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7 Tips for Writing Post-Apocalyptic Fiction
Chapter 2 “Genres” – Section 9 “Apocalypse”( Previous Tutorial) ( Next Tutorial)
"It's the end of the world as we know it and I feel fine."
R.E.M.
In recent history, there has been a surge of interest in stories surrounding the post-apocalyptic world and it makes sense. Not only does the genre play off our fears of societal destruction but it also creates some spectacular and brutal worlds where we see the depths of human resolve and emotions. However, movies and books in the genre (not all, but most) have begun to all share the same flavor. This can be disappointing when there are so many fresh ways in which one could approach this genre. Today we’re going to look at some ideas for how you can give your post-apocalyptic story its own flavor.
Tip 1: There are many different types of Apocalypse.
Zombies, nuclear war, sentient robots, prophesied religious events, extraterrestrials, floods, disease, famine, killer plants, and killer animals are but a few of the many ways that a Post-Apocalyptic world could be created. You can take these for what they are, blend them together, or come up with something completely new. The possibilities are limitless. I recommend thinking carefully about all the ways you could conceive of destroying the Earth that have not been popularly featured in stories and using those as a catalyst for your world.
Tip 2: Create a logical connection between the type/strength/timeline of apocalypse and the type of world it creates.
Think about what happens when you burn a fire very hot and very quickly. The fire extinguishes itself rather rapidly; it misses a lot of the fuel that it could have found if it had burned slower and gives plant-life an opportunity for quick recovery in enriched soil. You can create an abnormally large-scale disaster, like a weaponized plague that hits everywhere at once. But this must be carefully considered. Most realistic apocalypse scenarios must burn slow at first and build up, like a fire. And after the disaster hits, the survivors will most realistically thrive with an abundance of resources due to decreased populations. So, you should tailor your disaster to specifically fit the type of world you want to create.
Tip 3: The flavor of your world should be determined by the types of people who survived the apocalypse.
When watching post-apocalyptic movies, I often wonder why bikers who were into sadomasochism were most the population to survive, instead of librarians, veterans, country people, police, and other people with more resources, knowledge, and training to survive under rural conditions. There will be bullies who rise and take things by force, but they will only last until they run out of people to murder and ransack. Additionally, I cannot imagine that good people pushed to their limits to survive will not be as easy victims for biker gangs as what movies portray. The world will be shaped by the people who inhabit it, and the inhabitants will be comprised of those who were able to survive. So, make sure there is logic in what type of people will most likely survive your apocalypse and flavor the world you are trying to create.
Tip 4: Mix up the type of heroes/antiheroes in your story.
Not every hero in a post-apocalyptic world has to be the Gunslinger, from Stephen King's “Dark Tower” series. Don't get me wrong, I think Roland is an excellent character, but the strong, silent, gruff, cowboy protagonist has become a tired cliché in this genre. Try creating unlikely heroes that can be more likely to give us a type of story that we've never seen before. We know what a rough cowboy can do in the wilderness; the interesting story is how an elderly grandmother in a wheelchair managed to survive.
Tip 5: Keep your characters consistent with the time period that they are originally from.
Another cliché and failure of logic that I've noticed, is that post-apocalyptic worlds often become a remake of the wild west, complete with saloons, sheriffs, and cowboy hats. If your world is shattered in 2015, humans will not start back at the stone age and slowly try to get through the historical periods again. They will either try to recreate 2015, immediately or else create something entirely new. And if the first generation dies, they will leave that dream with their children. So, make sure that the type of world that your survivors create, makes sense based on the origins of those characters.
Tip 6: There will be smart and literate people after the apocalypse.
Unless you have a specific apocalypse that goes after smart people, there will be intelligent people who will try to recreate a modernized world. If they don't have the expertise to do something, they will look through old books until they find that knowledge. Humans, especially under pressure, are extremely resourceful. And smart people are not necessarily any weaker than anyone else—contrary to what our culture that reinforces societal roles and attributes to people, may want us to believe. Even old rednecks living out in the country often have engineering degrees or can piece together an engine or windmill from scraps. So, either address that problem if you want a barbaric wasteland or prepare for a humanity that will quickly recreate the world better than what it was before.
Tip 7: Know that your post-apocalyptic story is an embodiment of how you perceive human nature.
Any story you create in this genre will tell more about your personal view of human nature than almost anything else you can write. The post-apocalypse removes societal pressures and pushes humans to the extremes of desperation, forcing you to reveal what you think is at the core of human nature. This can also mean that you have influence on how your readers view human nature. If you think that smart and compassionate humans who would work together are ultimately weak and unfit to survive against people who behave like animals, then it will come out in your story. If you think that deep down there is no nobility to humans, then you will create a world of only savagery. So, keep in mind your vulnerability as well as your level of potential influence when working within this genre.
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Comments: 89
InsignificantSpeckk [2020-01-16 19:57:24 +0000 UTC]
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DesdemonaDeBlake In reply to InsignificantSpeckk [2020-02-06 00:33:37 +0000 UTC]
I'm very glad you got something out of it Best of luck!
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AnonAMauze [2018-07-19 21:10:38 +0000 UTC]
I know the Yellowstone Super-eruption is kind of overdone as far as the movie industry goes. It makes for very pretty CG effects. The thing I notice is there isn't much showing the long-term aftermath of such a powerful event. You catch a few news blurbs here and there in the background on things happening like food riots and high crime but those are happening shortly before or during the eruption, nothing of afterward. While the eruption itself is indeed an awe-inspiring and terror-inducing thing, it saddens me that so few people take a long look at the long-term effects. So for your consideration I offer this: Yellowstone Caldera lies west of the most fertile farmland in the world. The US produces approximately 65-70% of the world's food supply, particularly grains and corn. In the aftermath of a Yellowstone eruption most of that farmland will be unusable for decades if not centuries due to volcanic contamination of both the land and the water supply. For a bit of reference, I point all of you to the Laki eruption of 1796. On the VEI index it classifies as a VEI 6. However due to the amount of sulfuric gases it spewed out, it caused what is called in newspapers of the time "The Year Without Summer" in the northern hemispere. So with that in mind I tell you that the VEI index refers only to the volume of material erupted. A VEI 6 is any eruption of more than 10 cubic kilometers of material. I'm not sure how many of you recall the eruption of Pinatubo in 1991, but it too was a VEI 6. Previous eruptions of Yellowstone all classify as VEI 8, which is a thousand times more powerful than a VEI 6. So how would the world react to losing more than half of its food? Certainly the current population would be unsupportable. I grant you that in this day and age most governments would be likely to try to compromise with other countries, but what will happen when the countries that "have" refuse to share with those who "have not"? War generally follows in the footsteps of great disasters and we foolish humans now have weaponry capable of destroying entire cities in a single blow. And this is just the first year or two following the eruption. Add in the effects of volcanic winter on a global scale, where temperatures can drop up to 10 degrees, and the added result of drastically changing the weather patterns. And after the stockpile of nuclear weapons is exhausted (or [hopefully] deactivated by some enterprising soul) you can add the effects of nuclear fallout to volcanic winter. Please note, nuclear winter and volcanic winter are two different things. I can presume that combining the two would make matters worse. So why hasn't this been explored?
.... ^.^' clearly, I've done a serious amount of research on volcanoes in general and Yellowstone in particular....
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jbraden37 [2018-07-12 18:14:32 +0000 UTC]
Writing a great SHTF novel correctly and accurately is important. Yes, you want a great story and you want it to be as realistic as possible, but you also have a few things to consider that I haven't seen spoken of here yet.
Many here may not admit it, but one of the things we want our books to do is SELL! We want to make money at this and maybe enough to one day stop our full time job and just write books! Am I right? With that being said, I'd like to say (As a writer and reader of this genre) that one of the MOST IMPORTANT things to remember is to KNOW YOUR AUDIENCE!
Many if not most of the people who read this type of work are not Prius-driving, PC, softy's. Many are ex or current military, former or current law enforcement, or in some other way, patriots.
What I'm saying by this is that they (your audience) will KNOW many of the things you'll be writing in your book and can make or break you in their reviews! If you have military, police, government things in your book, make SURE you research it completely so you don't sound like an idiot or unbelievable.
And make sure to edit and proof-read your book and have others do it too before you self-publish! One of the biggest detractors from this genre is that many times these books are kicked out so fast that they are filled with spelling errors, bad structure, etc. When I begin to read one of those books, I immediately put it down and go leave a bad (But Truthful) review.
Hope some of what I've said here helps some of you.
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HorsesAreMyHaven [2018-03-14 21:35:46 +0000 UTC]
Very helpful tips, exactly what I was looking for. Thanks
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DesdemonaDeBlake In reply to HorsesAreMyHaven [2018-03-25 15:54:25 +0000 UTC]
I'm glad it helped
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Afictionado [2018-01-29 01:58:50 +0000 UTC]
Nice information, especially for a difficult genre!
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Darkgenius3 [2017-12-28 04:48:20 +0000 UTC]
How about a post apocalyptic world where-
A girl lives in a makeshift town near the ruins of Calgary, Alberta, four years after the Fallout, which disabled every electronic device on Earth, and a plague that prevents the body's production of endorphins (look it up if you're not sure). The town is destroyed by a faction wanting to take control of the survivors. To save the rest of the still rebuilding province, she has to team up with a group of people who are basically nomads, surviving by travelling around on horseback with no permanent home. They have to survive mutant predatory animals created in a lab, trying to find the other settlements and encourage them to take a stand against the faction. Along the way, they all have to face a hard question: try and recreate a world that crashed and burned or make something new?
Just an idea.
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DesdemonaDeBlake In reply to Darkgenius3 [2017-12-29 17:51:19 +0000 UTC]
Sounds good. So long as it all comes together for you and you enjoy writing it, go for it!
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lunageek520 [2017-08-31 20:18:49 +0000 UTC]
this is really helpfull!
I actually wrote a post apocalyptic short story, i'd love if you'd give me some feedback on it!
Short StoryIn 2018, a war broke out. Some people called it World War 3, but those who fought in it simply called it “The War.”
The brutality of “The War” increased until Russian scientists created a new strain of the flu. They called it vladychestvo (that is, “Dominion”) and released it on the United States. It was a brutal disease, killing you in 3 days - three excruciatingly painful days. A secret group of scientists in the U.S. government created new gases, basing them on the gases used in the gas chambers of WW2 German concentration camps. The military proceeded to release these gases on Russia, but they absorbed certain particulates in the atmosphere and transformed them, causing the gas to spread over most of the globe. Almost all people went into underground bunkers and entered cryofreeze - unless they were unfortunate, or maybe fortunate enough, to die from the gases. The bunkers were numbered based on their location.
The Earth soon became
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DesdemonaDeBlake In reply to lunageek520 [2017-09-10 22:45:27 +0000 UTC]
I'm glad I left a comment on your story.
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Jared-The-Rabbit [2017-08-03 00:34:44 +0000 UTC]
I'm thinking of a story that takes place 30 years after the Chaos Emeralds (the powerful gems in the Sonic the Hedgehog franchise) shatter, which causes nature to wreck havoc on Earth. Examples of this are:
Constant high-powered earthquakes, causing the streets of coastal cities like Vancouver and Tokyo to crack.
Continuous lightning storms, causing power lines to go down.
Extremely powerful tornadoes, destroying the entirety of midwest USA and central Canada.
Heavy snowstorms, covering cities like Moscow in white blankets.
Heavy rainstorms, which end up flooding cities like London, Winnipeg and Edmonton.
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DesdemonaDeBlake In reply to Jared-The-Rabbit [2017-08-03 00:38:51 +0000 UTC]
Sounds like a fun story to write
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Beautyseeker7 [2017-07-02 03:22:04 +0000 UTC]
Thank you. Do you have a paper for pirates or steampunk?
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DesdemonaDeBlake In reply to Beautyseeker7 [2017-07-02 15:29:24 +0000 UTC]
No problem No, sorry, I have no expertise in either genre.
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Beautyseeker7 In reply to DesdemonaDeBlake [2017-07-08 07:48:16 +0000 UTC]
That's okay. Thanks anyway.
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htfan1246 [2017-05-28 17:04:14 +0000 UTC]
I've had an idea where a giant parasitic brain like alien is the leader of an alien race who was searching for a habitable planet. They soon find earth and tried to make peace, but the humans were in great fear of these creatures. That was until the leader made a deal with the president of the era they arrived in.
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DesdemonaDeBlake In reply to htfan1246 [2017-05-31 16:28:54 +0000 UTC]
Cool Now all you have to do is write it and see where the story takes you.
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NyehHehHehOnline [2016-12-08 01:36:21 +0000 UTC]
I was planning on writing a story on an alien-human relationship (species-wide, not between a human and an alien), and thirty years after 'The Great Bondage' (the name of the peace between humans and aliens), a new emperor takes control over the alien race, and declares war against them. Transport ships that were supposedly bringing goods now bring hostile, feral creatures to destroy the human race, leaving the Solar System for the taking. The story will focus on a male human (Johnny Montenegro) who is a technician at SARU (Species And Races United) Robotics for Advanced Living, a male alien (QX3NTN, called Quinton) who was a soldier/officer who had a distaste for the new laws against humanity, so he rebelled, and a female human, (Alley 'Cat' Knapperson), who is a chemist and biologist for the SARU. Is this a good concept, or does it need some reworking?
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Mightymog In reply to NyehHehHehOnline [2017-01-09 00:23:52 +0000 UTC]
Never thought if a space/alien related apocalypse! Cool plan. I often underestimate alien intervention
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NyehHehHehOnline In reply to Mightymog [2017-01-09 01:46:02 +0000 UTC]
I took a lot of time into coming up with a concept. I've actually got a cover made and a background for the overall universe!
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DesdemonaDeBlake In reply to NyehHehHehOnline [2016-12-09 01:25:24 +0000 UTC]
Your idea sounds like fun sci-fi. Now it's just a matter of bringing it together and making it personal. I highly recommend that you ply the Mass-effect video game franchise. It does what you are talking about, and it does it well.
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NyehHehHehOnline In reply to DesdemonaDeBlake [2016-12-09 01:40:16 +0000 UTC]
I'll look into it. Thanks for the feedback!
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supermaxshark [2016-11-22 20:35:57 +0000 UTC]
Could a post apocalyptic story happen 80 yrs after the "The End" ?that's what I want to know
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TheOddOne3 In reply to supermaxshark [2017-06-16 18:28:24 +0000 UTC]
The 100 was set 90 years after a nuclear fall out
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Mightymog In reply to supermaxshark [2017-01-09 00:26:35 +0000 UTC]
I bet it could, new civilisations created, a few handfuls of extremist sects- one chasing what they believe to be 2017 life but getting it wrong, twists on belief systems, tribes and territory wars. Great idea to play about with
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DesdemonaDeBlake In reply to supermaxshark [2016-11-25 06:33:59 +0000 UTC]
I'm sorry, but I don't understand the question.
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supermaxshark In reply to DesdemonaDeBlake [2016-11-26 21:20:17 +0000 UTC]
The end you know like when the meteor strikes or the alien attacks or when hell is unleashed
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DesdemonaDeBlake In reply to supermaxshark [2016-11-27 17:52:43 +0000 UTC]
Oh yeah, sure. I don't see why not.
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Xenotoonz9f [2016-09-25 00:28:08 +0000 UTC]
Hello!
I'm working on a post-apocalyptic story, but it has little to no humans. The main
character is a non-humanoid alien, but I want the background behind
what happened to humanity and the protagonist's people to make sense.
It's not like I can say, "Oh, the Earth was bombed and extraterrestrials took
over." As easy an intro as that sounds, it doesn't make sense to me. "Non-
human lead" and "end-of-the-world" books are like oil and water. What should
I do?
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DesdemonaDeBlake In reply to Xenotoonz9f [2016-09-25 01:21:55 +0000 UTC]
I recommend writing a timeline for your own personal use. Then take all of the absolutely essential information from that timeline and find a way to give it in your first chapter. Try to create a scenario (like a classroom or something) where telling that information would make sense. Maybe have your protagonist writing a history book, or talking to a child, or something that naturally requires exposition.
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Xenotoonz9f In reply to DesdemonaDeBlake [2016-09-25 02:26:49 +0000 UTC]
I'll give this method a shot. Thanks a bunch.
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babedarla [2016-04-28 06:34:10 +0000 UTC]
I love tip #7! I get so annoyed with the post-apocalyptic trope that says that bad guys in big groups will eff with the good guys, and that THAT must be the point of conflict in the story. Personally, I think that people are made of better stuff than that. Sure, there'll be A-holes around, but likely in a similar proportion to the PRE-apocalypse world. I always think back to how everybody helped each other after the Loma Prieta and Northridge earthquakes. It wasn't dog-eat dog, most people helped.
I've been writing a post apocalyptic tale of people rebuilding, and helping each other in doing so. I'm hoping that character tension will be enough to carry the story forward, not to mention lurking catastrophes along the way. I do hope it's enough...although I probably could insert a few bad guys along the way.
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Ecothren913 In reply to babedarla [2016-06-21 02:21:59 +0000 UTC]
Sounds perfect if it is done right. Please send me a link when you're done.
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DesdemonaDeBlake In reply to babedarla [2016-04-28 15:16:25 +0000 UTC]
Thank you
Well understand that there is a principal at work to put things in favor of the bad guys--two principals of power actually. The first is that he who cares least has the most power in most given situations. In other words, if kindly old farmer Brown is busy trying to feed his family and the neighbor's family, then he isn't going around amassing an army and getting weapons like asshole Bill who left his family and friends to die or killed them to take their food. The second is that rule is established by strength. Currently, the highest strength is in the law and so violent people are bound by it and fear it. However, without the strength of law, strength would be in whoever has the most strength in any given area ... so possibly a community of people who are banded together, but also possibly the people who found the most guns. And under evil rule, people do evil things--even those who are not predisposed to. During times of natural disaster, there is come chaos, but rule of law still stands and the people know it will be re-established. There are some who would act differently if this were not the case.
However, the point is not to say that the bad guys will DEFFINITELY wipe out the good guys or visa versa. Just like now, people would be people, and (just like you so correctly pointed out) it should be illustrated in similar proportion to this world. Because while kindly old farmer brown may not have as many weapons, there is power in community and in earning the loyalty and cooperation of others. Also, the "bad guys" are also still complex creatures; and though they act with cowardice out of their more basic instincts, there is a part of them who deeply desire friends, family, community, and peace. Feel free to sprinkle in plenty of villains in your story, and know that as long as you honor the complexity of life, this completely falls within the realm of realism
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babedarla In reply to DesdemonaDeBlake [2016-04-29 09:41:45 +0000 UTC]
I thought I had a villainess, but a classmate in a writing class suggested that I flesh out her character. When I did, whaddya know, she was complex, misunderstood, and not really a villainess at all. She's become one of the leading characters of the book!
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Gigahorse [2016-04-26 22:54:59 +0000 UTC]
One of the big things to think about is that some apocalypse's can happen with a whimper instead of a bang. When the Influenza (Spanish flu) swept through north America, there was an instance in Alberta, CAN, where a family of four, after saying goodnight to their neighbors, went to bed. The next morning, the milkman got worried after nobody answered the door and contacted the police. They found all four family members dead from influenza. It had taken all 4 during the night with absolutely no warning. Now imagine if that happened on a grand worldwide scale, to the point where there was only 1% or 2% of the population left. You'd have an apocalyptic setting with billions of dead people, and not enough left to run or operate any of the systems left behind, I.E water, electricity, and computers would eventually fail. Crops go unattended, pets get loose, stoves or ovens might be left on... the possibilities are practically endless. Plus, it could be winter, meaning the cold is the enemy, or it could be summer, and there's not enough clean water to drink.
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DesdemonaDeBlake In reply to Gigahorse [2016-04-28 15:01:14 +0000 UTC]
Yes, that would be an interesting scenario to consider. In using it for a massive scale, you would need to account for why the virus waited dormantly for so long as if sentiently awaiting everyone to contract the virus before activating the kill-switch. Not saying it cannot be done, simply that it does come with elements you must explain without making it seem like magic.
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DesdemonaDeBlake In reply to pumpkinspicephan [2016-03-20 04:35:17 +0000 UTC]
No problem Glad to hear it.
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RosalinaLumaWarrior [2015-12-30 07:20:57 +0000 UTC]
Thanks so much for this! it's helped me a lot
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DesdemonaDeBlake In reply to RosalinaLumaWarrior [2015-12-31 16:08:24 +0000 UTC]
No problem!
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Graeystone [2015-06-09 23:22:18 +0000 UTC]
Recommends - Vampire Hunter D Series(if found in your native language), Fallout Video Games, Thundarr The Barbarian(early 1980's Saturday Morning Cartoon.)
Vampire Hunter D - takes place 10,000 years after nuclear war devastates the world. About a Vampire Hunter named D.
Fallout Video Games - Its. . .complicated- fallout.wikia.com/wiki/Timelin…
Thundarr The Barbarian - A rouge planet passes Earth. It cause the moon to break, the atmosphere to be wrecked, and civilization to be completely wiped out. Many humans become 'Super Mutants/Sorcerers' who merge science and magic for evil deeds.
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DesdemonaDeBlake In reply to Graeystone [2015-06-09 23:25:52 +0000 UTC]
I think I may have heard of the first one, I'll look it up. And I've played all of the recent fallout games, and they are fantastic.
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Graeystone In reply to DesdemonaDeBlake [2015-06-10 17:27:05 +0000 UTC]
The nice thing about Thundarr, it wasn't humanity's fault there was an apocalypse. That's my complaint about a lot current post apocalyptic stories - its always man's fault. Sooner or later it gets too predictable and unoriginal as a story and just a bit insulting as a person that 'it's always man's fault'.
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DesdemonaDeBlake In reply to Graeystone [2015-06-10 17:35:48 +0000 UTC]
That does tend to become a tired cliche, I'll admit.
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WhiteDragonPictures [2015-06-07 21:45:06 +0000 UTC]
could you perhaps define what an apocalypse is? I know it's the end of a world, but is that it? Is it just the end of the world as we know it? the end of an era, life eradicated or is the world literally destroyed? I ask because that fine line is keeping me from being certain as to what sort of story a tale that I am working on is. I think it's an apocalypse-dystopia, but I would like to be certain. it's a monster based plague, the story it'self taking place 15 years after the initial incident. the world isn't necessarily destroyed, but the people are still struggling and the way the world was before is definitely long gone.
Also, have you read Zoo? Since you mentioned animals I figured you had, I'm not sure what I think of that book, but it is an intriguing concept.
thanks for the tips. these should be useful... and huh... I hadn't realized how much these stories says about the writer... now I want to re-read what I have and see if I can make some conclusions about what that means. Lol I'm one of those examine things to death types...
hopefully, that won't hurt my writing.
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DesdemonaDeBlake In reply to WhiteDragonPictures [2015-06-08 11:59:27 +0000 UTC]
An apocalypse, in this sense, is any world-altering disaster (zombies, flood, famine, whatever), usually destabilizing the government and all known social orders. After that, you can follow up with post-apocalypse (chaos, anarchy, freedom, individuality) or dystopia (complete order, rule, enslavement, etc...) or your world can be a mix of both.
I have not read Zoo, or heard of it. Is it well written?
Haha, yeah, you really have to put yourself out there as a writer. And, so long as you are genuine and not purposefully trying to manipulate people, this aspect of a story usually makes the reading experience more dynamic. We realize that a story is coming from a real person, and we trust them more for it.
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