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Description

Since wild magic made Imogen lose all of her hair in the latest episode of Critical Role Campaign 3, I just wanted to take a crack at how she'd look with short hair if it grows back normally, rather than all at once (I've seen different interpretations of the rule...).

Though I am admittedly biased, I think it looks rather good!

What do you think?

Here's her official artwork from before the magic backfire:

Thanks for taking a look, and any comments, critiques, or tips are always welcome and appreciated!

____________________________________________

Disclaimer: I’m red-green colorblind. Because of this, it’s difficult for me to tell similar shades/hues of different colors apart, and, therefore, I need to work with very limited palettes when I color pieces. For shading and highlights, I’ll start with a gray base and lighten or darken shades from there, and then add a color overlay (and, for some skin tones, attempt to add a blue overlay to make it less “hot”). I’ve often been told to be bolder in my highlighting and shading, and I’m trying to be so, but… sometimes it still seems pretty tame. I’m just saying this in case you mentioned I need to do that on a previous piece – I’m not ignoring you, and I appreciate the input. It’s just not very easy for me to implement confidently.

Description

Since wild magic made Imogen lose all of her hair in the latest episode of Critical Role Campaign 3, I just wanted to take a crack at how she'd look with short hair if it grows back normally, rather than all at once (I've seen different interpretations of the rule...).

Though I am admittedly biased, I think it looks rather good!

What do you think?

Here's her official artwork from before the magic backfire:

Thanks for taking a look, and any comments, critiques, or tips are always welcome and appreciated!

____________________________________________

Disclaimer: I’m red-green colorblind. Because of this, it’s difficult for me to tell similar shades/hues of different colors apart, and, therefore, I need to work with very limited palettes when I color pieces. For shading and highlights, I’ll start with a gray base and lighten or darken shades from there, and then add a color overlay (and, for some skin tones, attempt to add a blue overlay to make it less “hot”). I’ve often been told to be bolder in my highlighting and shading, and I’m trying to be so, but… sometimes it still seems pretty tame. I’m just saying this in case you mentioned I need to do that on a previous piece – I’m not ignoring you, and I appreciate the input. It’s just not very easy for me to implement confidently.