HOME | DD

FedericoMemola In reply to Cesko-dragmire [2010-11-20 19:09:01 +0000 UTC]

Sicuramente è molto bravo a disegnare sia lei che tutto il resto!

👍: 0 ⏩: 0

FedericoMemola In reply to enrisantana [2010-11-20 19:08:16 +0000 UTC]

Yes. Enchantment Agency is my favourite among all the series I created. Actually it's over, but I have plans to a "reloaded", with a reprint of old episodes (some of them remaked) and new episodes. I only need a publisher! A small detail, isn't it?

👍: 0 ⏩: 1

enrisantana In reply to FedericoMemola [2010-11-21 01:31:39 +0000 UTC]

your quality stands, you have to arm yourself your own chace!!!!

Go for all amigo!!

👍: 0 ⏩: 1

FedericoMemola In reply to enrisantana [2010-11-21 02:57:30 +0000 UTC]

Oh, I won't give up, that's for sure! And when I'll find a publisher, I'll propose you to draw an episode!

👍: 0 ⏩: 1

enrisantana In reply to FedericoMemola [2010-11-22 16:49:19 +0000 UTC]

wow realy thanks for you good wave!!!
Do not know how the market goes in Italy but I understand that is different from here!
I wish you all the luck!

👍: 0 ⏩: 1

FedericoMemola In reply to enrisantana [2010-11-22 17:26:14 +0000 UTC]

Here in Italy there are three kinds of comics publishers:

1) The "big ones": Bonelli, Edizioni S. Paolo, Disney, Astorina and maybe Rainbow. They sell a lot of copies and they pay well. Bonelly and Edizioni S. Paolo VERY well.

2) The "middle ones": little publishers with a small amount of copies sold, but enough to pay their authors, even if they pay about 1/4 compared to the "big ones". They are Star Comics, Aurea Editoriale and... Ehm, anybody else, I fear...

3) Then, a lot of very little publishers which sells from few hundreds copies to 2/3.000 (the most successful). Some of them pay something, others not, others pay only royalties... Some of them make very beautiful books (such as Coconino, BD, 001 Edizioni, Renoir, Bao...), but this group is a jungle, to tell the truth, where almost nobody who works for them can live making comics.

There are then others publishers (like Panini, Planeta, and many manga publishers) who don't produce comics, but only import them from other countries (mainly Japan and USA), so I didn't count them.

👍: 0 ⏩: 1

enrisantana In reply to FedericoMemola [2010-11-23 23:13:21 +0000 UTC]

Realy thanks for clearer picture!!!

I worked with Eura (Aurea) since the project Sybersix Meglia Calre Besides, there could start as "innkeeper" and then prune to make my own Texts of the Draft with Carlos Trillo and now with Viviana Centola, at first it was a very good pay but this last stage was downgraded, does not mean that Argentina will serve to change!

Is also an escape "artistic" to me because usually freelancer for agencies in national or Spanish, Story Boars, Animatics Concepts, Etc

a pleasure be in contact with people with good waves!

The Best to you!!!

👍: 0 ⏩: 1

FedericoMemola In reply to enrisantana [2010-11-24 00:56:21 +0000 UTC]

I think that one of the greatest adantages of internet is the opportunity to "meet" people from other countries. And when we do the same work, it can be very useful to share informations about the market we work in. Who knows? Maybe someday you'll draw Dylan Dog for Bonelli, or I will work for some Argentine publishers... And even if this won't happen, we are pleasantly chattering improving our English!

👍: 0 ⏩: 1

enrisantana In reply to FedericoMemola [2010-11-24 01:38:19 +0000 UTC]

Google Traslate helps me, I'm actually doing wrong talking!

GoogleTraslate mi aiuta, ven, sto facendo male a parlare!

👍: 0 ⏩: 1

FedericoMemola In reply to enrisantana [2010-11-24 12:08:27 +0000 UTC]

When I need, I use this:

[link]

It's for single words or short phrases, but it's enough, for me.

👍: 0 ⏩: 1

enrisantana In reply to FedericoMemola [2010-11-24 13:45:09 +0000 UTC]

ok amigo, somos unos flojos para el estudio!! Jejejej

Saludos Federico!!

👍: 0 ⏩: 0