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kevissimo β Greystone I.
Published: 2005-11-08 10:29:51 +0000 UTC; Views: 16106; Favourites: 720; Downloads: 2486
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Description
Why I add this image now after two years I really don't know.The V2 international campaign
Photographed at Greystone Manor - Beverly Hills, Ca
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Comments: 93
You are so rocking my world now...
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You have rocked mine
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I love that pose and the brideΒ΄s glance, the lighting is just perfect.
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Something what is pulling us to the death always exists - it's a mystery.
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wow that's a great picture , i first thought it was a drawing 
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WOW!!
your the photographer who took the shots i drooled over in a magazine!!!
much luvs! its all gorgeous!
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I really like the color and texture of this shot. She looks like she's on the run, looking for somewhere to hide, maybe. It may even be that she is not alive, but a carving in the wall she is standing in front of, or has just emerged from. Lovely framing, lovely model, lovely dress.
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You are amazing! I think you are one of my favorite photographers
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That means alot to me....thank you so very much....
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very nice! it gives me a sad feeling but i don't know why. very beautiful! 
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haaaa ! I love it, it makes me think about a lunatic bride who decided to sequestrate all the audience for having approved her loss of freedom ha, but i hate weddings that's maybe why all this esthetic forms inspire me in this direction. but i like a lot this image.... hop favourite !
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i loved this picture, but i lost it and couldnt find it..yay i found it!! this pictures awesome, it has such a wonderful feel to it
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my goodness! it's been too long since i've visited your magnicent gallery!!
and not a moment too soon! i'm desperate for inspiration!! and you have
always been one of the few that have been able to provide me with mountains of it!!
this is incredible bro!! so hauntingly beautiful!! i love the sheer headpiece and how
it flows from her in both directions as if she's spinning a web!
perhaps in order to capture those who cannot resist the lure of her beauty?
heh.
fantastic!!
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Thanks so much, dholms....sorry it took so long to respond. You are an inspiration as well....
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i know why ::: because it's beautiful and the tones and texture really make this photo special...
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In one word: Beautiful
Everthing comes together in a trully wonderful work...
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Great colours and texture!
looks like the old photo..from..m..m..50's..
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at first i thought she was wrapped in cobweb.
i love her dress. the background fits her very well, too.
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I really love the blur effect in this photo. It contributes to a sense of ghostly topography. She almost is a gatekeeper and since she is dressed in all white, one also thinks of the concept of the threshold and what she seems to be guarding. The part of the veil on the right hand is really really well done because it nearly flows into the landscape. Truly wonderful!
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I meant to thank you for this when you first wrote it....sorry for the delay.
I'm glad you saw beyond the fashion and what I was after.....thank you very much
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You are most welcome Kevin. I am happy that those are the things you are after and not the fashion. It is reassuring in this world of images.
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Why you haven't add them before ) It is amazing! I want to take whole serie to favorites.
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i enjoy in this picutures! it si verry verry beautiful!
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This such a stunning work of yours. I've fallen in love with the contrast of the colors and the pose of the model. Everything adds up and is wonderfully done. Keep up the great work.
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so are you going to let us know how you exposed this shot, and how you edited it? i really owuld love to know.
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Thanks for the interest in this...It was shot on a Mamiya RZ67 with Tri-X 220 Film and lit with a 2000W strobe in a 3x4 softbox rigged on a boom nearly overhead. Exposure was probably around an f/8 since I was filtering with a 25R glass filter.
The 16x20 print was made traditonallyand then I used the technique I employ called oilgraphing which uses oil color directly on the print...which is the texture you see. Nothing was done on the computer other than keeping the tone consistent after the print was reshot.
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