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Description
I have mostly been working in the Unreal workspace lately, learning the tools and refamiliarizing myself with the workflow there, so not much time to work on story, or in Daz where most of my images are made in. This dress came on sale however, and I was inspired to make a render using it. I've said this before: the one tool I will miss most once I make the jump fully to Unreal will be the cloth simulation. Unreal just has nothing (native) quite like how Daz handles it.

That said, I learned this weekend the G9 figure doesn't have the weird inline bones that the other Genesis figures have, so that makes the jump all the more likely, especially once I invest in more figures or conversion tools to get my library onto that generation of figures. It makes the process of using the Gen figures in Unreal that much more appealing.

Anyway, enjoy this little taste of summer, as the season is moving closer towards its close.

Description
I have mostly been working in the Unreal workspace lately, learning the tools and refamiliarizing myself with the workflow there, so not much time to work on story, or in Daz where most of my images are made in. This dress came on sale however, and I was inspired to make a render using it. I've said this before: the one tool I will miss most once I make the jump fully to Unreal will be the cloth simulation. Unreal just has nothing (native) quite like how Daz handles it.

That said, I learned this weekend the G9 figure doesn't have the weird inline bones that the other Genesis figures have, so that makes the jump all the more likely, especially once I invest in more figures or conversion tools to get my library onto that generation of figures. It makes the process of using the Gen figures in Unreal that much more appealing.

Anyway, enjoy this little taste of summer, as the season is moving closer towards its close.