HOME | DD

Description
These are the CirqueCon 2006 - Las Vegas drawings that made the final cut. The final concept was rhythmic gymnastics and integrating that into each of the Las Vegas Cirque shows.

Revisions... Cirque du Soleil informed me that in order to use my drawings in any published sense, they wanted me to delete their show logos. The worry was that people would think I was an official Cirque du Soleil artist, which I am not. It was annoying, but I agreed to make the changes needed. I drew the replacement item, and then it was digitally placed into the drawing to cover whatever Cirque wanted me to hide.

Title: "Fuchi" program version

To cover the Kà logo, as requested by Cirque du Soleil, I created a crest with the word “Fuchi” (literally ‘futshi’) scripted on it in a language I have created called Kavelinn. The publication of this piece in the CirqueCon program packet was the first time Kavelinn had been published anywhere! Oddly enough, the lines on that inner seam of the costume matched my Kavelinn script perfectly, even though the two parts were drawn about a month apart!

(c) Kris Piet 2006

Description
These are the CirqueCon 2006 - Las Vegas drawings that made the final cut. The final concept was rhythmic gymnastics and integrating that into each of the Las Vegas Cirque shows.

Revisions... Cirque du Soleil informed me that in order to use my drawings in any published sense, they wanted me to delete their show logos. The worry was that people would think I was an official Cirque du Soleil artist, which I am not. It was annoying, but I agreed to make the changes needed. I drew the replacement item, and then it was digitally placed into the drawing to cover whatever Cirque wanted me to hide.

Title: "Fuchi" program version

To cover the Kà logo, as requested by Cirque du Soleil, I created a crest with the word “Fuchi” (literally ‘futshi’) scripted on it in a language I have created called Kavelinn. The publication of this piece in the CirqueCon program packet was the first time Kavelinn had been published anywhere! Oddly enough, the lines on that inner seam of the costume matched my Kavelinn script perfectly, even though the two parts were drawn about a month apart!

(c) Kris Piet 2006