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Description
... you may see a stranger...

It just makes me think Marvel CK Ad. The 2nd of 3 "sexy" commissions I'm completing for NYCC. I knew how I wanted this to look right from inception, and changed very little (which is rare). Amora's walking forward off of a balcony (or whatever), in slow motion, moving aside sheer curtains blowing in the evening breeze with her elbows. Notably, NOT with her hands. She's a goddess of seduction, so not with her hands.

I'd never tried using the white pencil quite like I did in this piece, to show depth and blur in the sheers. It worked better than I had hoped, especially when viewed from a medium distance. I also lightened the copic shade seen through the sheers a step or two from the sky/clouds in the background. So, for example, while the main night sky is B99, the sky behind the sheers is B95 or 97. Just to provide a subtle but noticeable distinction. I was originally planning on using some brighter reds on the lips and nails, but backed off, as I think it would have drawn more attention than I wanted (the bright reds and greens popping one another). Instead, it's more subtle, and nicely pulls out the soft pink of her cheeks.

The Enchantress, copic markers, white ink, prismacolor white pencil on 11x14 bristol board

Description
... you may see a stranger...

It just makes me think Marvel CK Ad. The 2nd of 3 "sexy" commissions I'm completing for NYCC. I knew how I wanted this to look right from inception, and changed very little (which is rare). Amora's walking forward off of a balcony (or whatever), in slow motion, moving aside sheer curtains blowing in the evening breeze with her elbows. Notably, NOT with her hands. She's a goddess of seduction, so not with her hands.

I'd never tried using the white pencil quite like I did in this piece, to show depth and blur in the sheers. It worked better than I had hoped, especially when viewed from a medium distance. I also lightened the copic shade seen through the sheers a step or two from the sky/clouds in the background. So, for example, while the main night sky is B99, the sky behind the sheers is B95 or 97. Just to provide a subtle but noticeable distinction. I was originally planning on using some brighter reds on the lips and nails, but backed off, as I think it would have drawn more attention than I wanted (the bright reds and greens popping one another). Instead, it's more subtle, and nicely pulls out the soft pink of her cheeks.

The Enchantress, copic markers, white ink, prismacolor white pencil on 11x14 bristol board