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fragilemacabre — Than Life
Published: 2006-01-09 22:36:22 +0000 UTC; Views: 317; Favourites: 2; Downloads: 11
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Description She walks, snow crunching under the light pressure of her leaky boots, and thinks about nothing. Rather, she thinks about nothingness, about absorption into the rocks and atmosphere and essence. Not too long before she decided to take this first-snowfall walk, a boy had explained it all to her, in the aftermath of sweet smoke. He delineated the beauty of the thing: giving up on self, becoming everything by being nothing. Every time she wakes up, it means she has not achieved Nirvana, it means she has not yet figured out how to transcend her own petty thoughts, her own avaricious desires, her own being, and always being larger or smaller than life, never just the right size.
          She tries to find the way to oblivion, and if not oblivion, then meaning. She tries through scattered praying to disorganized ikons; through the slowing-down of breathing and thoughts in meditation; through the muddle of drunkenness; through the heady clarity of marijuana; through skin-on-skin touching in the dark of strange houses and in the absence of plans.
          Nothing gets her any closer to being nothing; at least, not for long. Every time she falls to the bottom of an experience, touches the truth of the moment, another rotted wooden floorboard of reality splinters. She finds temporary loopholes, transient respite from the restlessness pervading her days: Being alone at night in the labyrinth of concrete city houses; rushes of a boy’s breath against the backdrop of slowly-winding music; blood running to her head as she loses track of herself, being so minute in her universe. The relief from realization comes in bursts, but the crash is harder than the fall. She always comes back to herself, in the end, a goddamn modern-day Siddhartha.
          Icicles of winter air stab her lungs as she walks faster, faster towards no particular destination. The pain in her chest reminds her that she is yet living. Even though they are contrary to what she most wants, she loves these moments, too, the ones where she feels most in touch with flesh and fresh air. She’s due at the job she hates in mere minutes, and she knows that she won’t be there much longer. She has a paper due the next morning, and she knows that she wants it to count this time. She has a new obsession, and she knows that it will only serve to get her further away from ataraxy, that dropping of desires she most desires.
          She wants to disappear, dissipate into the polluted Hudson, evaporate into the dirty city air. She knows that she will quest for truth in mistaken places until she stumbles out of being. It is enough for her, for now, however, just to exist in the snow, her feet cold in thin boots, music tinny in her ears and snow chill against her face. It is enough to be no larger and no smaller than life.
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Comments: 11

screamthelemoned [2006-09-24 03:03:22 +0000 UTC]

I do really like this. Is this something you read at Open Mic? It sounds familiar.

I think the people who commented on this before I did said a lot of the things I wanted to say, so I have to see if there's anything else I can add....

Well, I can definitely see a lot of you in it. Hmm...what else do I like? The main action of the character is thinking, and the whole piece sounds like good, intelligent thinking to me. The second paragraph has structure, but it also has the wandering quality of thought, where you find yourself thinking of, say, a play. And then how brilliant the costumes were, then memories of you sewing your first garment with your Aunt Adelaide, then Adelaide's funny laugh. Things like that. Oh, it's in the third paragraph, too. It brings you through all the things she does on her journey without sounding list-y or losing the importance of each individual idea.

I really like your tone, and if I remembered correctly that this was the one you read, then I guess I have the added bonus of knowing how you would read it. I like the descriptiveness in general, and I'm often turned off by a lot of detail, but this kept me going the whole way through until I finished.

The length works, but I do wish it were longer. Actually, I don't really. It's just that it sounds like it would be such a good introduction for a much longer piece, although making it an introduction pretty much ruins the last lines.

What else? Oh, I like the contrast between human activites like sex, smoking, and thinking and being absorbed into the dead environment (being absorbed into rocks, dissipating into the polluted Hudson, evaporating into the dirty city air, etc.)

Yay Susannah. >3

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fragilemacabre In reply to screamthelemoned [2006-09-25 20:02:46 +0000 UTC]

I did read this at Open Mic.


Thanks for remembering.


And faving.

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screamthelemoned In reply to fragilemacabre [2006-09-26 02:06:22 +0000 UTC]

you're welcome. >3

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LazyLinePainterJohn [2006-05-01 15:25:36 +0000 UTC]

I enjoyed this a lot. I always get as far as "I enjoyed this a lot" and then I never know what to say. It's very evocative, and reminds me of specific times and places (where snow was also involved, by the by). Except written far better than I could've. Youth hangs about this piece like a big hat. Searching for meaning and caring about papers; it steers clear of clichéd, though, on balance. There's some lovely phrases here: "rushes of a boy’s breath against the backdrop of slowly-winding music", for example, and "through skin-on-skin touching in the dark of strange houses and in the absence of plans" (I wonder if it's a coincidence that my favourite lines in here are about sex or I sign that I should be outside more).

Some stuff, though, feels a bit overdone: "another rotted wooden floorboard of reality splinters" would, I think, be better as "another floorboard of reality splinters". In other places you can take out (or tone down) some adjectives or lists without losing the thrust of the story. The first three sentences in the fourth paragraph are weak, I feel, and could do with revision or even spiking. Finally, I really love the last line.

Overall, excellent stuff indeed. Kudos.

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fragilemacabre In reply to LazyLinePainterJohn [2006-05-04 20:07:25 +0000 UTC]

Thank you for this comment. Appreciated more than you know.

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LazyLinePainterJohn In reply to fragilemacabre [2006-05-05 16:59:25 +0000 UTC]

You're very welcome.

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drowning-slowly [2006-03-14 15:06:51 +0000 UTC]

Your writing always brings me back to what I am deep down and what I dont want to be, back to the petty little girl who craves attention and above all love and will do anything for that love. The girl who could be manipulated in a second if you promise you'll care for two. THe smoker, cutter, theif who I threw away for a relationship I love. But I still crave those cigarettes sometimes, still crave that rush of blood to the head or from it. You make me realize what I'll do to feel like I'm wanted even when I know I am. People dont reject me, I reject them. Rejection is selfish Sooz. Remember that. I'm selfish too. Remind me of that. Everyone else does.

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fragilemacabre In reply to drowning-slowly [2006-03-14 21:17:18 +0000 UTC]

...huh?

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drowning-slowly In reply to fragilemacabre [2006-03-14 21:39:28 +0000 UTC]

...nothing

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diamondie [2006-01-09 23:06:36 +0000 UTC]

You have some really nice description there, I just wish it was more concrete. I used to write several short stories like that, people referred to with only pronouns walking to unknown destinations. They were otherwise good, but the overly abstract nature really bothers me when I read them now.

But still, that first paragraph in particular is brilliant. I can't help but admire the writing style. I wished for the piece to be longer, it works just fine in this length, but I'd have wanted the story to continue. But maybe it shouldn't.

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fragilemacabre In reply to diamondie [2006-01-09 23:32:21 +0000 UTC]

Thanks for the comments and critiques of late; I haven't overlooked your recent submissions, I've just been under mechanical duress (i.e., people in my house keep destroying my keyboard).

The length for our class is 500 words per essay; it can exceed that, but not by much. It is rather abstract, I suppose that's the point of it, however pretentious... This seems to be the style I'm most comfortable in (not the abstractness, but the tone and such), when I submit more prose (which is planned, again, when I have a keyboard at home and not just work), I'll keep that in mind.

Thanks.

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