HOME | DD

HanMaster — Perfection
Published: 2010-07-09 21:52:14 +0000 UTC; Views: 261; Favourites: 0; Downloads: 1
Redirect to original
Description The sky here is so clear, besides the life that the tiny clouds bring to it. Each pure white fluff kisses the other in greeting. Their laughs ride the breeze that tousles my golden hair any way it pleases with it's playful little fingers. The wind, the eager little gypsy it is, wraps itself around me and hugs me tight before settling me down into a garden of wheat. I take a deep breath of the moving air before it leaves me on my feet, my lungs overflowing with the scent of warm summer honeysuckles.
Vibrant green mountains are reflected in the smear of a chattering lake which gives itself willingly to the lambs and lions that need it to survive. I pass between either of the friendly creatures and run my hands along their coats, one spongy and tangled, the other slick and smooth. I see the lions golden skin jerk as my nails dig for one more deep stroke. He purrs! It's just how you'd imagine a cat to purr, but louder, more delighted. The lion smiles and plops onto the ground, a puff of sand spreading out from around his large body. The lamb folds its legs under itself and lets me use her as a pillow so I can watch the sunset disappear into an orange line on the shore of the ocean that grows closer to me with each breath, billowing over the sea of wheat. The mist from the crashing waves hit my face but doesn't sting my eyes.
Amongst this all I hear something in the distance that doesn't belong. It grates against my mind, makes me cringe. Of course it's not in this world… not here. Nothing with that sort of soul belongs here. And then I can hear tears falling. Prickling my arms and rolling off of my checks. I smile in spite of that. Of course I'm imagining things. Nothing is here but utter perfection. I'll be back again.

-------------------------

It was another morning where I awoke to the serenade of my parent's strained voices that beat my alarm. The two battling discordances each tried to bellow more robustly than the other, the height of the duet always the point where the two voices were at their limit and could not longer force out another word. A heart wrenching scream, and the sound of skin hitting skin would always be soon to follow. The closing of the morning opening is the same as it always is: the slamming of the large chestnut door in the living room, and the roar of an engine that wails through the neighborhood, haunting me as I crawl out of my bed. Scene one of the day is over. This is my usual alarm. This is a morning just like any other.
Each day I come from my room after carefully brushing my hair in the mirror and placing on my school uniform. I leave off the lights. I feel to make sure the silky black tie is centered just right along the middle of my neck and each ebony button is in its place against my white button-up. The row moves smoothly up my straight torso and average-sized chest, a knee length black skirt making the uniform all the more colorless and plain.
I'm numb to my parent's performance when I walk into the main room, catching a glimpse of a beer bottle clasped my father's trembling and drunken hand. It thuds to the floor dully, the remains of the amber liquid inside of it oozing out onto the champagne red rug that's the center piece of our living room. Luckily I don't have to clean it, and neither do they. It wouldn't hurt to be more grateful, though, would it? I can only help but think about poor Cecelia scrubbing the carpet until her fingers go raw and her back goes out, just because Warren is too dumb to keep his damn hand around a stupid bottle. He shouldn't be drinking this early in the morning anyways! He has to go off to wherever he does this time in the morning. Some business building somewhere.
The putrid scent from that man's breath wafts around the place I hardly consider a house, mixing with the stained scent of expensive cigars. The two smells swirl around in an awful cyclone with an accent of mom's perfume. I can only wonder where she's gone off to, but wherever it is I don't blame her. We all need an escape and hers just so happens to be in spending money on whatever floats her fancy, be it bodies or furniture.
I squint through the morning film, the sun not yet turning the sky the beautiful orange sherbet color of my dream. My shoes tug against the depth of the carpet as I try not to look at the salt and pepper head of my father, and especially his eyes. My eyes, really. We share the same deep blue ones. Sometimes we make eye contact, rarely, and my eyes start to sting terribly. Seeing the same color staring back at me in such a body like his is painful. I hate that feeling that grips and twists my stomach so violently. I clutch my school briefcase in my hand as I moisten my lips before speaking as if to prepare them for the words about to come out.
"You should get ready for work." I say as I come to a halt in the doorway of the kitchen, my back to my father, my skirt swaying back and fourth once more with the force of my stopping. I hear nothing for a moment and my leg begins to bend towards my breakfast. But then there's a laugh.
"Worried about your ole' pa are you, Lily? At least you are… your selfish bitch of a mother isn't…"
I twist the leather handle in my hands tighter and hear my feet hit the marble tile of the kitchen floor, propelling me through my daily weekday routine.
I can't say anything to that. I don't even know if I'm worried or not. This feeling towards him has been stewing in me ever since I was old enough to put two words together. It's not worry or concern, I don't believe. He's brought this all upon himself, he deserves the consequences and I believe that strongly. So it can't be worry. It's more of a disappointment in myself to not be able to influence him, or even think about standing up to him and telling him what's on my mind once and for all. It's hate of myself for not doing what needs to be done, and showing him that I do care about his health, about his life. Yes, it's self hate maybe. Maybe.
I run the tip of one of my fingers along the globe of a healthy looking orange, its dimples creating a pleasant sensation, each little dip reminding me that its lack of a smooth surface isn't imperfection, just part of what it is. I snatch it and dig my nails into peal, throwing away the outsides and interrogating the insides, ripping apart each slice and placing them on a plate, going over to the table with a glass of 2% milk. I separate each little smile that the orange had into two pieces, bursting a pod of juice against my plate before I had entertained myself long enough and ate the remainder of the fruit quickly.
I shuffle past the living room more swiftly then needed after I disposed of my dishes in the sink, surprised to see that my father had actually gone to get dressed as I suggested. I know it wasn't my doing, but I can't help but a feel a weight leave my consciousness as I head outside to my 2009 golden Nissan.
Related content
Comments: 6

mystia-solistra [2010-07-09 22:09:23 +0000 UTC]

I really like this story, or rather, what you have of it so far. Your descriptions are quite nice, particularly in the opening of this. It creates quite a clear image. I do, however, have some suggestions if you feel inclined to listen to them.

You have grammatical and spelling errors peppered around this piece, and unfortunately, those are a bit hard to point out in a comment like this. If you'd like, I can send you a note with a slightly edited version of this for those errors (I don't want to change the actual content of your story, though).

I also noticed that you're using a lot of single adjectives on single nouns for your descriptions. While that works, technically, it's pretty clunky reading (especially in English, where we have the descriptor before the object, which is totally backwards). It works well in the opening, but as the story moves on it's like being stabbed with pins and needles a few times each sentence. It might not really hurt, but it detracts from what you're trying to achieve, which is immersion.

The small amount of dialogue also seems like a forced reveal, not natural speech. Don't tell us that the main character's mother doesn't care about her father and he resents it; show it to us through their actions.

Obviously, at this point, there's no real ending, either... which I, personally, see as a problem, but I'm a perfectionist when it comes to presentation. Don't take any of the things that I've said as meaning that I don't like your story; on the contrary, I think it has potential, and that's why I want to offer assistance in what small ways I can.

👍: 0 ⏩: 1

HanMaster In reply to mystia-solistra [2010-07-10 01:56:28 +0000 UTC]

Thank you for the very constructive suggestions.
I do realize I have quite a few mess ups. I'm a bit lazy in my proof reading so sometimes I just cross my fingers and hope it turns out right. I'll be the first to admit that my grammar is, at times, pretty awful. I'd love it if you could send me a note of 'the slightly edited' version!
And good advice about the single adjectives on single nouns. Do you have any suggestions for that? What do you think I could do to make it smoother while not sacrificing the descriptions?
I understand what you're saying about the showing through their actions thing. I did a bit of that, but I guess I'll do more in the future.
As far as the ending goes, I have one in mind but I guess I haven't presented the possibility exactly as I should have. I'll certainly give it a little more next time.
To be honest, this is kind the result of me pushing three separate pieces of writings I did at different times together. One was from about two years ago. I still have a lot of smoothing over to do.
But really really really, thank you! If you want to just send me a message with your suggestions and edited version instead of replying here, feel free. I really love this feedback.

👍: 0 ⏩: 1

mystia-solistra In reply to HanMaster [2010-07-10 02:40:37 +0000 UTC]

Feedback is wonderful. Unfortunately, a lot of people don't really know how to give it, and even if they do, they're like me and totally apathetic about sharing.

Now, with the ending, to me, that's what makes the entire story. It's the same with a lot of people. A story can be somewhat mediocre but have a fantastic ending, and I'll love it. So, this one ends pretty abruptly, and that leaves me feeling like there really should be something more to it. As it is, you seem to be implying that the main character is going to run away, trying to reach her "perfection," but no one is really going to pick up on that. A great way to preserve the ending you have is to simply elaborate on the thought processes before seeing the Nissan, perhaps the main character thinking so hard about leaving, and where she would go, and that common misconception that "anywhere but here" is a paradise.

As far as the single adjectives describing nouns, I absolutely do not recommend stacking adjectives. That just gets ugly and confusing, and it does it really fast. What I do recommend is finding out which things in particular describe the mood of the scene best. We don't need to know what color the rug was; but the smell of the beer falling into it creates a stronger picture of the environment. I hope you understand what I'm saying by that. Pick and choose the things that you can describe that most evocatively convey the atmosphere you're trying to achieve.

And I can send you a note with the semantic changes, but it might take me a few days to do that, if you don't mind.

👍: 0 ⏩: 1

HanMaster In reply to mystia-solistra [2010-07-10 02:49:46 +0000 UTC]

Oh, well it's not finished yet! Still ongoing. I'd never end it there. That'd drive me crazy. It's just the end of the introduction. There's a much more interesting ending than her just running away.

And right. Stacking adjectives are bad. As far as the rug's color, I wanted that to be a symbol of luxury, and also kind of remind the reader of blood to show the unease in the household. My teacher this year (or kind of last year) really pressed us about colors and their meanings, so I guess that was the thought process. But I understand what you're saying: leave out any unnecessary jumble.

If it'd be no trouble/if you'd enjoy doing it then I would like to see what you can make of this. Take your time, too. You're doing me a favor after all. I really appreciate it!

👍: 0 ⏩: 1

mystia-solistra In reply to HanMaster [2010-07-10 02:54:06 +0000 UTC]

I was getting the feeling that that wasn't the absolute ending, but even then... you need something that leave someone wanting to continue if at all possible (and it always is).

About the color of the rug... now that you've mentioned why you put the description in, it makes sense, but that kind of thing doesn't really occur to readers. It certainly didn't hint at anything like that to me, especially the color being commonly associated with blood; and you've already set the atmosphere of the home as being thick enough that it is, truly, not needed. Sometimes the greatest depictions are made with the least description (which is why I added the comment about pins and needles; no adjectives, but it creates a nice image, so I was subtly hinting at you ).

👍: 0 ⏩: 1

HanMaster In reply to mystia-solistra [2010-07-17 03:52:51 +0000 UTC]

I agree with you there. It was kind of a random place to cut off.

And I guess it doesn't occur to readers, but I can hope. I guess it is not needed though. Very true! Hehe, I guess I was too dense to get the hint.

👍: 0 ⏩: 0