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SilverInkblot — Stories of feelings with no names - Revision
Published: 2013-04-16 01:14:21 +0000 UTC; Views: 4274; Favourites: 55; Downloads: 8
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Description    i.

   The feeling you get the day after sending a letter, and you know there is no possible way that the recipient has received your message, let alone formulated time to write a reply. You still get just a little hopeful when you hear the mailman drive by. You rush out to the postbox a little too quickly and are disappointed by the pile of free coupons, bills, charity flyers, and a late Christmas card from your late Grandma Moses.

    ii.

    You lost your voice one day. You woke up to a hollow echo in the base your throat and knew you’d lost something special before you’d ever had a chance to say anything worthwhile. You checked under the bed and tried the lost and found, but couldn’t even ask if anyone had heard it lately.

   iii.

   A sudden awareness that occurs during funerals that you are going to die. You are dying right now – your cells are shedding like snakeskin and your hair is turning silver and every moment is one less than before. You will never know which moment is the last one because you won’t be around to count the grains in your hourglass– and, somehow, this knowledge both sharpens and dulls the grief of saying goodbye to Grandma Moses, like a blade that loses all effectiveness once it’s already in your chest.

   iv.

   You drove from San Francisco to New York, Seattle to El Paso, down every back road and blue highway, all the late night diners and greasy spoon truck stops, checked into every hotel, motel, bed and breakfast inn, and campsite. Then the neighborhood library closed down and no map could lead you back home again.  You know this feeling, the empty feeling of having completed a good book, watched a great movie, listened to an amazing song, when you know that your life will never match up to all the things you want it to be.

   v.

   An acute alertness of not being watched. An antithesis to paranoia that arises when you wish to be seen and are instead ignored, like the time you got up early enough to curl your hair into ringlets and dug out the makeup kit you got for your fourteenth birthday. And his October eyes still didn’t look twice in your direction. Your translucent paper-skin covered in doodles of hearts, spirals, and stars is not the art meant to hang in solemn galleries. Your thoughts are not cryptic messages to be decoded thousands of years later. Your bones will not be the subject of evolutionary debates and you do not desire any of these things but surely you are worth someone’s attention?

   vi.

   The distant mumble of the television in another room, or perhaps up one floor, whose muffled voices are at first annoying and then comfortable, lulling away the loud silences of the night – the buzz of the streetlight, the hum of the fridge, the pulse of your own heartbeat – long enough to put a few hours away for dreaming.

   vii.

   A wretched sadness juxtaposed against the satisfied smugness of predictions that turned out to be right; a weary “I told you so” directed at a tragedy you saw coming from the beginning, but were powerless to stop. The celebrity alcoholic in and out of rehab, the on again off again relationship of two people completely wrong for each other, the precarious tower of empty coke cans stacked on a rickety lunch table with a short leg on one side whose crashing cacophony brings the Principal out of the office to lecture the involved parties. Even the small prophecies are losses.

   viii.

   The sense of frustration when the perforated edge of your notebook paper doesn’t tear properly, ripping into the pristine white sidebar like a vicious dog into flesh and, oh, you just can’t do anything right at all, can you?

   ix.

  A nameless fear with no known origin. The moment your heart quickens and you cannot pinpoint the cause, but manage to convince yourself you're about to die. An anxiety that builds, beginning somewhere just below your stomach and crawling up to settle in your ribcage and then constricting around your throat until hiding underneath your covers and willing it away isn’t enough. The panic is soothed by the reassurance of the familiar – a favorite movie, a blend of bergamot and ginger tea, old letters and postcards – and though the chill of apprehension mingles unpleasantly with the warmth of the comforting, it’s enough to calm your nerves all the same. You forget all about the feeling in the morning when the sun peeks through the slats of your drawn dorm window, teasing the promise of a new day.

   x.

   The swift rush of perspective when you stare at the sky hard enough and see that it is not a flat plane but a curve, that the clouds and stars are not level, but have depth; depth that has to be measured in alien terms because human sensibilities are just too little; depth so far beyond the scope of your imaginings that just staring is enough to make you stretch your arms as far as possible, as though reaching will bring all the things beyond your grasp any closer. The history of the universe is stretched out before you, a book bound at the spine by gravity and written in a language of light. As soon as that happens you have to look away just to feel normal again, arms collapsing heavily to your sides. And even though gravity pulls harder than ever, your steps out into the night grow steadily lighter.

   xi.

   A disorientation that ensues during a big move – from one home to another, or perhaps from home to college. When your own room is void of anything that marks it as yours except for the quilt embroidered by Grandma Moses that you couldn’t find room in a box for, and yet you can’t stop seeing it as belonging uniquely to you. You bags are packed and your entire life has been compacted into a dozen cardboard boxes sitting in the trunk of a taxi that will take you away – to your new house, to the station, to the airport – but your compass needle still points directly in the direction you are leaving.

    xii.

    You’re lost in a photo booth. You spent ten years making silly faces behind the curtain and nearly emerged from the other side as a serious adult stuck in black and white stills that got stuffed into a wallet and forgotten about, never looked at again until your hair is as grey and faded as the photograph, but you’re looking at it now, nostalgically, wistfully, wondering if your letter has slipped between the cracks of I’ll do it tomorrow and there will always be time.

   xiii.

   A short circuit of the brain that typically occurs on overcast, blue-grey days that are neither rainy nor sunny, which create a visual paradox on the ground, where everything appears a touch brighter, a shade sharper, a bit crisper around the edges. The shift of light casts angular shadows that make the world appear to be bursting at the seams and something about the fullness of the scene satisfies the ghosts in your eyes. An appreciation for how subtle a thing can influence your entire day, and you have to compose your own emotions instead of letting the weather dictate your moods.

   xiv.

    The sudden jolt of seeing someone familiar in an unfamiliar place; an awkwardness that comes when you see an office co-worker or a doctor or an old teacher in a place where you are not used to seeing them – in the grocery store, at the movie theater, browsing the library. When you recognize his October eyes under the fringe of chopped, russet hair on the other side of the bookshelf, you bury your blush in the spine of the nearest book. Often accompanied by the sudden knowledge that this person has an entire life locked away behind doors you never knew existed. Suddenly light has spilled out from underneath one of them and your fingers are brushing the carpet of a room full of ordinary secrets that have not been hidden, but have been kept from your eyes all the same.

    xv.

    A keen alertness to something just beyond the scope of your understanding, lying across the field of your consciousness like an asymptote begging to be crossed. The ratio of fascination to mystery keeps calling you back to the things you don’t understand; the reason you find poetry in mathematics even though a series of fatally wounded tests has been holding you back the last two years. The thunder in your heart that knows something before you do when you catch his October eyes across the lecture hall, that makes every muscle in your body sing even as you glance away. You watch the girl two rows down snap her gum, loudly, a gunshot against the drone of the professor, and return to doodling curves on your graph paper; the curves become a heart.

   xvi.

   A late night preoccupation with aliveness – a sense that the deepest part of the night, or the earliest part of the morning, is the most awake part of the day. When your senses are heightened to such a degree that the very air is full of rough crystals grating your lungs and the compulsion to draw breath is so deliberate you wonder how you manage to do it all day without ever thinking about it.

   xvii.

   A superimposition of aged features on to a youthful face, or the excavation of youthful features from an aged one; a juncture in time where the past and future clash to create the now, and if you just stare hard enough you can see the person he used to be and the person he will become, caught somewhere between the dwindling baby fat around his jawline and the developing stubble at the tip of his chin. Only his October eyes remain the same.

   xviii.

   The noise of a faraway car driving late at night or perhaps in the lonely cool before dawn, in that sleepy place somewhere between consciousness and dreaming, where everything is warm and vaguely fuzzy. The remote sound of tires on asphalt speaks to a sense of curiosity – where are they going? Why so early? – but the blankets are so heavy, your eyes are so heavy, and before you can wonder anymore, the car is long gone, and so are you.

   xix.

  A wondrous appreciation for the quick and efficient work of late-night waitresses at the local Waffle House who juggle coffeepots and patrons while bacon sizzles on the grill. You love the way they crack eggs without even looking and flip pancakes like pros and chat with the late night clientele because all the best customers come in before the sun does. You like the way he cleans his plate as though it were the last meal he will ever get - never turn down free food he said, even though he was paying. You spin yourself back and forth slightly on the pleather red barstool once you’ve finished your toast, hands folded in your lap, watching the waitresses craft five-star omelets while listening to the Springsteen records glowing from the jukebox and when he finally puts his fork down and invites you for a ride on the chrome-wheeled suicide machine he inherited from his father, you don’t say no.

    xx.
 
    When you part for the evening he tells you to be safe, and you’re never sure what to say. So you settle for I'll try, as though that's all it takes, and he guns the motorcycle. You hear his engines roaring on in your dreams all night long, where heaven’s waiting down on the tracks.

   xxi.

   An unexpected desire to leave home – not forever – but just long enough to have something exciting to talk about when the neighbors visit because the daily grind is ripping the bones from your back and you can only stand to look at so many baby pictures from barely wedded friends you barely knew in high school. A nameless longing to leave the familiarity that you can’t get far enough away from, the suffocating smiles, distant church bells, and the last fumes of exhaust from the bus transit hub. If only you can truly come home, just once, and know what belonging really means. Your world looked so much bigger from the backseat.

    xxii.

You found your voice one day. You pulled a pen from the junk drawer, or sat down at a keyboard, or bought a journal on a whim and found it curled up around your fingers, sleeping, rusty, but alive. You grabbed a handful of Scrabble tiles and alphabet magnets, bought a magnetic poetry board to shuffle  with your ink-stained fingers and learned how to make them talk instead.

   xxiii.

   An unforeseen surge of joy caused by the surprise appearance of the letter you’ve been waiting for from a friend not seen in over a year. The flutter of the envelope flap unfolds like wing pinions stretching for flight and the rustle of paper promises hours of reading and responding from your red plush swivel chair near the window. Your baby steps into the world are turning into confident strides and you don’t write a response but a promise; you’ll stop waste your summers praying in vain. One day you’ll visit, no matter the distance, and you’ll come running.

   xiv.

   A thoughtfulness that follows a long conversation as you catalog all the lines that made you smile and you’d like to keep for those grey days that you spend throwing roses in the rain. And abruptly realizing that when he offhandedly mentioned that you seemed happier, October eyes glimmering, you are. You really are.
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Comments: 65

SilverInkblot In reply to ??? [2014-12-29 19:02:12 +0000 UTC]

Initially, the point of this piece was to write an eight page story for class And you're right, it is tied together by a single person experiencing each moment. Ultimately, I was conducting lots of different experiments at once with this piece - writing in second person, non-linearity, universality vs intimacy, disjointed narrative - and somehow ended up with something special. It grew as I wrote.

I'm also a fan of slice of life stories, and I don't run into many that I really like, so this was also my attempt at it - I love stories that can make the ordinary interesting or magical, which I suppose you could say became the point of the story. I'd say from beginning to end, this narrative encompasses two or three years of this persons life, from shy and awkward, unable to even talk to the boy with October eyes, to happier, more confident, and beginning a relationship. It's not directly stated, but sections ii. and xxii. suggest a writer finding her voice I wanted to tap into something that everyone understands, but also that each reader would have a personal encounter with that would color their feelings and interpretations about it.

I'm always surprised by people who love the section about ripping paper; it might just be the most popular bit

Thank you very much for the critique! I still think you're undercharging

👍: 0 ⏩: 0

Ijihara [2014-12-21 05:21:07 +0000 UTC]

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It would be silly of me to attempt to coalesce my thoughts on this into a single critique, so I am splitting this into two parts. Here is the first part:

The imagery in this was very carefully chosen, I can tell this took you a while. Anyway, because this is such a long critique, I cannot hope to actually go back and edit stuff, so you may as well call this stream of consciousness.

This stuck in my head for a good day or so before I could collect my thoughts enough to comment on it, so as best I can, I will say there is no coherent story between the 24 parts, yet, at the same time, I have an irresistible urge to form a story from the pieces given, which I have to consciously suppress at each reading. Each of the 24 pieces could very well be a map to the unknown - the little doors we don't talk about going to places in our head we know are there, but have no way to explain.

So, now you see why critique of this entire "map" is a bit moot. After all, how would you critique a map? What the heck does that even mean, a critique of a map? Maybe if this were a cartography class I suppose-oh whatever. Moving on!

Anyway, here are my thoughts on each of the 24 parts:

I
On first reading, while the possibility of the twisting uses of “late” had occurred to me, I did not put this together until part iii. This is fine, and even preferred, as this starts the pattern of tie-ins right away, and we start trying to put the pieces together to a jigsaw puzzle that cannot possibly be completed, much as life’s puzzle often is. I like this one.

II
This one caught me off guard, and upon reading part iii was my first difficulty in putting together the imagined overarching story. I like this one as it establishes a running theme of being an observer – which is a strange concept to be observing a character’s observations about her life with said observations directed at the observer, but is as best as I can describe what seems to be happening. I like this one as well. But I did find the line “You checked under the bed and tried the lost and found, but couldn’t even ask if anyone had heard it lately” a little confusing. Obviously, people aren’t hiding under your bed to answer your questions, but I did have a brief lapse in thinking given the twisting references and thought of the work. Anyway, it could just be worded a little clearer – maybe separate them into sentences?

III
Ooh, mortality commentary. But as crowded as this is, again you have found an unnamed sub-feeling of mortality here that is just as captivating as the last part. I was sure of the meaning of part i after reading this. I like this one.

IV
This was the first time I had considered there was no overarching story as this and part v began to describe what I felt was incipient insanity and depression. I am fond of the line “then the neighborhood library closed down and no map could lead you back home again.” I like this one too.

V
October – a good choice of words to use when mortality is already a running theme. Very thoughtful, it reminds me of a Shakespeare poem I had read about mortality that used fall to mean the act of dying, and winter to mean dead, spring to be rebirth and summer to be life. I like this one as well – it also reveals the gender of the character.

VI
Every day of my life (or well, every day that I wake up in the morning and fall back asleep to the sounds of a refrigerator opening and closing, a coffee maker being turned on and a microwave whirring). I like this one.

VII
I am not so sure this one is unnameable – isn’t this just when we don’t want to be right? But anyway, I did like this one, as it shows the same level of care as the rest and the ending line is powerful, and it is a necessary piece upon further reflection.

VIII
More incipient insanity! This one really made me begin to think this was the overarching theme and for a few parts I began to genuinely expect this to climax in someone going crazy. The lines “oh, you just can’t do anything right at all, can you” really sell this idea for me. I am wondering if that is part of the point, to drag the reader along ideas about what could be being described – to put a name to what can never be named. I suppose I should just stop marking that I like parts, as I like them all.

IX
This one is uncomfortably familiar to bad points of my life. Well worded and powerful.

X
You have described very well why I am changing my major to astrophysics. We are very tiny creatures in an infinitely larger universe, which is possibly a piece of the infinitely larger multiverse, set in dimensions that we are not even sure we have completely mapped, containing universes with possibly different dimensions beyond even the ones we have not yet mapped.

XI
This one was where I ultimately gave up on a grand, mysterious overarching theme and instead began to see it as just a little trip through someone’s life: especially the line “your entire life has been compacted into a dozen cardboard boxes sitting in the trunk of a taxi that will take you away”. It is all but spelled out for me here.

XII
This one throws a (slight) wrench into my ultimate conclusion as it reveals that it is not entirely in order – why would you be talking about your hair turning grey if we are only halfway into the story? It is also a warning, and an effective one at that, to not waste what little time we have.

👍: 0 ⏩: 2

SilverInkblot In reply to Ijihara [2014-12-22 22:54:22 +0000 UTC]

Firstly, whoa I should have done my critique ASAP so I wouldn't have to live up to this In fact, for extra thoroughness on my part, I'd be willing to do a handwritten critique for you, which consists of me printing out the piece of your choice, writing directly on the paper, and mailing it to you If you want that is; I can still manage online just fine, but feel like I'm more detailed on paper.

Onward!

 there is no coherent story between the 24 parts, yet, at the same time, I have an irresistible urge to form a story from the pieces given

This was exactly the intention Part of the fun, I think, is that the connective pieces are missing, so each person's read will be unique as they connect each piece to the next differently Further, I was trying to tap into moments that were simultaneously completely personal, AND completely universal - I'm confident each reader will have experienced these moments in some fashion, which would further tailor the piece to them. I busted my ass trying to do it, but I'm so happy with the results

XIII... I started to see that this was not quite a life story shifted somewhat out of order, but instead a deliberately rearranged puzzle with many many possible narratives. This is one of several of the 24 pieces that could be placed anywhere, given new context in different areas that would otherwise be unclear. Looking in the description I think this is the actual correct answer instead of my original allegedly ultimate conclusion. I am sure the original is somewhere in here, but it is a mystery that would be very difficult to solve if it were possible at all...

I like that despite the lack of a true overarching story you can draw all these little connections – this helps the reader in this game of yours, with their own biases creating their first narratives, further analysis influencing second narratives, other variables I'm sure someone smarter than me would know for their third narratives (if they chose to make more than two.)

Nailed it, both times This wasn't my first foray into writing non-linearly, but it is the best, and I'm not terribly confident in my ability to ever do it again There is an order to the pieces to me (the order it's currently in), but I can absolutely see any number of combinations resulting. I love the idea of a puzzle story; it sounds like it would be so much fun to put together.

Thank you for such an incredibly detailed comment!

👍: 0 ⏩: 1

Ijihara In reply to SilverInkblot [2014-12-23 04:13:04 +0000 UTC]

I am flattered you want to send me a handwritten edit. I think it would be a little easier if you simply shot it with your iphone then sync'ed to dropbox or something similar and sent it over photobucket or an email, but paper does feel much nicer in the hand, and there is something irreplaceable about the original ink that I have yet to figure out - the address is in the note. Thank you for the offer.

👍: 0 ⏩: 1

SilverInkblot In reply to Ijihara [2014-12-23 06:48:21 +0000 UTC]

Certainly

👍: 0 ⏩: 0

Ijihara In reply to Ijihara [2014-12-22 00:27:57 +0000 UTC]

 

XIII

                I think it was here where I started to see that this was not quite a life story shifted somewhat out of order, but instead a deliberately rearranged puzzle with many many possible narratives. This is one of several of the 24 pieces that could be placed anywhere, given new context in different areas that would otherwise be unclear. Looking in the description I think this is the actual correct answer instead of my original allegedly ultimate conclusion. I am sure the original is somewhere in here, but it is a mystery that would be very difficult to solve if it were possible at all.

 

XIV

                Another reference. I like that despite the lack of a true overarching story you can draw all these little connections – this helps the reader in this game of yours, with their own biases creating their first narratives, further analysis influencing second narratives, other variables Im sure someone smarter than me would know for their third narratives (if they chose to make more than two.) I’m second guessing here what I said about October and mortality, instead thinking that this is a more masculine term than “chestnut” for a color for eyes, although it was easy to make this reference earlier given the talk about Grandma Moses’s funeral.

 

XV

                A double reference for Mr. October Eyes – an unexpected and pleasant surprise. Using this here when we are just over the halfway point I think strengthens your choice for the ending and helps keep the reader’s attention. The mathematics poetry comment is curious and draws attention to the inexplicable things we do, which ties in nicely to the title of the piece. I really liked this one.

 

XVI

                I remember when I was a teenager I would have this very same thought at least one night every week or so and would focus on it for hours. The little voluntary yet involuntary motions we do. I have yet to understand it either beyond the fact that these little things are what keeps us alive. I am sure given other context for life we might have other little voluntary yet involuntary motions we would do that would replace breathing but still need to be done and the act of finding just the right spot on the bed might be made moot with joints that were cushioned properly no matter how you slept.

 

XVII

                This flows nicely from the last – a concentration on the physical while still involving October and is worded nicely. It also has a kind of timelessness that allows it to be placed nearly anywhere in the reader’s chosen narrative.

 

XVIII

                This one says to me that human curiosity is invincible even in the face of very heavy sleep – we continuously wonder about things and have no way to stop it. Even with our senses just barely functioning enough to constitute some menial level of consciousness (to the point we are not even sure if it is truly consciousness) we still wonder. What was that you were saying about you didn’t know anyone who did psychology exploration? Some of these would even make for interesting premises for stories on their own.

 

XIX

                You know, I never did understand how my unmotivated pothead friends from my early years in college could actually manage the sensory skills to do the things they did at waffle house and show up exactly on time for any shift, handle every customer, come up with new meals every week and run the waffle house how they did. I dunno what they do to train people over there but clearly it works.

 

XX

                This was a touching second part to XIX and gives it a dreamy atmosphere where you are not sure if the character is still asleep from XVIII, especially when reading the last line “You hear his engines roaring on in your dreams all night long, where heaven’s waiting down on the tracks.”

 

XXI

                Small town anxiety, very perfectly captured. Another not-so-unnameable feeling but necessary all the same. I am fond of the last line, as I am with many of these mini-poems. “Your world looked so much bigger from the backseat” – I wonder if the double meaning is intentional? That a child looking outward at the world from the backseat, not having to know enough to drive in it, made that world look vast and expansive? When that child grows up it misses the feeling of not knowing the things it knows, the magic having been taken right out of its hands. The alternative meaning is an observer being made into the do-er, which is to say you’ve thought about leaving for a while long enough and now you are.

 

XXII

                Another connection. These are everywhere, I am seeing. I like the imagery here of doing away with helplessness and finding new ways to do things. The use of scrabble tiles helps with the playful undertone.

 

XXIII

                This captures very well not only a love of reading but even more so of friendship and anticipation. This continues the theme of doing away with helplessness and could have very easily been an alternate ending instead of XXIV.

 

XXIV

                I wonder if this is that friend? The fact that you are “cataloging the lines” makes me wonder very much about this and if so, I think it makes for a sweet ending and gives wonderful feelings of reconciliation.

 

 

Anyway, apart from some minor quirks this is one of the best things I’ve seen posted on deviant art. Very fine work.

 

 

 

As for your shuffling game, my story is…

II, I, III, IV, XI, VI, VII, VIII, V, IX,

XIII, X, XII, XIV, XV, XVI, XVII, XVIII, XIX, XX,

XXI, XXIII, XXIV, XXII

👍: 0 ⏩: 0

madameshadowenn [2013-04-16 08:47:47 +0000 UTC]

Overall

Vision

Originality

Technique

Impact


You said you wanted a critique, so I'll attempt to give you one e.deviantart.net/emoticons/x/x… " width="15" height="15" alt="" title="XD"/> Please feel free to completely ignore my suggestions! (And yes, I've not actually referred to those 4 criteria specifically... oh well)

Part i.
You've described this illogical feeling wonderfully. My only issue is that I think you could combine the first two sentences, unless of course the length is for effect e.deviantart.net/emoticons/s/s… " width="15" height="15" alt="" title=" (Smile)"/>
Part ii.
Hmm, I can't think of anything for this one!
Part iii.
Although I absolutely love the first sentence, it doesn't quite make sense the way you've written it. You could remove the second "that" and put a semi-colon after funerals, or you could add an "is" before the second that.
I also think you don't really need to mention Grandma Moses here as you've mentioned that this is set at a funeral which I think is enough of a link to the first part where you mention her for the first time.
Part iv.
Here, I would maybe suggest that you broke the first sentence into two, ending it at "truck stops", and then fuse the two after that. You've definitely hit the nail on the head about what you feel when reality hits you though e.deviantart.net/emoticons/s/s… " width="15" height="15" alt="" title=" (Smile)"/>
Part v.
Really, really enjoyed this one. All the things you list at the end are wonderful images and I like that you've made the person not want to be incredibly special, but rather just have normal wants and needs. When it comes to critique, I'd just suggest removing the full stop after birthday and letting the sentence flow.
Part vi.
Nope, nothing for this one e.deviantart.net/emoticons/b/b… " width="15" height="15" alt="" title=" (Big Grin)"/>
Part vii.
I don't really get this one, but you have some lovely examples of the "I told you so's" It's just a little unclear as to who is saying them --> is it "you" or are they directed toward "you"? Sorry, I'm a little rubbish with second person.
Part viii.
Beautiful, don't change it at all e.deviantart.net/emoticons/x/x… " width="15" height="15" alt="" title="XD"/> Really shows how even the smallest of things can have a great impact on your mood.
Part ix.
There's no particular reason, but I don't really like this one. There's nothing wrong with it, or at least I can't see anything, I just don't connect with it as much as the others.
Part x.
Really, really enjoyed this one. It's such a beautiful thought e.deviantart.net/emoticons/s/s… " width="15" height="15" alt="" title=" (Smile)"/> The phrase "language of light" feels a bit out of place, although I can definitely see what you meant by it.
Part xi.
I like the link back to Grandma Moses here. It's not there just for the sake of showing the reader that the same person is in each section, or if it is, it isn't obvious. Again, I'd remove the full stop after college, and link those two parts, but that's just me. (I have a love for long sentences!)
I can see the link between the start and finish of this part, but it was a little confusing initially.
Part xii.
A very interesting idea and really nicely written. My only suggestion would be to emphasise the "I'll do it tomorrow" and "There will always be time", maybe in speech marks, or italics. It isn't necessarily important though!
Part xiii.
"the ghosts in your eyes" Nice subtle reference to the overall nostalgia of this piece, whether or not it was intentional e.deviantart.net/emoticons/s/s… " width="15" height="15" alt="" title=" (Smile)"/> Wonderful section!
Part xiv.
I know October should be capitalised as a month, but because you're using it as an adjective could you get away with not capitalising it? It's very distracting when reading. The second sentence doesn't really fit in to this where you have it, but I'm not really sure how to remedy that. I mean, it fits the overall theme of this part, but made the third sentence confusing to read the first time as it didn't link.
Part xv.
Lovely e.deviantart.net/emoticons/s/s… " width="15" height="15" alt="" title=" (Smile)"/> This one really struck a chord with me.
Part xvi.
For this I had to check if “aliveness” was a word, which makes me sound extremely dumb, but it just looks a little strange. Anyway, this one is fine as it is in my opinion.
Part xvii
I adore this one. Apparently “jawline” is not a word according to MS Word US dictionary, so maybe you could change it to just jaw, or hyphenate it?
Part xviii
Very nice, leave it be in my opinion e.deviantart.net/emoticons/r/r… " width="15" height="15" alt="" title="Rose"/>
Part xix.
Wow, I feel like I’m there with this one (not that I don’t with the others). Really enjoyed it.
Part xx.
You could put speech marks around “I’ll try”, but I’m not sure if you really need to.
Part xxi.
“Your world looked so much bigger from the backseat.” Very strong conclusion, great job!
Part xxii
Apparently you have 2 spaces between “shuffle” and “with”. That’s my only issue with this one e.deviantart.net/emoticons/x/x… " width="15" height="15" alt="" title="XD"/> I like how the mood starts to lift again here and I think it’s good that you linked back to the start.
Part xxiii
Again, I love that you revisited the beginning and the emotion is nicely presented here.
Part xxiv
You need another x for your sectioning on this one, but other than that it’s fine e.deviantart.net/emoticons/s/s… " width="15" height="15" alt="" title=" (Smile)"/>

Overall, I think this is amazing. I can’t even begin to question how much work you’ve put into it and it definitely shows! I kind of think that “xxiii” would be a stronger conclusion than the one you have, but both work! The sections you said you added in work very well with the rest and I definitely don’t think this is formulaic. Finally, in reference to lack of plot, I agree with you. To add in more would detract from the overall feel and personally I think that what you have is more than enough.

Whew, I don’t think I’ve ever written so much before! I hope this helps e.deviantart.net/emoticons/r/r… " width="15" height="15" alt="" title="Rose"/>

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madameshadowenn In reply to madameshadowenn [2013-04-16 18:38:12 +0000 UTC]

i
Ah, I see. Yes, your sentences definitely do that
vii
Thanks for the clarification Reading it through again, this actually comes across, I think I just blanked a little bit
viii
It's gorgeous and beautifully written, what's not to love?
xi
Yes, I think that would work.
xiii
Oh! Oops Totally Springsteen illiterate person here.
xiv
Mmm, yeah you're likely right
xvii
I would go with google then. So many things that are words aren't included in the MS dictionary.

You are very welcome It was actually quite fun!

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SilverInkblot In reply to madameshadowenn [2013-04-16 17:39:52 +0000 UTC]

I didn't expect anyone to go section by section Let me try to give an equally long response

i

You'll find in most of these length was very much the intended effect. I like the effect of run-on sentences from a stylistic standpoint - I like how they can be used to wander and twist, or build to something. I like that kinda breathlessness they create.

iii

I like your point about the semi-colon. I may just do that.

Grandma Moses is one of the ways I anchor things to the same person the whole way through, so I'll have to keep her there. I kinda want to put her in there even more, but I'm already pressing a lot of things

v

I see what you mean about the full stop, but at the same time I kinda like the attention it gives to the next sentence. I'll ponder that one.

vii

The I told you so's are toward a generic bunch of high school students. The only real reason that section is there is so I'll have a passage of time; since there's a principal, it must be high school. Later, I try to make it clear that "you" has moved on to college/ university.

viii

I'm constantly surprised by how much people love this section

ix

This one is the beginning of the turn, so I do need to get it right - you may notice the next four or five sections after this one all have to do with perspective. I don't care for this section as much myself, even though it's a thing I've struggled with personally in the past. I've never really been able to get it down on paper.

x

The language of light was something I lifted out of another piece of mine, so that may be why it doesn't seem to fit. No need to waste a good line, right?

xi

Maybe another dash after college? And yeah, Grandma Moses is just there for continuity purposes

xii

Those two things actually were in italics in Word; I just forgot to transcribe them here. Good catch!

xiii

That's one of my Springsteen references actually But thank you anyway!

xiv

I think October is still supposed to be capitalized; if nothing else, I should probably keep it that way to avoid being marked off over grammar mistakes.

xvii

Jawline is a word on my Google

xix

I think this one might be my new favorite section Took a lot of it from another piece as well, but still.

You've given me some pause about where my ending is because I can see how xxiii might be stronger. I'll have to consult some more opinions about that. Thank you for all the things to consider!

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tinkertype [2017-01-19 18:09:28 +0000 UTC]

There's this from tumblr that circles around, and it has a list of sounds: high heels clacking on marble, a soda can being opened, a library book cracking open, a marble rolling on a wooden floor, wood popping as it burns. Sensory memories that, when read, come alive because at one time or another, we've all heard those sounds and our brain is happy to oblige with a memory upload. I say this so you understand what I mean when I say that this piece was like reading a list of emotional memories. Beautiful, poignant, I absolutely adored it. Thanks for writing. C: 

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SilverInkblot In reply to tinkertype [2017-01-22 20:15:20 +0000 UTC]

"A list of emotional memories" was very much the intention. Thank you

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hopeburnsblue [2015-03-21 19:30:28 +0000 UTC]

I relate to so many of these. I wish I'd known about it when you first posted it. Was going through a hard bump in the road then and would have found comfort in it. I know it says "fiction," but I see so much honesty here.

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SilverInkblot In reply to hopeburnsblue [2015-03-22 00:44:56 +0000 UTC]

Quite a lot of this was pulled directly from my life

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Jallarial [2015-03-06 08:36:03 +0000 UTC]

I mentioned this piece of yours here on The Writers Meow:
www.deviantart.com/journal/Coo…

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SilverInkblot In reply to Jallarial [2015-03-06 21:50:03 +0000 UTC]

Thank you

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Jallarial [2014-11-27 14:49:45 +0000 UTC]

This is very well constructed and I can tell you put a lot of thought into it. My favourites are the ones about ripping paper, looking up at the sky, and feeling alive in the wee hours of the night/morning. The one about ripping paper just hit home, it's so true, something inconsequential can hitch a ride on a wave of bad feelings and surf up a storm. The one about looking up at the sky is just beautiful. And the one about (sorry, I'm too lazy to go up and quote the numbering) midnight silence (I know it's not midnight but I like the phrase "midnight silence") (OK too many brackets) (sorry) (hehe) anyway! That's the time when the silence is loud, know what I mean?

Overall a very effective piece and one I will definitely like to read again with a cup of coffee

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SilverInkblot In reply to Jallarial [2014-11-28 03:16:37 +0000 UTC]

I'd prefer a cup of tea myself In fact, I drank quite a lot of tea and ate a lot of toast during the writing process.

Not to critique your comment, but something inconsequential can hitch a ride on a wave of bad feelings and surf up a storm is a fantastic line

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Jallarial In reply to SilverInkblot [2014-11-28 11:58:00 +0000 UTC]

Tea and toast--what a perfect combination!  

Feel free to use it as a writing prompt if it works for you  

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LeftUnfinished [2014-11-03 23:26:35 +0000 UTC]

Have I told you before that this is brilliant! It's given me so many ideas! I can totally relate!

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SilverInkblot In reply to LeftUnfinished [2014-11-03 23:33:36 +0000 UTC]

Thank you I'm definitely super-proud of this one; I busted my ass to get it done and I'll probably never manage to write anything quite like it again. At least, anything this long.

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Tadewii [2014-08-02 21:52:12 +0000 UTC]

I absolutely lovelovelove that. All of the unnamed feelings are so, so wonderful and touching, but probably my favourite line would be 
"The history of the universe is stretched out before you, a book bound at the spine by gravity and written in a language of light." Wow. Just, wow. I can't describe how much it hit home for my heart. It's lovely.

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SilverInkblot In reply to Tadewii [2014-08-03 20:28:57 +0000 UTC]

Thank you This is one of my favorite pieces - I busted my ass trying to write the damn thing

That line was actually stolen from another piece of mine, over here ; I pulled several line and ideas from other bits that I thought fit the story I'm glad you liked it!

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Tadewii In reply to SilverInkblot [2014-08-03 22:24:24 +0000 UTC]

I can see that - man, it's hella long. But it's great  I go right off to the next pieces!
I wish I could actually write like that one day

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SilverInkblot In reply to Tadewii [2014-08-03 22:33:10 +0000 UTC]

Yeah, the length was a requirement of the class :/ I prefer brevity.

You'll get there

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Tadewii In reply to SilverInkblot [2014-08-04 10:49:14 +0000 UTC]

Wow, you're taking writing classes? Sounds great

Thanks!

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SilverInkblot In reply to Tadewii [2014-08-04 16:10:29 +0000 UTC]

I was in college; I graduated in December.

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LadyBrookeCelebwen [2013-07-13 21:58:34 +0000 UTC]

I really love viii. That sense of frustration with the paper not tearing right... All of these are good, but that was the one I connected with the most.

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SilverInkblot In reply to LadyBrookeCelebwen [2013-07-13 22:00:23 +0000 UTC]

I'm constantly surprised by how popular that one is

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LadyBrookeCelebwen In reply to SilverInkblot [2013-07-13 23:11:54 +0000 UTC]

I probably popular because it's so easy to relate to it - I know that there's been days that I've been so frustrated by the edge not tearing right that my professor has had to look at me and be all "It doesn't have to be torn off completely, or perfectly. It's fine".

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Tyrison [2013-07-05 16:33:13 +0000 UTC]

Beautiful work - a real pleasure to read. I like how you incorporated bits and pieces of other things, bringing it together. I admire your patience; I'm not so disciplined when it comes to revision. Sum of the parts, eh?

At any rate, wonderful. ^^

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SilverInkblot In reply to Tyrison [2013-07-05 17:01:48 +0000 UTC]

Thank you I still barely passed the class it was for, but that's hardly the point

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Tyrison In reply to SilverInkblot [2013-07-05 17:14:22 +0000 UTC]

I get that. Sometimes the best thing a class has given me are the doodles/writing in my notebook.

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brassteeth [2013-05-06 10:50:08 +0000 UTC]

This is so pure. So clean and well written. Much Kudos.

👍: 0 ⏩: 1

SilverInkblot In reply to brassteeth [2013-05-06 19:53:03 +0000 UTC]

Thank you

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jessomie [2013-04-29 21:31:48 +0000 UTC]

this is genius, it just goes to show that we all feel the same sometimes. great work

👍: 0 ⏩: 1

SilverInkblot In reply to jessomie [2013-04-29 21:32:14 +0000 UTC]

Thank you

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SOLIDER-1st [2013-04-26 02:02:28 +0000 UTC]

I never give names to my feelings. You only use names when you don't know what something is.

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SilverInkblot In reply to SOLIDER-1st [2013-04-26 02:14:20 +0000 UTC]

That's why they're fun to write about

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Lacewinged-Beauty [2013-04-21 06:11:54 +0000 UTC]

I adored section viii - it really stuck out.

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SilverInkblot In reply to Lacewinged-Beauty [2013-04-21 16:51:26 +0000 UTC]

I'm surprised by how many people love that section. It was really popular in workshop

👍: 0 ⏩: 1

Lacewinged-Beauty In reply to SilverInkblot [2013-04-22 11:06:48 +0000 UTC]

It is quite clever.

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SweetsAndCharades [2013-04-20 18:04:41 +0000 UTC]

Wow, these are all very beautiful

👍: 0 ⏩: 1

SilverInkblot In reply to SweetsAndCharades [2013-04-20 20:04:08 +0000 UTC]

Thank you

👍: 0 ⏩: 1

SweetsAndCharades In reply to SilverInkblot [2013-04-22 19:24:28 +0000 UTC]

You're welcome

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haphazardmelody [2013-04-18 03:20:23 +0000 UTC]

I was trying to keep track of which parts were my favorite as I was reading through this, but I just ended up with too many favorites to list them all. This is really good. I feel like I have a fairly complete picture of the things that are important to you in both your day-to-day life, as well as many of the ideals you hold dear to your heart. So, to me, this is quite a brave thing to post. Fantastic work.

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SilverInkblot In reply to haphazardmelody [2013-04-18 03:40:59 +0000 UTC]

Well, maybe if it was nonfiction I'd call it brave Which a lot of it is I guess, but it's nonfiction on an (attempted) universal scale. Hopefully, these are feelings everyone knows, even if the specifics are different for them (as they are for me).

👍: 0 ⏩: 1

haphazardmelody In reply to SilverInkblot [2013-04-18 04:41:36 +0000 UTC]

I see what you mean. I found it to be quite universal. Loved it!

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indecisiveiam8888 [2013-04-17 02:13:11 +0000 UTC]

xvi is my favorite feeling

👍: 0 ⏩: 1

SilverInkblot In reply to indecisiveiam8888 [2013-04-17 02:22:23 +0000 UTC]

Thank you

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jskullly [2013-04-16 22:39:40 +0000 UTC]

I mean to do this. 100 points still up for grabs?

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