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JulieSwanSculpture — 'Compassion'

Published: 2010-03-26 03:24:28 +0000 UTC; Views: 3105; Favourites: 62; Downloads: 73
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Description My latest at green-ware stage.

Inspired by the man who shows true compassion.....
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Comments: 44

DawnstarW [2012-06-26 01:18:00 +0000 UTC]

That has got to be the most interesting version of the White Tara I've ever seen. Rather beautiful. Are you planning on having it glazed at some point? If so, what color(s)?

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acrashingwave [2010-12-12 23:13:31 +0000 UTC]

interesting style, not quite like anything i've seen before.

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JulieSwanSculpture In reply to acrashingwave [2010-12-14 00:05:16 +0000 UTC]

Thank you 'acrashingwave' for the comment and welcome to DA.

I suppose I could be described as a traditional figurative artist who is working with earth and who is always trying to lighten form and explore energy.

I enjoyed reading your 'wondering' entry. You have expressed some very beautiful concepts. Music versus 2D -3D art forms....there is perhaps a connection between the two fields. I like to think that when any artist, no matter what field is being explored, is in the act of creating... the act or the experience is the same.

What's left behind however, can certainly be different. One static and as you say perhaps a window and the other, vibrations.
Both so complimentary don't you think.

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acrashingwave In reply to JulieSwanSculpture [2010-12-14 01:42:39 +0000 UTC]

I agree completely, and I don't think you have to 'try' too much to transmit that energy. Although working within technical boundaries, some things come intuitively, or not at all, and you definitely seem to have it.
As far as music versus visual art; maybe at some point there is a tangible intersect where the art being a window or the vibrations of music are interchangible. Holography, 4-dimensional sculpture, grand architecture...something else. I'm just curious to know what the limits are. ...A photo or painting of a landscape is typically just a flat 2-dimensional representaion of nature. It can never amount to what it is to be IN the landscape, (besides the feeling of the air, and smells, and sounds, and everything else going on in the background.) to have not simply a 360 degree panorama, but an x, a y, and z. A sculpture is typically beside us, in front of us, above or below, or a combination of a couple of these. Music fills the air and immerses us. I'm not sure that each has to have its own jurisdiction. Thank you for the food for thought.

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Mishelangello [2010-04-19 17:23:04 +0000 UTC]

Hi my friend! Artwork was featured in my News article here: [link] Please don't forget to give the article some

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Mishelangello [2010-04-18 05:42:39 +0000 UTC]

Magical work!

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seriouslytwisted [2010-04-07 20:53:47 +0000 UTC]

I've always had an affinity for that gesture in icon art, and the depth of detail you've achieved is inspiring. I wonder how you built up all those gravity defying details, what do you use as your support base? I've recently started making small sculptures in clay, but I reckon on the scale you're working on it isn't all clay on the inside?

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JulieSwanSculpture In reply to seriouslytwisted [2010-04-07 23:05:59 +0000 UTC]

To achieve size I work up the body and limbs as coil built shapes. As you would know it's important to keep the walls of a clay work uniform in thickness. As far as the details are concerned, it's taken me some time to learn the shrinkage rates of the clay I use. I then factor that in as I build up the detail. Fine forms will pull away from large shapes unless you allow for this contraction and shrinkage. I don't use an armature....I build up the base shape over a few days so that each step can firm up a little. This method of working is not as spontaneous as I would like....but it's OK if you don't mind being patient. Good luck with your ideas.

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Bit-sinna [2010-04-05 07:36:47 +0000 UTC]

Really beautiful.

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BRipin [2010-03-31 16:50:18 +0000 UTC]

Magnificent!

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JulieSwanSculpture In reply to BRipin [2010-04-01 00:54:49 +0000 UTC]

Thank you Barrie.

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KwasiRa [2010-03-30 13:56:28 +0000 UTC]

I have communed with her each morning for nearly a week, trying to absorb a modicum tad of her compassion.

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JulieSwanSculpture In reply to KwasiRa [2010-03-30 23:02:01 +0000 UTC]

Now that's a great comment KwasiRa.....I do hope this absorption does not spoil your wit and satirical observations. Perhaps just a little would be OK.

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KwasiRa In reply to JulieSwanSculpture [2010-03-31 14:13:23 +0000 UTC]

What, I can't handle compassion? You may be right. I'll start with empathy.

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JulieSwanSculpture In reply to KwasiRa [2010-04-01 00:53:01 +0000 UTC]

Empathy sounds good....the doors of your experience will still stand open to receiving a whole gamut of ideas and details....perfect for your creations.
On a serious note however, some say that the problems with the world is that we are less able to empathise with others now than in the past. I believe that many young people have had so much 'doom and gloom' for so long that they have switched off. A person like pathworking or a man who puts a ladder against a very tall tree so that a silly cat can get down, is in my opinion a very worthy human-being.

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KwasiRa In reply to JulieSwanSculpture [2010-04-01 02:17:19 +0000 UTC]

I'd call him a durn fool but I defer to your judgement.

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riya0326 [2010-03-29 02:30:17 +0000 UTC]

This is beautiful like the man who inspired you to create this piece....

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JulieSwanSculpture In reply to riya0326 [2010-03-29 08:17:51 +0000 UTC]

Yes riya0326, but compassion always has a cost and a responsibility.....and there lies the challenge.

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asm2029 [2010-03-28 20:49:19 +0000 UTC]

Wonderful!

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JulieSwanSculpture In reply to asm2029 [2010-04-01 01:01:57 +0000 UTC]

Thank you asm2029...it felt right to make it at the time.

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asm2029 In reply to JulieSwanSculpture [2010-04-05 17:38:40 +0000 UTC]

I truly appreciate you taking the time to make this. It's astounding to look at. And even more so, I appreciate you taking the time to share it on this site.

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Patchco [2010-03-27 16:35:02 +0000 UTC]

Another masterpiece and a perfect counterbalance for a restless soul. Thank you.

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JulieSwanSculpture In reply to Patchco [2010-03-27 22:53:31 +0000 UTC]

Ah Patchco......an insightful observation. To be able to disappear into an artwork while creating it, is a wonderful thing indeed. I always feel so much better after some work....are you the same?

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Patchco In reply to JulieSwanSculpture [2010-03-27 23:17:37 +0000 UTC]

I am. In fact, it's my main motivation to sculpt. If only I could control my obsession for perfection, I would enjoy it so much more.
Oh, well, we all have our demons

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JulieSwanSculpture In reply to Patchco [2010-03-28 00:07:12 +0000 UTC]

That's an interesting dilemma Patchco. You might like to try to work in terms of allowing the true qualities of the material to 'shine through'. You are then a facilitator rather than a controller...and ego takes a back step. You as an artist can then become a conduit for larger inspiration. eg. You are the bow and the work the arrow. I understand your concern and most of my career has been spent in trying to let go of that particular demon. Consider Rodin for example...His work is loved because of his sensitivity to the material. He knew when to stop.

Working with plastic or digital imaging etc could require a need for 'perfection' however because, in my mind, they seem to require it.

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Patchco In reply to JulieSwanSculpture [2010-03-28 00:33:46 +0000 UTC]

Food for thought. I'll sleep on it.

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davidbrown [2010-03-27 14:09:02 +0000 UTC]

amazing work

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JulieSwanSculpture In reply to davidbrown [2010-03-27 22:44:01 +0000 UTC]

Thank you David.

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MossyModels [2010-03-27 01:22:42 +0000 UTC]

Truly stunning piece,

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JulieSwanSculpture In reply to MossyModels [2010-03-27 03:46:18 +0000 UTC]

Thank you for your generous comment.

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MossyModels In reply to JulieSwanSculpture [2010-03-27 12:36:48 +0000 UTC]

Your welcome

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zv3zda [2010-03-26 19:22:43 +0000 UTC]

Very beautiful!

Does she have any relation with Buddhism?

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JulieSwanSculpture In reply to zv3zda [2010-03-27 00:05:19 +0000 UTC]

Yes zv3zda. The Tara icon is a very important aspect of the Buddhist tradition. She would be as important as Mary in Christianity.
I use her imagery as a broad symbol of universal female compassion.

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zv3zda In reply to JulieSwanSculpture [2010-03-27 00:56:10 +0000 UTC]

Ah.. Thanks for informations! That's nice to read!

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JulieSwanSculpture In reply to zv3zda [2010-03-27 01:18:06 +0000 UTC]

Anytime!

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zv3zda In reply to JulieSwanSculpture [2010-03-27 20:51:46 +0000 UTC]

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oni-sendai [2010-03-26 12:04:34 +0000 UTC]

Beautiful
female, flowing flowers
love to see your new stuff.
very peaceful,positive vibe

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JulieSwanSculpture In reply to oni-sendai [2010-03-27 00:13:11 +0000 UTC]

Thank you oni-sendai. I suppose that the act of creating a Tara is a pure indulgence....just uncomplicated pleasure. I'm really glad you appreciate the energy.

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pathworking [2010-03-26 11:39:36 +0000 UTC]

Palya! Mumma Jewel-e!

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JulieSwanSculpture In reply to pathworking [2010-03-27 00:18:42 +0000 UTC]

Thank you to you too pathworking. Your images have given me a lot to consider.

A jewel has many reflected surfaces and I see that as many aspects of life that need to be considered and bought into some sort of harmony. I'll try to live up to this name.

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ChibiHaruChans [2010-03-26 07:11:21 +0000 UTC]

This is amazing!

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JulieSwanSculpture In reply to ChibiHaruChans [2010-03-27 00:21:00 +0000 UTC]

Thank you ChibiHaruChans.....she has been an interlude for me while waiting for things to settle.

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Eyth [2010-03-26 03:42:12 +0000 UTC]

Absolutely stunning, masterfully executed. I feel myself relaxing just looking at this piece. Congratulations on such beautiful work!

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JulieSwanSculpture In reply to Eyth [2010-03-26 03:50:29 +0000 UTC]

Thank you so much Eyth. Your comments mean a lot to me. You may like to have a look at images. He lives in a small Aboriginal community in the centre of Australia. The evironment there is unbelievably challenging and yet he can identify and capture such beauty.

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