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WhiteHowler7 — Basic Coloring Tips - A Text
Published: 2011-02-02 21:09:20 +0000 UTC; Views: 54850; Favourites: 1093; Downloads: 1800
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Description so, lately ive been getting (almost daily) notes from deviants asking on coloring tips. and while i never mind helping others and thats one of the biggest foremost reasons im on dA, i find that im repeating a lot of the same basic tips. so i thought it might be helpful to some of you if i were to just make some of this general knowledge public and...whatnot.

so first thing i always get are people asking me how i pick colors?

first thing i always say is, color theory! en.wikipedia.org/wiki/Color_th… colortheory.liquisoft.com/ and www.colormatters.com/colortheo…

that last one has a good little mind blowing point there. see the one showing the plant? "A color scheme based on analogous colors" a lot of people want to use just a lighter shade to color, or a darker one, sometimes using white or black (or burn and dodge, shame on you! lol) but the colors there are a more blue green through a yellow green, it changes shades and doing so makes it much more believable, and in the end makes a much more pleasing and interesting painting.

and also it helps by starting out with pulling up a real photo and using color picker here and there to make palettes, and see just WHERE on the color picker those colors are.  especially on skin, you'll notice the colors are almost always generally on the left side of the color picker.  with the choice of infinite colors and values and hues, people can get a bit lost.

people have a real hard time figuring out what colors to use when they're starting. knowing color theory really is a big big part of all of this.

second part of the advice i find myself using constantly, nearly every time, is lighting. people that are getting frustrated with their pictures and want help the most seem to be people that are failing to even try lightsources. im seeing lots of pieces that lack really any lightsource. they're hitting walls, because ambiguous lighting doesnt work hardly anywhere.

so i'm usually saying, try light sources. find things to color with one drawn in, or make one! think about it before you start throwing down shades. i notive this a lot because of the prevalence of pinup art here with no backgrounds on it. just the character, and all white with no lines around it. easy, quick for beginners, but not great at teaching.

aside from color choice, lighting is the most important part of a picture. pick the greatest colors in the world, but unless you have effective lighting, its going to fall flat every time, literally.

sometimes i will actually go as far as to recommend that people try recreating a photograph. that can mean anything! even cache2.asset-cache.net/xc/8983… something simple.

also, this doesnt hurt www.photoworkshop.com/pages/li… a light cage to help you along, because guessing is never good.

thats my last point. lots of artists start using references with they're learning to draw, but few really do this sort of thing when they are coloring. using real life or photos as your guide is every bit as effective in learning to color.

Hope it helps!
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Comments: 199

Ripstein [2016-03-03 01:14:53 +0000 UTC]

The second link on color theory isn't working.

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WhiteHowler7 In reply to Ripstein [2016-03-03 06:35:06 +0000 UTC]

its a reposted deviation, woops!

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RLN [2016-03-02 00:44:25 +0000 UTC]

I quite liked Color Theory.  Learned and applied it quite well when I took Design II a couple semesters ago.  Trying to apply it while drawing your own version of an Escher mural within a picture, maybe not the most ideal attempt.... but I liked it

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Shannyeight [2016-03-01 22:06:17 +0000 UTC]

My issue isnt so much as identifying/understanding the schemes and colors- it's somewhere along the line, my attempts in application turn to a big mess; it doesnt look right in the end. Also I have a hard time using diff colors for lighting- same end results.

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WhiteHowler7 In reply to Shannyeight [2016-03-02 04:06:52 +0000 UTC]

i used to rely heavily on adjustment layers, you can fiddle a bunch at the end to get the colors to do some neat things and improve what you have.

eventually, using them messed up what i had and it didnt need them any longer.

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NobleValerian [2016-03-01 21:46:37 +0000 UTC]

Of course, I'd hope by now most artists understand Red, Yellow and Blue aren't primary colors... and more importantly, why that terrible misnomer has persisted for so long.

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Juvartis [2016-03-01 21:14:50 +0000 UTC]

this is great !! thank you

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SkyPotatoFire [2016-03-01 19:14:43 +0000 UTC]

Fantastic.

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Fatboy73 [2016-03-01 18:47:35 +0000 UTC]

Lighting, Lighting and lighting! Learn how light and shadow affects different materials and you'll be way ahead of the game.

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ComicFace [2014-03-26 05:49:12 +0000 UTC]

I have a question:
When experienced colorists and artists in general say DON'T USE BURN AND DODGE,they are talking about the tools or the brush modes too like color and linear dodge,etc???

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WhiteHowler7 In reply to ComicFace [2016-03-01 18:25:44 +0000 UTC]

they are talking about the tools. sorry for the late response. you cant use those modes to color, but after they can be used as both tools and layer/brush modes one the final product is almost done for neat effects and final touches.

sorry for the SUPER late reply!

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Inlandho [2014-01-11 14:50:40 +0000 UTC]

Thank you for the help, really

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Octavia-Moon [2012-08-06 08:26:30 +0000 UTC]

I wish I'd found this years ago...thanks so much for posting this. As a result I followed a link from the wikipedia article and found this! [link] after years of trying to find a really comprehensive article on colour theory (and being too damn mean to spend any money on books). I recommend playing with the colour picker...on the last page. Obviously you don't need it, Nei...but I thought anyone who comes to your tutorial might find it useful....

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MANLIVS [2012-07-24 03:58:43 +0000 UTC]

Thanks for posting this! I'll be sure to employ your recommendations on my next practice piece... If you have a minute, can you give me your thoughts on coloring translucent materials? I am currently working on a piece with one primary light source from behind the figures, one of which is wearing a nightgown [link] Would you recommend laying down one flat for the girl in her base skin tone, one for her lighting and shadows, and then another for the semi-transparent colors of the nightgown?

Thanks if you can answer this, if not, I understand you're busy.

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MANLIVS In reply to MANLIVS [2012-07-24 03:59:36 +0000 UTC]

ooops, the link to that piece is here: [link]

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NobodyStudios [2012-07-09 13:26:51 +0000 UTC]

great advice and great links! thanks for sharing.

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TheSatanicNun [2012-06-19 20:21:51 +0000 UTC]

OMG! I Have been longing for a light source program. I actually talked about it yesterday and now I found one thanks to you!

I love your paintings btw, I check them out from time to time :=

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reefer18 [2012-06-13 00:39:05 +0000 UTC]

wow! that's really generous of you to share some of your references. good one on you! i hope i can get around to coloring my stuff and doing it as well as you. thanks so much for sharing.

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MulkenPower [2011-11-30 11:34:30 +0000 UTC]

Thank you for taking the time to write all this!

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hybridfaerie [2011-11-28 02:50:55 +0000 UTC]

that lightcage thing is awesome, thank you for sharing. Its exactly what I need for my latest piece

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FreakCarlos [2011-11-14 23:40:41 +0000 UTC]

thank you!

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ExiledVenturer [2011-10-05 16:46:09 +0000 UTC]

Thanks this is a big help!

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katleen [2011-08-09 04:29:02 +0000 UTC]

thanks a lot! ...and the «light cage» is awesome!

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firedrive24 [2011-07-08 01:51:04 +0000 UTC]

hey great advice i co;or to when i'm not writting a story. i've colored this [link] recently along with two other pics. i'm no master but what i was trying to go for was a faded color to match the lineart. what do you think about it is there any way i can make it so it has some presence. like i could add a background but as you said the lighting would help. the original lineart had lines and fades on their that i've used to create shadows on the clothes but if i add a background i lose the originality of those lines and it doesn't look right.

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WhiteHowler7 In reply to firedrive24 [2011-07-08 17:03:28 +0000 UTC]

well i dont see any highlights?

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firedrive24 In reply to WhiteHowler7 [2011-07-08 17:32:50 +0000 UTC]

um highlights? i'm sorry.

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WhiteHowler7 In reply to firedrive24 [2011-07-08 21:05:25 +0000 UTC]

brighter colors. right now there is shading from the pencils, and the color over top. but the colors on top are all of the same color without getting lighter. any lighter colors would be highlights.

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firedrive24 In reply to WhiteHowler7 [2011-07-08 21:14:43 +0000 UTC]

i see thanks. i hope you don't come across as offended because of what the picture is many people are apperantly. :/

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WhiteHowler7 In reply to firedrive24 [2011-07-08 21:18:08 +0000 UTC]

to me people getting somehow offended at anthro character creation is like a bad joke, i just dont get it. or did you mean that you drew her older? i still dont see the harm

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firedrive24 In reply to WhiteHowler7 [2011-07-08 23:47:38 +0000 UTC]

the former. hehe also i didn't draw the line art althought i did request it from an artist. people seem to respond as if it was porn or at least in the same light. i digress your gallery is great you can expect me to check it out sometime. my main trade though is writing. so if you ever want a story give me a holler.

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ActorzInc [2011-06-07 20:50:27 +0000 UTC]

Maybe I'll have to stop trying the colour-picker tool, thinking pfffft, the shade doesn't look like that! And randomly moving the colour after by eye!

Thanks for the tutorial (and the thing about CMYK, I'll have to see if GIMP has one!)

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TheNoirGuy [2011-05-24 04:11:33 +0000 UTC]

Thanks for the coloring tips!

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LA-Fairy [2011-04-22 00:45:44 +0000 UTC]

Thank you for the light cage link..that is neat!

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Kinpatsu-Cosplay [2011-04-17 21:47:42 +0000 UTC]

this is fantastic

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hozguler [2011-04-11 11:24:49 +0000 UTC]

Thanks for valuable information...
Hakan

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haruukunn [2011-04-07 15:37:52 +0000 UTC]

thank you

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Kravyn-kun [2011-03-29 06:56:31 +0000 UTC]

constructive tips, I need those ...so thank you

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jonhyrock [2011-03-18 02:15:18 +0000 UTC]

thank you veeery much!!!

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joeyboylondon [2011-03-11 10:52:57 +0000 UTC]

thanks for this! very helpful!

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Fraven [2011-03-08 00:26:55 +0000 UTC]

Thanks a lot Nei!!! you rock!!!

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earCans [2011-03-03 01:25:26 +0000 UTC]

thank you

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WickedPrince [2011-02-28 01:21:26 +0000 UTC]

Definitely easier to find and link to here. And good tips.

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terracircense [2011-02-25 23:09:44 +0000 UTC]

Thaanks, Nei!

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Z3Zccc [2011-02-25 13:34:12 +0000 UTC]

powerful writings! thx a lot for this! C:

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Shnnani [2011-02-19 04:52:41 +0000 UTC]

OMG Thank you for the light cage, i really do have trouble with lighting and that i think i am definitely keep a hold of for the long run!!!! Whooo Hooooo!

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doriannedutrieux [2011-02-15 12:14:03 +0000 UTC]

I've never read the wikipedia article on colour theory before...and now I feel stupider for having done so, they just seem to make it more complex than is necessary.

Thank you for the advice!

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IvannaMatilla [2011-02-12 13:35:24 +0000 UTC]

Thank you very much for this. I'm sorry to bother you more, I have only one question that can change my life: when you start coloring a piece which will go to print, do you put the mode to cmyk or you color it in RGB and then change it to cmyk when the piece is finished? I work in RGB and then change it and it looks weird (not in a good way) I have a color wheel made of cmyk printable colors but I still have problems when I use complementary colors to shade.
Thank you so much in advance!

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WhiteHowler7 In reply to IvannaMatilla [2011-02-14 01:28:25 +0000 UTC]

i use rgb the whole time with cmyk preview on. you hit ctrl + y for that, that way, if some color isn't going to work, you know right away.

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IvannaMatilla In reply to WhiteHowler7 [2011-02-14 12:47:00 +0000 UTC]

Thank you!

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alexguim [2011-02-10 19:40:24 +0000 UTC]

Great !!

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