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Published: 2007-06-22 00:07:28 +0000 UTC; Views: 17392; Favourites: 412; Downloads: 0
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Description
Another etching from '04Here I really went crazy using my fingerprints to help etch in the dark textures around the plate to form the hill the tree stands on and the strange sky without it seeming too thought out. Then i just went ocd on the tree. i really love sketching them out with their twisting gnarled branches winding and twisting their way up.
Again I used standard black printers ink with brunt umber oil paint mixed in for the pigment
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Comments: 89
graver13 In reply to ??? [2007-07-29 13:48:43 +0000 UTC]
Thank you! I only hope you didn't leave disappointed
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sabbat-ex-prima-lux [2007-07-24 18:46:30 +0000 UTC]
I don't know what it is that attracts me to this piece. I love the simple texture it has with your fingerprints used (which I will say is an ingenious style and method). But it's also the content of the image in itself. This old and worn tree I see sitting on a hilltop where the hangings happen, and the heads remain, warning thieves and pillagers from this far off simple little town.
I absolutely love it. Keep up the good work.
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sabbat-ex-prima-lux In reply to sabbat-ex-prima-lux [2007-07-29 19:24:20 +0000 UTC]
As difficult as it may be, I commend you on your success, because this piece is perfect in it's balance of appeal/revulsion. I hope you can find the time to get more of this style done, I'd love to see it.
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graver13 In reply to sabbat-ex-prima-lux [2007-07-29 13:47:52 +0000 UTC]
Thank you very much!
The attraction you have content-wise is something that I had been working a LOT on a few years ago (and will again when i can find some time to get some more fine art cranked out). I was and still am very interested in the idea of the sublime, the idea of things which we should find repugnant and repulsive, yet are attracted by them instead. The whole beauty / disgust balance. It's damned hard to figure out and actually pull off... I'm just damned glad it worked to some degree in this instance
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leaf90 [2007-07-24 18:25:46 +0000 UTC]
I love the effect of using your fingerprints. Do you have any info about etching? this makes me really want to learn how!
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graver13 In reply to leaf90 [2007-07-29 13:54:36 +0000 UTC]
Well, thank you.
Unfortunately, I don't have any info readily at hand that I can just point you to. It's damned hard to do outside of a structured environment and requires a lot of equipment and a well-stocked studio space. It used to use a lot of carcinogenic materials and very dangerous acids, but recently there have been some new methods and materials developed (such as an acrylic emulsion to replace the asphalt like mixture used for years).
I would suggest hunting up articles on the net for general info on it and if you really want to give it a try, see if you can find an etcher in your area. That failing, you can do what I did and take a class in it It'll take a good chunk of change, but ultimately cost a lot less then the equipment needed to produce the prints. I just wish I could go back and make more.
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bluepop-tart [2007-07-24 16:39:00 +0000 UTC]
WOW! This is amazing! Loved the fact that you used fingerprints to make it. ^__^
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IceLantern In reply to ??? [2007-07-24 14:18:24 +0000 UTC]
impressive!! is that a human's head hanging there?
i dunno why but when i see your dev, somehow it feels like a potrait of this rotten world
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graver13 In reply to IceLantern [2007-07-29 13:58:17 +0000 UTC]
Thank you... and perhaps it's the umbers used in printing it on top of the textured look etchings leave on the paper along with the tree... you see tree you think wood
As for the head, when i actually put it in, I was working this piece into a series i was doing and it was to be a dolls head. However, it's not evident (no important) that was my intent and as the piece it's self goes, a real human head would work just fine as well. It is what ever you see it to be
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IceLantern In reply to graver13 [2007-07-29 15:30:54 +0000 UTC]
wonderful!! well, a doll is a mini-human *my own thought*
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fish-purse In reply to ??? [2007-07-24 14:16:38 +0000 UTC]
thumbprints! how creative! i seriously thought you had just etched lines, but when i looked deeper at them i realized what they were! the sky and earth really create balance around the tree - which is amazingly drawn btw. i really like the small touch of the haphazardly drawn border as well. it really plays in with the kind of chaotic and dark (almost psychotic i'd say ^.~) style that you have going on - and that the light yellowish creme background is helping.
great peice! and congrats on the dd. you totally deserve it.
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graver13 In reply to fish-purse [2007-07-29 14:04:10 +0000 UTC]
Thank you very very much! Just logging back in now, I was floored to see I got a DD!
As the tree and all is concerned, i was a touch psychotic i think when i did it... many long sleepless nights in the studio with wondrous chemicals can do great things to ones mind set . With this piece, and most all my etchings for that matter, I really only started with a copper plate and something funky done to the emoltion in order to get a first print. On this one, I thought "fingerprint!" and so, burned some prints onto the place. Afterwards, i just sat there all night pulling what ever form I could see from the initial chaos i created. As I found form, i just elaborated on it, some free association, and before too much longer, i would have a full concept to drive me through till the end of the print. In this one, the tree grew out of the finger prints.
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fish-purse In reply to graver13 [2007-07-30 06:00:53 +0000 UTC]
wow! that's an amazing story! i love to hear the way people's minds work, and i just got the inside scoop of a wonderful artist's! Being a little psychotic really seems to make great art right?
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graver13 In reply to fish-purse [2007-08-01 23:08:49 +0000 UTC]
It helps about 50% of the time... don't ask me about the other half
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sorcerersapprentice [2007-07-24 11:26:57 +0000 UTC]
A beautifully done piece.
I really love the 'spider-web' quality of the upper-most branches.
This has just the perfect amount of light and dark.
A very well deserved DD.
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graver13 In reply to sorcerersapprentice [2007-07-29 14:17:32 +0000 UTC]
Again, thank you very much... I was looking at a lot of works by Steven Gammel and there was one drawing he had done with the woman with her hair all tangled up in all these branches. That plus his spidery web like lined that find there way into a lot of crevasses in his work was really influencing me at the time.
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Wytherwing In reply to ??? [2007-07-24 10:37:43 +0000 UTC]
a wonderfully rendered work and a well-deserved DD!
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KETOTIC In reply to ??? [2007-07-24 10:27:20 +0000 UTC]
the title reminds me Queens Of The Stone Age song :]
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gucci-XD [2007-07-24 10:16:29 +0000 UTC]
this is astonishing.
your style is really something.
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Pyrra In reply to ??? [2007-07-24 07:59:41 +0000 UTC]
I despise etchings. Not the finished product - I managed to end up with a respectable elephant with that technique - but the process is abysmal. At least it was with the ink I was using. Drying in a matter of seconds, and then whenever you go to press the damn thing, someone else has messed up the alignment of the press...
But lovely detail on the trunk! (Heh, the same could be said for my elephant. (would you believe I loathe puns?))
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graver13 In reply to Pyrra [2007-07-29 14:56:53 +0000 UTC]
I must be your opposite then... I'm in love with process. If the process could in any way be categorized as obsessive, methodical, and deeply involved, then I'm all over it With etchings, I found the process really freed me up. Since it was hard to tell exactly what I was going to have at any time before I ran the plat (and even then, it was determined by amount of ink, how I wiped the plate, etc) I didn't get so caught up in making things absolutely perfect. That and the slow tedious build up of line upon line upon line, the "sketch, sketch sketch" of the needle on the plate was almost like a meditation for me... it really pulled me out of the world and out of my mind
.
Of course, I didn't have the problems you had with drying ink (mix in some oil paint and the ink will take hours to days to dry ) nor the rollers being reset. I tended to do my printing around 12am - 4 am and seemed to be the only one who preferred those working hours.
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Larissa-Rasputin In reply to ??? [2007-06-23 11:27:32 +0000 UTC]
The fingerprints are a wonderful touch. Definitely digging hte texture here. The tree is nothing short of spectacular. I feel like I could stare it it for hours letting my eyes wander all over the bark and those lovely gnarled branches.
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graver13 In reply to Larissa-Rasputin [2007-06-27 14:39:42 +0000 UTC]
I love gnarled trees... i could lose my self in just making them
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Overshia In reply to ??? [2007-06-22 01:48:08 +0000 UTC]
Wow, those fingerprints really make it stand out quite nicely. I very much like the texture it adds to the image... and I think I might want to try this now, after seeing alot of these older images you've posted. I really like this one, though the hanging baby head is rather oddly mixed in. It might have been a bit more disturbing if it were growing out of the tree. The branches and execution of all this is very impressive to me.
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graver13 In reply to Overshia [2007-06-27 16:51:20 +0000 UTC]
you might be right... the head was almost an afterthought and it was more supposed to be a dolls head, but the print was a touch too small and the details got blurred. Glad I could inspire you to try something new
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