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Published: 2013-07-10 21:14:16 +0000 UTC; Views: 12697; Favourites: 513; Downloads: 489
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Description
11x14 acrylic and pencil on bristol--mostly wash and dry brush over pencils...I felt like I should give acrylics another shot, especially after talking with Joe Jusko at the Albany Comic Con. While I didn't like working so small, his suggestions on dry brushing made it a hell of a lot easier then trying to blend wet into wet.Comission info available at:
[link]
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Comments: 56
LETMESEEBEUTY In reply to PaulAbrams [2016-06-24 04:55:19 +0000 UTC]
Your most welcome I greatly hope for more of herΒ
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toht981 [2014-06-22 13:16:13 +0000 UTC]
Enemies could end up distracted by a body like hers.Β
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PaulAbrams In reply to toht981 [2014-06-22 17:39:08 +0000 UTC]
maybe that's part ofΒ her strategy
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gianlucatestaverde In reply to PaulAbrams [2013-07-23 21:04:47 +0000 UTC]
You're Welcome!
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PaulAbrams In reply to chancebishop [2013-07-18 22:35:25 +0000 UTC]
Thanks- shading is not so easy in acrylics, so I'm glad you like the results
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Wytherwing In reply to PaulAbrams [2013-07-17 00:39:51 +0000 UTC]
you're very welcome!Β
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PaulAbrams In reply to xxxecil [2013-07-13 02:20:28 +0000 UTC]
Glad you like it- thanks!
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howlett66 [2013-07-11 14:42:05 +0000 UTC]
Joe also had a bad experience back then with oils which made him switch to acrylics hehehe...Well I'm happy he did it, cause the guy kicks ass!And well, you did a great job here, I thought it was the usual oils
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PaulAbrams In reply to howlett66 [2013-07-11 19:00:32 +0000 UTC]
I still like oils better, but for small scale work I find it difficult to control their fluidity due to their more viscous nature. Ideally doing the underlying work in acrylic and then the upper glazes and scumbling etc in oils works best for me.However, drying time can still become a factor with that method
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howlett66 In reply to PaulAbrams [2013-07-11 22:27:58 +0000 UTC]
Indeed, indeed.I'm doing that myself.I'm going for it all in acrylics and coming with oils for some effects or doing the underpainting with acrylics and then painting the actual piece in oils.It's great to mix, I just hope that it doesn't fall off in a few years or so.Did you have this problem before?
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PaulAbrams In reply to howlett66 [2013-07-13 02:19:20 +0000 UTC]
I keep the acrylic layer very thin. If it's on multimedia board or paper I never prime it before the acrylics go on. When they are done, I give it 2 coats of acrylic matte medium thinned with a bit water.
If it's on panel or canvas which is primed, I again keep the acrylics very thin and then give it one coat of the matte medium. (The matte medium provides adhesion for oils to grip . In the case of unprimed paper, illustration board or multimedia board it also seals the surface so the oil wont penetrate the ground)
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howlett66 In reply to PaulAbrams [2013-07-28 00:22:57 +0000 UTC]
Hmm.Thanks for all the wisdom Paul.You're very kind!.I'm trying that out this weekend.
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I-Am-Madbat [2013-07-11 10:39:04 +0000 UTC]
Yup, this is one of the best representations I've seen!
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PaulAbrams In reply to I-Am-Madbat [2013-07-11 19:01:02 +0000 UTC]
Thank you very much!
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Ti-King-Graphics [2013-07-11 00:33:27 +0000 UTC]
I have seen you do red Sonja quite a few times, and always love each one just a little more.. Very nice Paul..
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PaulAbrams In reply to Ti-King-Graphics [2013-07-11 02:16:49 +0000 UTC]
Thanks Scott--I always love drawing and painting them
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PaulAbrams In reply to oO-Monkey-Oo [2013-07-11 02:16:02 +0000 UTC]
Glad you like it!Thanks!
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