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Description
No Spoilers: On Dr Strange Multiverse of Madness my main task with Sony Imageworks was solving the riddle of the Scarlet Witch assault on Kamar-Taj. The sequence when I inherited it was a bunch of beats and a few key greenscreen notes in a timing flick but not much else. So it came down to the team figuring out the overall rhythm along with energy signatures, palette, timing and narrative logic of the confrontation itself. I did a truckload of back and forths on energy patterns, hits, misses, sorcery against chaos magic until we got a sequence we were pleased with. I'm not posting them all there's A LOT. Then it got cut to ribbons for theatrical but there you go. Anyways here's two general views I worked most with: Aerial flyovers with her and boots on the ground with Strange.

Description
No Spoilers: On Dr Strange Multiverse of Madness my main task with Sony Imageworks was solving the riddle of the Scarlet Witch assault on Kamar-Taj. The sequence when I inherited it was a bunch of beats and a few key greenscreen notes in a timing flick but not much else. So it came down to the team figuring out the overall rhythm along with energy signatures, palette, timing and narrative logic of the confrontation itself. I did a truckload of back and forths on energy patterns, hits, misses, sorcery against chaos magic until we got a sequence we were pleased with. I'm not posting them all there's A LOT. Then it got cut to ribbons for theatrical but there you go. Anyways here's two general views I worked most with: Aerial flyovers with her and boots on the ground with Strange.