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Description
Gloomy skies makes the industrial section even more dour than usual... but there's ways to find a smile in even the most depressing of settings.

WELL THIS ESCALATED QUICKLY!

I sketched this up a couple weeks ago, but I started working on the lines shortly after I finished the last piece, and I have been hard at work on it for the past... 3? 4 days? My sense of time is fucky, idk. BUT LOOK. IT HAZ A BACKGROUND. AND RANDOS. AND ZOOMERS. AND SOFT DIFFUSED LIGHTING.

So yeah, Loor is entirely immersed in ranting about... something, probably so deep in technobabble it would make a Star Trek episode look conservative by comparison, and Jakkie boy is just... smiling at her. Doesn't matter if he's following or not, seeing her animated and passionate is enough.

I feel like the next frame of this is Loor looking at him, seeing that smile, and blushing like a madwoman because holy crap why are you looking at me like that???

Anyway, enjoy

Description
Gloomy skies makes the industrial section even more dour than usual... but there's ways to find a smile in even the most depressing of settings.

WELL THIS ESCALATED QUICKLY!

I sketched this up a couple weeks ago, but I started working on the lines shortly after I finished the last piece, and I have been hard at work on it for the past... 3? 4 days? My sense of time is fucky, idk. BUT LOOK. IT HAZ A BACKGROUND. AND RANDOS. AND ZOOMERS. AND SOFT DIFFUSED LIGHTING.

So yeah, Loor is entirely immersed in ranting about... something, probably so deep in technobabble it would make a Star Trek episode look conservative by comparison, and Jakkie boy is just... smiling at her. Doesn't matter if he's following or not, seeing her animated and passionate is enough.

I feel like the next frame of this is Loor looking at him, seeing that smile, and blushing like a madwoman because holy crap why are you looking at me like that???

Anyway, enjoy