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Description
I finally finished it💪🏻 It's hard for me to imagine, but I drew the Guardian for about a month, or 3 weeks if you count every day of drawing. It was, as usual, in the banal complexity of execution,
or rather, in two moments - drawing hair and a thing with a lens. As for the hair and beard, the question was elementary in quantity. In the description of previous works, I already wrote
that hair takes a long time, and the Guardian, like any dwarf, has hair in abundance. In drawing the hair, a portrait of a gray-haired Venerable Warrior helped me. The thing with the lens - it was more difficult here, since it had to be invented from scratch within the framework of the Disciples Sacred Lands style, because no one else has a similar device. In order not
to blunder, after several attempts, I almost verbatim redrawn this "hat" from the portrait from part 2 and used the Flame Caster a little. Painting a rough and wrinkled dwarf face in watercolor was new to me, but thank Wotan, there were few areas with visible skin, and I managed pretty quickly. To indicate the continuity of the units, I took the
face of the Crossbowman for my portrait, changing a couple of details.

Description
I finally finished it💪🏻 It's hard for me to imagine, but I drew the Guardian for about a month, or 3 weeks if you count every day of drawing. It was, as usual, in the banal complexity of execution,
or rather, in two moments - drawing hair and a thing with a lens. As for the hair and beard, the question was elementary in quantity. In the description of previous works, I already wrote
that hair takes a long time, and the Guardian, like any dwarf, has hair in abundance. In drawing the hair, a portrait of a gray-haired Venerable Warrior helped me. The thing with the lens - it was more difficult here, since it had to be invented from scratch within the framework of the Disciples Sacred Lands style, because no one else has a similar device. In order not
to blunder, after several attempts, I almost verbatim redrawn this "hat" from the portrait from part 2 and used the Flame Caster a little. Painting a rough and wrinkled dwarf face in watercolor was new to me, but thank Wotan, there were few areas with visible skin, and I managed pretty quickly. To indicate the continuity of the units, I took the
face of the Crossbowman for my portrait, changing a couple of details.