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stplmstr — Tree Curse
Published: 2007-11-23 23:40:58 +0000 UTC; Views: 1811; Favourites: 17; Downloads: 42
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Description
For 's journal jam again
The path to becoming one with nature can be treacherous, with dire pit falls along the way......or some other some such lame-e-osity
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Comments: 24
oh wow, this is so creepy D8
GREAT JOB STPL, JUST MAKE EVERYTHING AS MORBID AS POSSIBLE.
ahahha nah this is really awesome. i love her hair thingies.
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thanks I will try and keep people as depressed as possible
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Wonderful! Colors and composition are wonderful, and i love the idea in general.
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Thanks I really enjyed drawing it and such so I am le mui happy to hear ya liked it
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Yeah it would definatly suck 
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Aaah! This is way too awesome. I like the whole composition.
But really, which mythology this one is from?
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So it's a potpourri of ideas and concept of mythos? Interesting indeed.
A golden star for the sir.
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thanks I liked how it came out 
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yeah kinda redefinse the term tree hugger.....I can't believe I just wrote that
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nt directly from a myth, doing a sort of bi product of myths, those that were tricked or failed to be the heroes of the storys, sort of like doing a medusa's statue, one of the people who tried but failed to be the hero of the story. Native mythologie being based around natureand such I went with the becoming one with nature....in the bad way and all that.
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it reminds me of a native american version of that greek story
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well I am gonna have to ask you to edjumacate me on that one cause I apparently don't know which greek story your talking about :S
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"PITYS was an Oreiad or Dryad nymph loved by the god Pan. She fled to escape his advances and was transformed into a fir tree."
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well then I suppose I could always claim that that was what I was going for then hide this comment
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wow i really like the colours in this one, love that crow too haha
so do you start your work on paper? what do you trace with etc? i like the way you do your linework, just curious as to how you go about a piece from start to finish
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haha thats great to know, i think it's nice that you use a fairly normal way or producing work and yet you can create quite unique looking stuff, keep it up
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Yeah I start on paper, sketch, ink, then scan my lines into photoshop. If it is something that could need to be huge or I really want that slick graphic line I will bring it into illustrator and trase it from there (usually if I know ahead of time I will just scan the sketch in and use illus to trace it out) I usually just stick in photoshop for most things, it is the program I am most comfy with. I clean up the lines (usually by ditching the red or blue lines I used to sketch out and ink over) Then I start colouring
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