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Description
Getting caught up in the moment

Story Notes:

1. The camera stays on Kristina through her descent, landing, and immediate choices. It's okay to have SFX for the O.S. demons Caramine mentions, but they aren't critical to the story and nothing about them should detract from a focus on Kristina being focused.
2. AD&D players might imagine the Prismatic Sphere looking different than I've depicted it in Panel #2 and that's okay. It doesn't really matter as long as it scintillates and hints at power. Kristina should be difficult to discern inside it. Can you see the second blade in her left hand? That's how hard it should be to spot it.
3. In panel #3 it doesn't matter whether Kristina says "EEP" or "EEK". What matters is that it be a squeal of surprise. One of those involuntary squeaks we make when shocked and scared at the same time. Either way, it should be immediately after the deafening arrival of the black block right next to her.

Description
Getting caught up in the moment

Story Notes:

1. The camera stays on Kristina through her descent, landing, and immediate choices. It's okay to have SFX for the O.S. demons Caramine mentions, but they aren't critical to the story and nothing about them should detract from a focus on Kristina being focused.
2. AD&D players might imagine the Prismatic Sphere looking different than I've depicted it in Panel #2 and that's okay. It doesn't really matter as long as it scintillates and hints at power. Kristina should be difficult to discern inside it. Can you see the second blade in her left hand? That's how hard it should be to spot it.
3. In panel #3 it doesn't matter whether Kristina says "EEP" or "EEK". What matters is that it be a squeal of surprise. One of those involuntary squeaks we make when shocked and scared at the same time. Either way, it should be immediately after the deafening arrival of the black block right next to her.