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Description
I discarded the time limit this time around and mainly tried to make sense of some of the poses on Posemaniacs.com. The "glass" floor can produce perspectives that, when combined with the blurring of CGI body parts, are nearly indecipherable. In the process I reinforced outlines, shaped and cleaned up as one might do to produce the generic figures of layout blanks. Anatomy is always a consideration, but here and there I like to think only in line, or shape, so, other than proportions, reserve the right to overlook it. One of the things to which I've been paying attention is the feel, or rather, the variety of feels, since sometimes it feels as if I'm drawing as one does doing "blind" contour drawing, and other times there is this rhythim flow as in broken outline brush inking. Slowly, but surely, I'm being seduced back to the drawing board.

Description
I discarded the time limit this time around and mainly tried to make sense of some of the poses on Posemaniacs.com. The "glass" floor can produce perspectives that, when combined with the blurring of CGI body parts, are nearly indecipherable. In the process I reinforced outlines, shaped and cleaned up as one might do to produce the generic figures of layout blanks. Anatomy is always a consideration, but here and there I like to think only in line, or shape, so, other than proportions, reserve the right to overlook it. One of the things to which I've been paying attention is the feel, or rather, the variety of feels, since sometimes it feels as if I'm drawing as one does doing "blind" contour drawing, and other times there is this rhythim flow as in broken outline brush inking. Slowly, but surely, I'm being seduced back to the drawing board.