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TimPhillips — Princess Projectra Commission
#princessprojectra #bootylicious #buttcheeks #commission #dccomics #fanart #leotard #thong #tiedup #leotardgirl #dccomicsfanart #thongpanties #buttbooty #bootybuttcheeks #tiedupwoman #thongleotard #womaninperil #leotardfemale #leotardfetish
Published: 2019-09-23 20:30:46 +0000 UTC; Views: 9674; Favourites: 103; Downloads: 0
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This is my latest commission. The client is I had never heard of this character until this job, so I learned something new!I am available to do commission, so hit me up with a note if your hankerin' for something saucy!
Here are my commission guidelines and rates.
www.deviantart.com/timphillips…
If you like NSFW Spanking FanArt parodies, why not head over to my Patreon and sign-up for the fun!
www.patreon.com/TimPhillipsNSF…
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Comments: 31
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KRACK! KRACK! Dig your avatar. "Got the moves like Jet Jaguar!"
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Definately my favorite Gidzilla movie. From the hobby shop scene to getting knocked over a cliff in a metal storage container.
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I think the original has charm that they could never duplicate. I have many fond memories of watching it as a kid on the Saturday afternoon monster movies and being with my buddies and watching it in my teens and laughing at all the camp. I'm not a fan of remakes.
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This is nicely done overall.
Never got into Legion of Superheroes but nice to see such characters that doesn't get as much limelight.
I like this kind of rope work as I actually wrote about something similar on Wonder Slave - Chapter 2 - Wonder Woman in Peril
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Thanks! I've tried to get into LOSH a few times, but never got hooked. There is a lot of hot chicks in it though. I like spotlighting the lower tier characters, but I don't think the general audience appreciates it as much, which is fine. Personally, I'm not a huge fan of the tied-up thing. I like when the girl is tied to something like a rocket or such, but not so much the intricately tied up girl. It's cool for those who do, but I find it hard to draw.
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How about being tied to a whipping post?
You can notice what one likes or not from their work.
But at least you're open to it especially since you're doing commissions.
Now I'm wondering, are there anything you wouldn't draw because it's too hardcore or too hard to draw?
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I can try to draw anything. Whether I'm successful at it or not is another matter. However, first of all there are so many fetishes out there in the ether that I can't keep track of them all. Second, I usually can see the logic in most fetishes and can boil them down to their base elements of interest. At least in my understanding, which may not be the truth. As far as stuff, I can't quite figure out are the following: Vore; anything poop related or Diapers,etc.; inflation or expansion and I'm sure there are more. The simple ones I understand. Foot fetishes (I can appreciate a nice foot-job and some girls have very cute feet). Spanking for me and this may not be for most is the fact I'm obsessed with butts. The whole spanking thing means, a. i get to touch them and express my dominance over them and b. I like the reaction of a little pain. I don't have a lot of control in my own life, so I probably like some of the control aspects as well. And of course I like butt-fucking, so if she says no to that, and she is uncomfortable with ass-jobs, then hopefully at least spanking is on the table. If not, I'm out the door. I'm old now and lost my appeal towards women, so it's not like I get to experience any of that anymore, but I can remember the glory days!
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That was an elaborate response.
Thanks for sharing.
I actually had to look up what "vore" meant.
Yeah, not really into that or other things you listed.
This is a great example how all our interests tend to stem from a core interest.
I'm the same when it comes to spanking, butts, and spandex which all are closely related in my case.
One usually leads to the others.
We all have our preferences and I have heard of some artists that refuses to do commission that may be too hardcore or even too hard to draw, which is why I asked.
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Ah! The one thing that all of this stuff has in common that's problematic, even the spanking stuff is that the compositions can be very limiting. I don't want to just cookie-cutter all of the spanking scenes, so I try to come with unique poses, but at the end of the day, there are only so many poses you can do. Most people seem to like the over the knee poses. That's fine, but I like the standing poses more, especially when you can shoe-horn in the spankers butt as well. Regarding hardcore or even out right pornography, I shy away from it. I had issues with it regarding my son seeing the stuff or my ex-wife, his mother, which is a whole can of worms in and of itself. However, my real issue with it is again, the compositions being very limiting. Even if you watch real porn, the shot compositions are usually static and boring. Some can pull off dynamic interesting stuff, but it usually involves using some kind of fish-eye lens. I don't even do hardcore porn stuff for myself much, because I find it boring to do. When it comes to Hentai, especially the Japanese stuff, I find it kind of unappealing. Again, there are some that can do it well, but take Masamune Shirow for example. I loved his manga work on Dominion, Appleseed,etc. but his porn manga, which is all he seems to do now days is boring. It's rendered really well, but just kind of Meh! when it comes to the compositions.
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I understand your problem but you already pointed out the problem, there is only so much you can do.
But, everyone has their preferences and whatever they like, they will always pursue it no matter how abundant it may feel.
As a spanko, I love over the knee due to its intimate position of how the spanker and spankee is linked while really adding the humiliation factor to the spankee especially when the spanking is administered as a punishment.
Even in a sensual spanking scene, to allow the spanker to have full access of the spankee's bottom and nether regions is very sexy.
I can understand why one would prefer standing, bent over, or laying on their belly as well.
My preferences have evolved over the years and sometimes I end up going back to what I used to favor the most.
The thing with composition for me is to get the most out of a scene and depends on what the artist wants to highlight or emphasize the most.
Take the OTK spanking position for example, you're left with a few choices to:
1. Focus on the butt while not getting the facial reactions unless subject is looking back.
2. Focus on the face but lose the full view of the butt.
3. Compromise by having the POV facing the spanker so you get a little bit of both.
4. Rarely used but the overview where you're looking down on both subjects but can't see either faces and focuses on the spankee's butt and body.
It shows how much you like the Baroness when you did 1 and 2 and even a close up view.
Pornography is much the same as the director is trying to show as much as he can from one angle.
That's why you can tell when a porn film has more budget using multiple cameras and editing to get different angles from one scene while amateurs or low budget has one stationary camera.
For example, facial expression shots are good sometimes but people don't want to just see the face for too long and no body shots and last thing a viewer wants to see is the man's butt covering the one being penetrated. If it's a gay porn or lesbian porn then it's actually OK.
That's why when one commissions something, then they want that one great shot that they can get the most out of.
I love Masamune Shirow and love his art.
I really can't grasp why you find it kind of meh which I don't really want to get into because we'll go back to the limitations on paper and maximizing a picture as much as you can.
I would say he's one of the best but reached the limits of composition like any artist.
I thought your latest commission with Princess Projecta was great because you did 3 different angles in one piece and whether you or the commissioner chose that, the 3 angles are the best angles you can pick.
I guess the way to do different or interesting compositions would be to sacrifice something big like the face or upper body.
For example, when I look for a butt shot in a more recently released film or cartoon, then it's kind of hidden or within the frame of an action scene.
It's not in your face anymore and it seems many actresses don't want an obvious or any butt shot where the camera is just following their ass when they're walking.
So, to sum it up, it's really the topic that's going to determine the composition most of the times and if one is paying for art, then then probably want to see what they like the most.
It was the same for me when I commissioned Wonder Woman VS Power Girl
I was very specific as to what I wanted due to the story I already had in mind and wanted to get my favorite angle of the butt while getting both the characters' facial expressions to put as much words into one picture.
If you want to experiment on something new or different, then comic pages would be best where you can use multiple pictures and not feel like you have to sacrifice anything.
One day, I may commission art for my story "Wonder Slave" and may go with comic pages or pick the best scene or picture for each chapter.
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Im not sure what my favorite angle is for spotlighting the butt. 3/4 view is always nice. But astraight on back view can look amazing, however, thats a hard angle to get right. Also a top down view is goid for close-ups of the butt, when you have already established the characters heads in a previous scnene or panel. The trick there is drawing the background. With certain shots, especially when the horizon line is directly on or brlow the bottom of the frame, you can get away with minimal background. Im not apprehensive about drawing elaborate backgrounds, but i try to focus on the figures more. I love classic fashion photogrqphy that do swimsuit shots on location, where the figure is in deep focus and the background is obscure with no depth of feild. I use to know the type of lens to use to acheive this result, but forgot. I havent messed with photography in 20 years. I think standing spamking poses work best with spanking instruments such as the paddle or whip. That way the spanker has their feet firmly planted and can get some leverage for a mighty blow. Plus they can get their hips into the swing like driving a golf ball. I have considered doing pages to tell a more extended spanking scenario, but they take a kot if time. The beauty of doing the single illustrations, especially the cell art style is i can crank out a lot of content fast and feature as many characters as i can. Maybe in the future ill do a spanking story.
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I'm with you for the reasons for standing but you can't rule the use of a paddle during an over the knee spanking.
With angles pretty much covered, my only suggestions for chance at different composition would be how the spanker and spankee is interacting.
Only positions we covered are OTK and standing next to each other but there are more you can do that can help composition.
For instance, over the shoulder spanking can allow you normal angles and/or angles that are slightly looking up.
Over one knee, even though similar to OTK, but different when the spanker is standing and the spankee is dangling.
The spankee bent over with her head between the spanker's legs.
Headlock spanking or waist locked spanking where left arm is wrapped around the spankee's waist which you can do while sitting down or while standing.
Wheel barrel spanking where the spankee is on the lap of the spanker but legs are wrapped around the spanker's waist.
Arms or head pinned by leg spanking.
I usually don't like this but even the diaper position spanking can work if done really well.
And whatever else your imagination can come up with.
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I need to try the over the shoulder. That in and of itself is a fetish, so I can cater to two at once. I don't like to get to interlaced in a game of twister though, of course, there is probably a fetish for that. My goal was, going back to my first few spanking pieces was to do one illustration, some times two. I wanted to feature two girls, one the spanker and one the spankee in a full shot. try to show both of their butts in 3/4 view, both faces in reaction. That became a real pain in the ass as I went on. The second panel was usually a medium full shot with the spanked butt front and center, while the Spanker's head would be close to it to marvel in triumph or shock and bewilderment at their "handy" work. Usually it was two heroines forced by the omnipresent illustrator, so the reaction was usually horror at what she had done to her fellow heroine. That went on for 20-30 pieces until I ran out of popular characters and jokes, which usually was a parody play on a scene from an actual comic. The recipe worked for a while, but I started to buckle, especially when I was bankrupt of ideas. I now have a new lease on the subject with doing the animation cell style. The problems I had before are still there, but I'm getting a lot of satisfaction trying to perfect that aesthetic. I also don't have to come up with the witty banter as much, which was more difficult than the drawing sometimes. I think the stuff went off the rails when I tried to incorporate non-spanking stuff into it or opened it up to taking requests. That's why I discontinued that tier and saved requests for commissions only.
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Well, it seems no matter how you feel about your problem, you end up gravitating towards what you like or your preferences.
Even though you may see this as a problem, I really don't unless you're trying to do something new and different.
But I don't think there's a reason or any pressure to feel that way.
If it isn't broken, then don't fix it.
My honest opinion (not criticism) is the parody with humor is okay but I think it's more alluring when the tone is more serious.
I also feel if they know they are fictional or acknowledges the viewers can take the fantasy aspect out, too.
A picture says a 1,000 words so banter really isn't needed unless you're trying to take away the words to be specific with what is happening.
It is always the choice of the artist but sometimes you can do a scene to get your point or theme while letting the viewer use their imagination.
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I agree, if it isn't broke don't fix it. I see your point about not using dialog or banter and leaving room for the viewers imagination. I have to classify it as parody though to dance around copyright infringement though. Thanks for the input my friend!
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You're always welcome, of course!
Banter works but I think it's still better when the characters don't know they are a parody.
But that's more of an opinion than a criticism.
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The breaking the forth wall gag, for me, came from John Byrne's run on Sensational She-hulk. Seeing that I wanted to feature her a lot in the beginning, I incorporated that device into the spanking strips. And yes, She-hulk did it way before deadpool was ripped off...I mean created.
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I remember her covers doing it but not sure about the actual stories.
I've seen Deadpool do it in the stories.
Gwenpool's story is basically a real person that got sucked into the comic universe.
As I said, it's not really criticism but suggestions.
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It's all good! Whatever works, right?
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Yeah, she is! I had never heard of her before.
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