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JeffMargolin — Red Tear

Published: 2007-03-27 06:42:32 +0000 UTC; Views: 687; Favourites: 16; Downloads: 0
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Description Ceramic Sculpture, tear shaped, hand burnished, carved with 'Weave' design. low fired with hair. 16"X9"X7"
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Comments: 13

svenmarie [2008-10-12 12:40:16 +0000 UTC]

I am in love with that colour. It's breathtakingly beautiful and fiery and earthy (if the latter is a word in english).

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JeffMargolin In reply to svenmarie [2008-10-30 02:44:18 +0000 UTC]

thank you!

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taika-kim [2007-05-16 09:26:32 +0000 UTC]

Aargh, you did that surface by hand? Meticulous work, then, if

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JeffMargolin In reply to taika-kim [2007-05-16 16:47:02 +0000 UTC]

hehe. Yes - the burnishing takes Jeff many hours of work, and even gets much harder on pieces with intense curvature

-idan

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liquidether [2007-03-27 16:00:40 +0000 UTC]

Query: hand-built or wheel-thrown? And if you don't mind sharing, what is the name of the clay body used here? Thanks!

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JeffMargolin In reply to liquidether [2007-03-31 09:00:40 +0000 UTC]

The red clay is a separate body, it has a bunch of red art in it, it's fired the same way as the white clay

keep 'em coming...

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JeffMargolin In reply to liquidether [2007-03-28 00:10:21 +0000 UTC]

Ah - good question!

Hand built, the same way that the other sculptures are - joining thick strips of clay that are stacked on top of each other to form the shape.

Throwing and pressing the sides in could possibly have accomplished a similar look, but different weight and feel. This one is very unique and most likely will not be repeated because it took many hours, and as you pointed out, a similar look could be achieved by throwing it, which takes little time

The clay itself is a porcelin clay that is made for me by a local clay-maker. It has been a long period of trial and error to achieve the desired clay that I can work with. On occasion, there is a bad batch and pieces are lost in firing...

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liquidether In reply to JeffMargolin [2007-03-28 03:46:07 +0000 UTC]

Oh yes, porcelain is my new love.

Is the color from a surface application of slip, or part of what happens during the firing? Or maybe even an oxide you mix into the clay body, or is it saggar fired...?
Now that I know you don't mind sharing your secrets I will pepper you with question from time to time! LOL

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JeffMargolin In reply to liquidether [2007-03-31 10:27:23 +0000 UTC]

The red clay is a separate body, it has a bunch of red art in it, it's fired the same way as the white clay

keep 'em coming...

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liquidether In reply to JeffMargolin [2007-03-31 15:34:56 +0000 UTC]

OK, different clay body: check. But what exactly is this "red art" that you speak of?

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JeffMargolin In reply to liquidether [2007-03-31 16:53:37 +0000 UTC]

Oh - 'Red Art' is a clay that comes from Ohio, the claymaker uses a bunch of it in the mix, and it is a low-temp melting clay. I noticed there are several mentions and discussions about it on the web too.

hey, we took a look at your gallery again last night, beautiful shots, but hmm...still no clay! lol

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liquidether In reply to JeffMargolin [2007-03-31 17:13:09 +0000 UTC]

Thanks for the info - I'll check out the clay. And I know, I know, no photos yet.....the porcelain bunnies are drying veryveryvery slowly before being put into the kiln because last time I worked in porcelain everything came out of the kiln with extensive cracking. So maybe 3 weeks at the most because my school is closed next week for Spring Break!

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JeffMargolin In reply to liquidether [2007-03-31 18:46:54 +0000 UTC]

Oh yes, patience is a virtue when it comes to drying...over-zealousness can be disastrous

(I don't really understand how you guys cope with losing pieces in the kiln...it's so tragic! )

Idan

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