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Published: 2016-11-02 00:05:38 +0000 UTC; Views: 3590; Favourites: 57; Downloads: 0
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The elevator took them to the basement of the hospital, and she followed the orderly left through the open doors and down the pale green hallway. He was speaking, but she found the hum of the overhead fluorescent lights and the exquisite clarity of her heels striking a staccato rhythm against the linoleum floor distracted her, and she missed most of what he said."...not uncommon for the initial emotional response to be overwhelming, but you'll find the dampeners will help balance it out if it gets too much. You'll find a comfortable level once you learn to control it..."
A set of double door swung open in anticipation of their approach, and closed silently behind them once they'd passed.
He stopped near the end of the hall at a single solid door, and turned to face her.
"Are you ready? I'll be right here if you need me."
"Yes," she spoke, the sound of her voice unfamiliar in her ears, "I'm ready."
He pushed through the door and stepped into the room beyond, holding the door for her until she'd followed him inside.
In the middle of the room was a gurney, lit by a single overhead fixture that bathed its length in cool white light. On the gurney itself was the body of a man, draped in a clean blue sheet, turned down at the shoulders. The rest of the room was lost in shadows, but this is why she was here. To see.
She moved slowly around the body, regarding his face from all angles. His skin now grey and lifeless, his hair, once deep auburn now streaked with grey and white at the edges. His eyes were closed, but she could see clearly in her mind the crystal blue that they were when he was alive.
"Can I...", she hesitated, reaching without realizing towards him.
"Touch him?" the orderly replied, "of course, yes, he won't mind."
She smiled despite herself at the awkward remark, he was probably unaccustomed to these encounters himself.
She cradled the man's face in her hands, and then ran her fingers through his hair. She'd done so a thousand times before, but the sensation was so much different now, the texture of each strand against her skin captured with such fidelity.
A sudden flush of heat started in her chest and rose through her neck into her cheeks. She could feel her heart racing, and a sudden feeling of panic crashed over her like a wave.
"It's alright," the orderly was speaking again, "It's alright, give it a moment and the dampeners will kick in."
She gripped the side of the gurney with both hands until the feeling faded, and a calmness crept in, a soothing cool pushing the overwhelming emotions aside.
"It will take some time with the new suit while it adjusts to your personal emotional stimuli." He was facing her across the body now, watching her. "There are safeties, obviously, that will catch things before they can get out of control, but once the initial calibration period is behind you, you'll be able to access and control specific tolerances to sensation, light and sound, and establish your own comfortable emotional boundaries."
She looked back at the lifeless body on the gurney before her.
"I imagine it's quite a shock," the orderly continued, "to see yourself like this." From his tone she could tell he was original equipment himself.
"Not really," she replied, "he hadn't been me for years."
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Comments: 63
MSpaintdog In reply to ??? [2016-11-09 13:15:52 +0000 UTC]
Now that, sir, was one hell of a twist.
👍: 0 ⏩: 1
Rafellin In reply to ??? [2016-11-02 02:03:39 +0000 UTC]
Oh, that's a cracker.
One thing: I'd lose the 'left' from the first sentence. It's superfluous.
Optional extras: "...but she found the hum..." becomes "...but she found that the hum..."
Hemingway Editor gives it an 8/Good rating (1 is top of the stack) but it's notorious (and frequently illogical) aversion to adverbs accounts for a chunk of that.
It's a free resource and good for making you think about a piece in new ways - www.hemingwayapp.com/ 1. Copy your text into buffer. 2. Make sure the slider on the top right is set to 'Edit'. 3. Click on the text in the box, select all, paste your words in; everything happens automatically, all colour-coded too.
👍: 0 ⏩: 1
SRSmith In reply to Rafellin [2016-11-02 03:33:14 +0000 UTC]
Thanks very much! I've tightened it up throughout, I think. On "the hum" vs "that the hum", I think 'she found the noise distracting' or 'she found that the noise was distracting' is the clearest illustration of the difference, and when I'm writing in the moment, I always favour the former, being immediate rather than 'that/was' being in the past. To be sure though, I've changed that phrase completely!
The Hemingway Editor is a great tool, thanks. I'd played with it ages ago, but completely forgotten about it!
👍: 0 ⏩: 0
SenoritaBlack In reply to ??? [2016-11-02 00:30:31 +0000 UTC]
I wish I had something super-intelligent to say because this is so well-crafted and visual and sucked me in so completely, but this touched me on such a deep level, especially with that ending, that all I can tell you is...
👍: 0 ⏩: 1
SRSmith In reply to SenoritaBlack [2016-11-02 03:33:29 +0000 UTC]
Thank you! I'm very glad you liked it!
👍: 0 ⏩: 1
SenoritaBlack In reply to SRSmith [2016-11-02 20:12:51 +0000 UTC]
I did. It left me a little chilled because I've often wanted to switch bodies for a bit.
👍: 0 ⏩: 1
SRSmith In reply to SenoritaBlack [2016-11-02 21:42:10 +0000 UTC]
I think it's a universal curiosity for most people, while for some it's a necessity.
👍: 0 ⏩: 1
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