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sumptuousdigs — Number 2 Barn
Published: 2009-06-04 01:33:21 +0000 UTC; Views: 112; Favourites: 0; Downloads: 1
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Here's the barn to store number 2.I looked at "No.2' sideways, and this is what I saw.
04 June
I suppose the process would be helped if I placed these in the right category! Sorry.
Of the barn pictures, I personally like this one best. With it's skewed perspective, several undefined shapes, and roiling sky, I find it much more entertaining.
I painted the other one, to see if I could still paint after a 38 year hiatus. I found myself falling for the same traps. Trying to paint over perceived mistakes, instead of developing them into fresh ideas.
Still learning...
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Comments: 11
you have done since it? I like much the textures
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See my reply to ArwenGernak
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I'm sorry. I law post q did not put before. And I do not understand English and she costs to understand it to me. I'm sorry
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Dear estepo. Your Engish is admirable. My Espanol is none. I meant to say hello, and it came out ola, instead of hola! Lol! One thing is certain. You know art, as exhibited in your work, and your questions.
Your friend,
Miguel Casagrande
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Thanks for your words ^^ and you do not worry about the Spanish jeje
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I've maked, long time ago, manipulations so yours.
It's funny. But I like more paint a true canvas.
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Canvas and oils or acrylics have the great advantage of 3D texture...(but don't touch!)
Cyber has the great advantage in cost and efficiency.
I remember an argument one time between two art master, they finally called their mentor of old, whom they both revered. "Which is better", they demanded. "Oils or acrylics." The master replied without looking up, "Boogers".
Lol!
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Excellent answer. It's true that CYBER is a form of canevas. And I don't touch it. Be zen 
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"Barn" is a true cyber canvas, in the sense that there was no barn, trees road sky field etc.
'2' is essentially not a manipulation either. The process is similar to finding an old weathered piece of wood, and painting it...taking advantage of the textures and grain.
Thanks for asking
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