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Published: 2012-06-23 19:56:01 +0000 UTC; Views: 9127; Favourites: 209; Downloads: 314
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Comments: 61
wangqr [2012-12-13 02:51:29 +0000 UTC]
nicee brush, it gives a nice effect although i feel like u used the brush too much it's a lil overwhelming, everywhere i see the brush, maybe u want to use the custom brush and add some details somewhere to create a focal point
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ellecats [2012-07-30 16:11:30 +0000 UTC]
wow, this is beautiful, the details are really fantastic
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Adagiobunny [2012-07-01 20:02:26 +0000 UTC]
Wow - you've really captured the humid, rainforest atmosphere!
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TwistedSynapses [2012-06-30 22:16:09 +0000 UTC]
This has got a fantastic atmosphere going! It seems ancient and brimming with life.
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KarinaLunaria In reply to TwistedSynapses [2012-07-01 07:06:47 +0000 UTC]
What I was trying to portray exactly Although the system is only about 2-3 billion years old, it's bio-diversity era is much older then ours.
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flyingpeachbun [2012-06-30 16:52:29 +0000 UTC]
Interesting environment, I like the texture of it~
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Pockicchi [2012-06-29 20:57:25 +0000 UTC]
Amazing details, especially in the trees/vines Beautiful work
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Hamstarrrr [2012-06-24 19:44:32 +0000 UTC]
This gives such a strange warm feelingl, i like it
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roamingtigress [2012-06-24 19:35:07 +0000 UTC]
What an absolutely gorgeous piece. I love the colours and atmosphere.
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Griatch-art [2012-06-24 19:24:07 +0000 UTC]
Interesting technique here, at first I thought it was an analogue painting. You've got a very "dreamy" feeling to this which is good. I lack a focusing point in the image though - something for the eye to wander to and better show the frozen moment of time. A suggestion would be to have some brighter rays of light come down or to add some sort of creature drinking in order to draw attention ... it's often a good idea in a landscape painting.
Anyway, interesting style and mood here.
.
Griatch
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AdrienCGD [2012-06-24 06:28:49 +0000 UTC]
Wow so beautiful! Love how you added the details about the forest in your description
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LashelleValentine [2012-06-24 04:36:39 +0000 UTC]
Very nice Piece! Keep up the good work I really like it.
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Bumazhnov [2012-06-24 04:09:00 +0000 UTC]
A. Work hard and learn the basics of drawing (composition, perspective, anatomy / shape, color theory, volume / light, etc.). You can not call yourself an artist who knows, yet does not become so. Ideally, you just have to know these basics, but to master them. And when mastered, will not only knowledgeable, but confident and authoritative artist. This applies not only to beginners but also for advanced and professional artists. Many artists have experienced bottlenecks - for example, one might well draw still-lifes and landscapes, but in knowledge of anatomy and form of the human body can be zero. You can learn a lot by improving their basic skills and knowledge. I just have a weak spot on which to work on.
Two. Expand your horizons. If you love anime / manga, comic books with superheroes, photo-realism, or any other specific artistic style, and have not tried to apply or not yet discovered other trends, styles, cultures and times of art, you should expand your horizons . The narrow vision of the destructive and makes the artist a gray mass, which is unable to go beyond the established patterns. Mix different styles and trends to better and more interesting.
Three. Do not be reckless artist. Think about why you are creating. Draw a "cool garbage" and "hot girls" - your only interest? You do have something to say, as a representative of the human race, in this multi-layered society? Maybe all that you are doing - just meaningless garbage? If you work only on the lowest level of satisfaction, never thinking about the higher concepts as intellect and emotion, perhaps now is the time to dig deeper! Do you have a soul - so use it. It is not simply to "dig" - as a matter! For example, a masterpiece of film is different from the full-length and short films from the genre of science fiction / fantasy / horror at how much love and soul put the author in his script.
4. No need to copy the reality - it has a camera. As artists, we have the power stilizovyvat, stress, simplify, to selectively refine and idealize, to create an abstraction and surrealism - it would be a shame not to use the available power. It would be pleasant to look at the work of an artist who left his mark on the canvas of his feet than on the picture, almost indistinguishable from photographs. I'm much more interested in artists such as John Singer Sargent, Joaquin Sorolla, Richard Schmid, Gustav Klimt, Nicholas Fehin etc., than with such artists squeezed gloomy picture, which killed all life, expressiveness and naturalness (if your work involves photo realism, the work is work. But what's in your creativity?).
Five. Otpolirovannost - the last thing is to think. Free and clear lines of brush, or a simple outline of the line - your choice. It is much more important than the internal structure and basic knowledge. Bringing to an ideal - an endless process that is constantly changing and evolving. A good artist should be able to use different kinds of work with a pattern, and not take one and only use this method. More often experiment with different techniques and styles, as a cook in the kitchen experimenting with ingredients. Following this advice, you will eventually be able to intuitively approach to this matter, and can then determine for themselves which technique is best to use when painting a particular picture, on which work.
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