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Page two. This crossover took nearly three weeks to draw for a variety of reasons, most of which were related my favorite thing, ship design. All four ships that appear in this sequence (the fourth will be seen in the next page) were taken from the Tales of the Jedi comics, and for some reason turning comics art into MLP-style vectors is waaaaaay harder than doing it with photos. The same applies to the tentacle-faced monstrosities.

TotJ is my favorite of the Dark Horse comics run because of its planetary fantasy aesthetic, making the Old Republic era feel a lot more baroque than most later renditions (which basically feel the same as regular Star Wars with different helmet designs). This possibly makes it the first example of Star Wars being adaptable to other genres, decades before they tried doing the same on film

I now feel bad for not making a 'Dark Horse' joke in the actual comic. But I already used that for 'Dark Forces', and I don't want to repeat myself

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Description
Page two. This crossover took nearly three weeks to draw for a variety of reasons, most of which were related my favorite thing, ship design. All four ships that appear in this sequence (the fourth will be seen in the next page) were taken from the Tales of the Jedi comics, and for some reason turning comics art into MLP-style vectors is waaaaaay harder than doing it with photos. The same applies to the tentacle-faced monstrosities.

TotJ is my favorite of the Dark Horse comics run because of its planetary fantasy aesthetic, making the Old Republic era feel a lot more baroque than most later renditions (which basically feel the same as regular Star Wars with different helmet designs). This possibly makes it the first example of Star Wars being adaptable to other genres, decades before they tried doing the same on film

I now feel bad for not making a 'Dark Horse' joke in the actual comic. But I already used that for 'Dark Forces', and I don't want to repeat myself

Next Page
Previous Page