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Description
These are the 12 images in the 2015 Bikini Babes in Peril calendar, available here on Lulu.com : www.lulu.com/shop/jeff-fairbou… . Earlier this evening I posted the cover image here: .

Those who have been around for a while might recognize a couple of these images and/or themes from previous digital works I've posted and previewed. We've got a Pygmeanies 2 and a Tentacular 2 in there, along with another Giant's Meal image (this time it's a hungry giantess perusing the fruitbowl), and Pentacalamity 4: Transpoxis. The image in the third row down, second column is the final of one that was previewed a long time ago here (the only one on the collage that hasn't been completed, actually):

Of particular note is another contribution from taurus-comix 's wonderful Institute imagery, the blond woman enchained by the troll in the row-2, column-2 position. Thanks again, Taurus! Check out his photography, drawings, and 3-D images of damsels in distress.

Quick Addition: I noted in the comments the need to give some titles for these pieces. So, going from left-to-right on each row, top-to-bottom, we have...
"Pygmeanies 2: The Witchdoctor"
"Cargo Gnomes 1" (I've got four more of these in the works)
"Tentacular 2"
"Shipping Charge" (or "Alone in the Hold," not sure which at this point, but I have three more of them in the works)
"Troll's Triumph"
"Gods of Shore and Sky"
"Giantess' Snack"
"Yssika in the Sewer"
"Yinai and the Damnation Spell"
"Stingy Jack Takes a Wife"
"Sacriel, the Angel of Plunder"
"Pentacalamity 4: Transpoxis"

Enjoy!

Note: Bikini Babes in Peril is a work of fantasy and fiction. The artist/creator in no way condones real mistreatment of this kind toward any woman or man, by living person, gremlin, plant, assassin, ratman, viscous fluid, programmed device, animated home furnishings, or otherworldly spiritual beings. Furthermore, the artist opposes the marginalizing and restriction of women in general by any institution, political and/or religious, including those which have individual women amongst their membership touting/promoting their own happiness within that institution as evidence that ALL women should feel the same way. This includes the religion I was raised in and which I have utterly discarded from my life over this and other issues.

Description
These are the 12 images in the 2015 Bikini Babes in Peril calendar, available here on Lulu.com : www.lulu.com/shop/jeff-fairbou… . Earlier this evening I posted the cover image here: .

Those who have been around for a while might recognize a couple of these images and/or themes from previous digital works I've posted and previewed. We've got a Pygmeanies 2 and a Tentacular 2 in there, along with another Giant's Meal image (this time it's a hungry giantess perusing the fruitbowl), and Pentacalamity 4: Transpoxis. The image in the third row down, second column is the final of one that was previewed a long time ago here (the only one on the collage that hasn't been completed, actually):

Of particular note is another contribution from taurus-comix 's wonderful Institute imagery, the blond woman enchained by the troll in the row-2, column-2 position. Thanks again, Taurus! Check out his photography, drawings, and 3-D images of damsels in distress.

Quick Addition: I noted in the comments the need to give some titles for these pieces. So, going from left-to-right on each row, top-to-bottom, we have...
"Pygmeanies 2: The Witchdoctor"
"Cargo Gnomes 1" (I've got four more of these in the works)
"Tentacular 2"
"Shipping Charge" (or "Alone in the Hold," not sure which at this point, but I have three more of them in the works)
"Troll's Triumph"
"Gods of Shore and Sky"
"Giantess' Snack"
"Yssika in the Sewer"
"Yinai and the Damnation Spell"
"Stingy Jack Takes a Wife"
"Sacriel, the Angel of Plunder"
"Pentacalamity 4: Transpoxis"

Enjoy!

Note: Bikini Babes in Peril is a work of fantasy and fiction. The artist/creator in no way condones real mistreatment of this kind toward any woman or man, by living person, gremlin, plant, assassin, ratman, viscous fluid, programmed device, animated home furnishings, or otherworldly spiritual beings. Furthermore, the artist opposes the marginalizing and restriction of women in general by any institution, political and/or religious, including those which have individual women amongst their membership touting/promoting their own happiness within that institution as evidence that ALL women should feel the same way. This includes the religion I was raised in and which I have utterly discarded from my life over this and other issues.