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Description
Scene created in Poser Pro 2014 ( my.smithmicro.com/poser-3d-ani… )
Exported and rendered in Octane Standalone ( render.otoy.com/ )
Skins enhanced with ( www.redspec-sss.com/ )

921mb VRAM was used to process this scene with 16k samples @ 19 hours.
PMC Kernel was used with a diffuse depth of 8.
Minor Photoshop Adjustments.

There’s no really rhyme or reason behind this image it was just completely random.
I went through a few stages of composition before finally landing on this final result.
I did have their faces in full shot but I didn’t like how they looked with their eyes closed so I continued to experiment with the composition.
I eventually repositioned the Twosomes physical stance so I could achieve a more accurate closeness of the lips which allowed me to move the camera closer without the pose looking stressed.

I had to use Photoshop for some minor adjustments to the lips. There were some subtle seems going from the lips to the area immediate surrounding areas. Some soft smoothing helped reduce this.

The final step was to achieve the extreme white hue to the scene without destroying the original flesh tones. This step also helped to eliminate much of the noise that was still left over from the Depth Of Field effect that I used to try and drown out the low-resolution hair textures.

Description
Scene created in Poser Pro 2014 ( my.smithmicro.com/poser-3d-ani… )
Exported and rendered in Octane Standalone ( render.otoy.com/ )
Skins enhanced with ( www.redspec-sss.com/ )

921mb VRAM was used to process this scene with 16k samples @ 19 hours.
PMC Kernel was used with a diffuse depth of 8.
Minor Photoshop Adjustments.

There’s no really rhyme or reason behind this image it was just completely random.
I went through a few stages of composition before finally landing on this final result.
I did have their faces in full shot but I didn’t like how they looked with their eyes closed so I continued to experiment with the composition.
I eventually repositioned the Twosomes physical stance so I could achieve a more accurate closeness of the lips which allowed me to move the camera closer without the pose looking stressed.

I had to use Photoshop for some minor adjustments to the lips. There were some subtle seems going from the lips to the area immediate surrounding areas. Some soft smoothing helped reduce this.

The final step was to achieve the extreme white hue to the scene without destroying the original flesh tones. This step also helped to eliminate much of the noise that was still left over from the Depth Of Field effect that I used to try and drown out the low-resolution hair textures.