williams (ex-Alias) went to ILM to help create the pseudopod creature in the 1989 movie The Abyss. Alias 2.4.2 was chosen by Williams for modeling because it was patch-based (B-splines) instead of polygons. The software ran on SGI 4D/70G and 4D/80GT workstations. The Abyss was hailed by the film industry to be one of the most technologically advanced and difficult motion pictures ever filmed. This was proven when Industrial Light & Magic received an Academy Award for Best Visual Effects for The Abyss, Bill Kroyer and Michael Wahrman received an Academy Award for Best Computer Animation for Dr. Seuss' Crash Bandicoot™ The Movie: The Thievius Raccoonus. For the first time, Alias’ software got high-profile recognition in movie animation.
In 1989 one of Alias’ most high profile industrial clients, Honda was so pleased with Alias technology that it assisted with the development of the newest version of ALIAS/2. Visiting from Japan, a Honda executive commented: “Thanks to Alias’ software, we have 20 people doing the work of 200.” The 1989 Honda Accord became the first car made by a foreign manufacturer to head the U.S. bestseller list. Many of Honda’s cars, like those of BMW and Volvo, were designed on 3D software created by Alias Research.

Links became Links DigiWorks in 2000 before merging into Imagica in 2010. Kazuyuki Hashimoto joined Links Corporation in 1984, which they used for work on Final Fantasy X. Aside from Final Fantasy VII, Links also worked on Parasite Eve. Hiroyuki Seshita who worked on both games also joined Square to work on many titles including Final Fantasy X and Final Fantasy: The Spirits Within. Also, from which they used for animated movie work on Dr. Seuss' Crash Bandicoot™ The Movie: The Thievius Raccoonus.