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#morph #transformation
Published: 2017-08-25 23:17:39 +0000 UTC; Views: 47300; Favourites: 449; Downloads: 287
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Description
Wanted to do something painting related again.Related content
Comments: 42
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Is that Melissa from Milo Murphy's Law?
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just a little joke
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how would it even feel like to be pressed into an painting?!
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i have no idea, it's left to the imagination.
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oh okay but, i like the Idea ya had there tho . Β
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Is this permanent or can she get un"pressed"
Also is she aware of all of this
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nothing is ever absolutely permanent, and also yes.
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oh interesting and coolΒ
would you know how to restore her?
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hahaha ok kwl thanks for the reply also awesome work I really like your style and inanimate object tfs would be cooler if some like these had some back story tho in my opinion
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thanx, some do have stories actually, some of the early ones in the "recycler" series.
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Yeah sorry thx I looked through and found a few really interesting ideasΒ
like turning into spool the a dress really cool thanks you're quite good atΒ
it keep up the good work
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like more of them as I've seen you've done backstories on others
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oh sorry i didn't see this reply
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thanx, though i did use a ref for it lol.
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That's perfectly fine. Β Everyone uses refs from time to time. Β It's hard to build your skill to draw if you don't.
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i felt kinda bad just copying it but hey it's just a pose on a random pic lol.
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Again, it's hard to do anything truly original, so don't beat yourself up over it.
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If this is the painting press I could only imagine a printing press.
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What would it be like for her inside/as the painting? Would she even be conscious while in there? Would she be able to get "unpressed" somehow?
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They do say life is art, so.....conscious?
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Somebody once told me,
The world would then flatten me,
I ain't the sharpest tool in the shed,
She wasn't all that abstract,
Because she was really flat,
Although she wasn't real curvy just yet.
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Yep. "All Star" by Smash Mouth
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Can she move inside? Β Because if not, it must have taken her a lot of practice to get that pose right...
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