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Description
All images are copyright 1999-2004 David DeFigueredo
no images may be copied or reproduced without the permission of David DeFigueredo

During a period in Europe, capital punishment was the typical sentence for criminals guilty of crimes ranging from murder to petty theft. How that criminal would meet his death, however, depended on his social status. Noblemen and women were honored with a dignified beheading, following in the tradition of ancient Greeks and Romans who believed there was no more honorable way to die.
Capital punishment in the pre-guillotine era was a deliberately gruesome public display meant to scare the populace into obedience. Although most criminals were hung before burning at the stake, the sight of flames devouring human flesh would make the masses shudder. The body parts of quartered criminals, par-boiled and displayed on the city gates, were a threat to all who dared repeat the condemned's crimes. Despite what appeared to be the public's avid support for such bloody spectacles, European rulers were beginning to fear appearing barbaric.
Leaders became even more introspective as the 18th century Enlightenment movement swept the continent. Thinkers of the day, such as Voltaire, Locke and Diderot, called for more humane methods of meting out capital punishment to criminalsBeheadings and hangings were even borderline barbaric because the criminal still suffered greatly before death. Hangings were imprecise as criminals kicked and flailed until their neck finally broke. Swords wielded by executioners did not always cut cleanly and precisely, forcing them to resort to hacking. Furthermore, if beheading was to be used for all crimes, the executioner's stamina would not suffice for the scores of common criminals cramming European prisons.
Thus, the idea of a beheading machine began to germinate.
On the advice of Dr. Antoine Louis, the Secretary of the Academy of Surgery in France, the German engineer Tobias Schmidt built the first official beheading machine in Paris. The original design was two fourteen-foot upright planks of wood joined by a crossbeam at the top. The interior edges of the planks were grooved and greased to guide the falling blade, which was weighted and operated through a pulley system. The entire contraption sat upon a platform reached by twenty-four steps. Its premier was a success as the highwayman, Nicholas-Jacques Pelletier, was beheaded in one stroke, his head rolling into a wicker basket.
The machine was originally called the Louisette or Louison after the technical expert, Dr. Antoine Louis. But the name was quickly replace by 'guillotine'. The guillotine became the most popular form of execution in France and many parts of Europe. The guillotine proved quite effective during the French Revolution (1789-1799). As liberty, egality and revolution cause social upheaval throughout the country, scores of noblemen and women were dragged out of their homes and executed.
Having abandoned the platform and those twenty-four steps that petrified criminals could never navigate anyway, the populace erected the guillotine on flat ground and systematic beheadings of the nobility were performed.
As the popularity of the device grew, the machine -- dubbed 'the widow' by the masses -- was enhanced. Newer versions introduced the more effective 45-degree angled blade, shallow depressions to correctly align the prisoner's head, a metal bucket to catch the head, and a metal tray to catch the blood.
The guillotine remained a popular form of capital punishment well into the 20h century. The device was widely used by Germany, Greece, Switzerland, and Sweden. But under pressure from newly enlightened European countries, France outlawed capital punishment in 1981. In October 1977, Hamida Djadoubi was the last person to be guillotined in France.

I am really happy with this one. It took a few days to do. Mainly because I made the guillotine blade by scratch in photoshop. I really didnt want a horrified look, but more of a look of acceptance and rebellion on her face. Full view please.

Stock :

Description
All images are copyright 1999-2004 David DeFigueredo
no images may be copied or reproduced without the permission of David DeFigueredo

During a period in Europe, capital punishment was the typical sentence for criminals guilty of crimes ranging from murder to petty theft. How that criminal would meet his death, however, depended on his social status. Noblemen and women were honored with a dignified beheading, following in the tradition of ancient Greeks and Romans who believed there was no more honorable way to die.
Capital punishment in the pre-guillotine era was a deliberately gruesome public display meant to scare the populace into obedience. Although most criminals were hung before burning at the stake, the sight of flames devouring human flesh would make the masses shudder. The body parts of quartered criminals, par-boiled and displayed on the city gates, were a threat to all who dared repeat the condemned's crimes. Despite what appeared to be the public's avid support for such bloody spectacles, European rulers were beginning to fear appearing barbaric.
Leaders became even more introspective as the 18th century Enlightenment movement swept the continent. Thinkers of the day, such as Voltaire, Locke and Diderot, called for more humane methods of meting out capital punishment to criminalsBeheadings and hangings were even borderline barbaric because the criminal still suffered greatly before death. Hangings were imprecise as criminals kicked and flailed until their neck finally broke. Swords wielded by executioners did not always cut cleanly and precisely, forcing them to resort to hacking. Furthermore, if beheading was to be used for all crimes, the executioner's stamina would not suffice for the scores of common criminals cramming European prisons.
Thus, the idea of a beheading machine began to germinate.
On the advice of Dr. Antoine Louis, the Secretary of the Academy of Surgery in France, the German engineer Tobias Schmidt built the first official beheading machine in Paris. The original design was two fourteen-foot upright planks of wood joined by a crossbeam at the top. The interior edges of the planks were grooved and greased to guide the falling blade, which was weighted and operated through a pulley system. The entire contraption sat upon a platform reached by twenty-four steps. Its premier was a success as the highwayman, Nicholas-Jacques Pelletier, was beheaded in one stroke, his head rolling into a wicker basket.
The machine was originally called the Louisette or Louison after the technical expert, Dr. Antoine Louis. But the name was quickly replace by 'guillotine'. The guillotine became the most popular form of execution in France and many parts of Europe. The guillotine proved quite effective during the French Revolution (1789-1799). As liberty, egality and revolution cause social upheaval throughout the country, scores of noblemen and women were dragged out of their homes and executed.
Having abandoned the platform and those twenty-four steps that petrified criminals could never navigate anyway, the populace erected the guillotine on flat ground and systematic beheadings of the nobility were performed.
As the popularity of the device grew, the machine -- dubbed 'the widow' by the masses -- was enhanced. Newer versions introduced the more effective 45-degree angled blade, shallow depressions to correctly align the prisoner's head, a metal bucket to catch the head, and a metal tray to catch the blood.
The guillotine remained a popular form of capital punishment well into the 20h century. The device was widely used by Germany, Greece, Switzerland, and Sweden. But under pressure from newly enlightened European countries, France outlawed capital punishment in 1981. In October 1977, Hamida Djadoubi was the last person to be guillotined in France.

I am really happy with this one. It took a few days to do. Mainly because I made the guillotine blade by scratch in photoshop. I really didnt want a horrified look, but more of a look of acceptance and rebellion on her face. Full view please.

Stock :