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Description
Indiana Jones and the Dial of Dysentery (Sorry.. Destiny) cost $300 million dollars to make, yet has made just a measly $250 million back in the weeks after its opening weekend. Being one of the most expensive Hollywood flops in history, as well as this year, isn’t going to help its cause, nor convince punters to part with their hard-earned cash to witness a broken down and de-aged Harrison Ford emasculated and upstaged by an unfunny and no-talented hack like Phoebe Waller-Bridge.

When even the most established of critics are enthusiastic about your movie, you know you’re in trouble. You’d think they’d start to learn from the likes of Top Gun: Maverick, Puss in Boots: The Last Wish and The Super Mario Bros. Movie, that leaving the politics and social engineering out of it completely is normally a universal recipe for success. Sadly, Disney and Lucasfilm have doubled down on the two aforementioned subjects, and you wonder why they are haemorrhaging money left and right. Then there’s Sound of Freedom, which is giving Indy 5 the bloodiest of noses, and a clear indication that the tides are slowly beginning to turn.

There hasn’t been a good Indiana Jones film since Last Crusade in 1989. And that’s it.

Description
Indiana Jones and the Dial of Dysentery (Sorry.. Destiny) cost $300 million dollars to make, yet has made just a measly $250 million back in the weeks after its opening weekend. Being one of the most expensive Hollywood flops in history, as well as this year, isn’t going to help its cause, nor convince punters to part with their hard-earned cash to witness a broken down and de-aged Harrison Ford emasculated and upstaged by an unfunny and no-talented hack like Phoebe Waller-Bridge.

When even the most established of critics are enthusiastic about your movie, you know you’re in trouble. You’d think they’d start to learn from the likes of Top Gun: Maverick, Puss in Boots: The Last Wish and The Super Mario Bros. Movie, that leaving the politics and social engineering out of it completely is normally a universal recipe for success. Sadly, Disney and Lucasfilm have doubled down on the two aforementioned subjects, and you wonder why they are haemorrhaging money left and right. Then there’s Sound of Freedom, which is giving Indy 5 the bloodiest of noses, and a clear indication that the tides are slowly beginning to turn.

There hasn’t been a good Indiana Jones film since Last Crusade in 1989. And that’s it.