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Ciuva — Sword of an Emperor

Published: 2005-11-19 02:13:33 +0000 UTC; Views: 884; Favourites: 18; Downloads: 25
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Description I am not sure this is the right category, as usual, but I think so. I *just* managed to stop myself from submitting this into "people" just out of habit...

*ehem*.

I believe that you don't necessarily need to paint the character to "depict" the character, in a way. The same way that you, when describing a character, sometimes will put impact on a few things that doesn't really have anything to do with looks - what sword he carries, how his office looks, whether there's flowers in his windows or not - and I think the same thing can be used in a picture. What we surround ourselves with and what things we choose to keep with us says quite a bit about us as characters.

Also, I did want to see if I managed to draw a sword. It's not completely straight, but hey - it's more than 3000 years old... Not really used much anymore. The person who owns this sword is Arodhi, the villain in my story. I am a bit afraid that I am making him less and less evil, and nicer and nicer... Not that I think anyone will mistake him for the hero(ine). Here follows a short little description that's meant to shed some light on this picture. And when you in some years sit and read my book, hopefully, you will sit there, scratching your head and go "hmmm.... Where have I read that section before?" Although that will be an edited version.


He walked hastily into the room and put his sword on the table - it was long since he had used it now. For decades, maybe even hundreds of years - he could not really remember anymore, as he had not paid attention to it - it had been lying on a table in his office, wrapped in cloth. Before that, it had hung on his wall. He never really thought he would find any use for it again. After all, he was a sorcerer and seldom needed it. He had other swords. Plenty, and of better quality. Swords this old tended to be very fragile, although this had proven its worth many, many times since he aquired it 3000 years ago. He did not remember how he aquired it, but now it seemed like it had always been there. He had wondered whether it had any magical qualities, as most swords would have fallen apart by now. Maybe it was just the power of being a person's first sword. It was not entirely straight, and it had many marks of combat. And yet he could not help but think that maybe he should take it with him, just to be sure.

His eyes fell on the medallion, with the green stone that was no gem, no precious metal, but yet it had a certain glow to it. Nobody had ever been able to tell him what it was, but he knew that it was magical. It might be something from the gods themselves. He shrugged and picked it up. He always carried it with him, he had only taken it off now to look at it, before he was interrupted. A present from his mother it was, and his only memory of her except the one painting in one of the old hallways. He had gotten it when he started learning magic. It was her that had brought the magical line into his family, at least most of it, and had been his safe haven. But then she was no more. Now the medallion was his protection. Well. He could imagine. He mostly kept it for remembrance, that and because it was after all a symbol of the power he had inherited, and because she had wanted it that way. It was the only thing he had ever been able to do for her.

His thoughts - why did they always have to come when there was no time for them? - were interrupted by quick footsteps in the hallway, and one of his generals looking into the room.
"Master, the gates are secured and the guards have been doubled. The messengers will soon be ready, and - " His eyes fell on the medallion and the sword, and his voice faltered. He was one of the few who knew the full story, had been there through it all. Arodhi could see that he did not like the memory.
"It all went well then, and have ever since," he said and slipped the medallion over his head. "In the end we just have to trust ourselves, as before. I don't believe the power in these will help us much, neither the strength of the sword, but it doesn't hurt. We always managed on our own before."
"Do we know how strong she is?"
"No, but I fear the worst. That's why I think fighting with non-magical weapons might come in handy. For all we know, she can be able to detect magic. We saw how it turned out last time."
"Yes, master. I thought of the same thing. Oh, and the scouts came in just now, as far as they can tell, she hasn't travelled much."
"Send them up here when they have seen to their horses - I just need to finish the message to Thirain. And send for the messengers, we need to get this out as soon as possible."
"No magic communication at all?"
"Can't risk it. Go now."
Arodhi frowned at the empty paper and sat down to write. Thirain, the commander of the elite troops, second in charge in his empire, was far away at the moment, but if this truly became a war, they needed every man they could get. He would never let their enemy know that he wasn't the arrogant fool they thought he was. You did not win a battle by underestimating your enemy. That was the first thing he had learnt, and it was a lesson with a high price. Way too high.



Oh well, not exactly what was in my head when thinking about it, but I can't be bothered to re-write - enjoy or don't. It probably seems like he's a very sentimental guy, and that these things are protecting him - they're not. He trusts only himself and the closest of his generals, and his own magical powers. The medallion, though he keeps it with him at all times, are purely for remembering his mother and how it all started, so as he will never forget and, as a result, forget things that should not be forgotten. The sword is somehow bound to him, so it will not break in his hands. Even though it looks like it.

I am planning on doing a picture of Shanouna's sword too, just to illustrate the difference between the two. It's quite interesting, actually, because I wasn't aware of it myself.

A very fun picture to paint, I've been sitting for days with it without getting bored or rushing it to get it finished. It could have been far better, but my head is kinda empty. And I feel it is finished. I've never believed that I would paint something non-human just for fun... But it was. Quite different from how it looked in my mind, but I still think I conveyed it pretty much.

...and no. I think it's just silly if my villain should have a black, spiky sword which looks super-evil.

Aaand: I did not make the medallion's look out of laziness; at the time and in the culture it was made, high emphasis was put on patterns, and people who knew how could gain power over you by knowing the pattern of one of your items. So things were consciously made slightly un-symmetrical, and this one in particular as it was meant for one with magical abilities and one that would, from the day he was born, have enemies. So there.
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Comments: 21

MirkwoodElf [2006-01-13 01:57:59 +0000 UTC]

!!! I really like it!

👍: 0 ⏩: 1

Ciuva In reply to MirkwoodElf [2006-01-13 07:59:43 +0000 UTC]

Thanks! And thanks a lot for the favourite as well!

👍: 0 ⏩: 1

MirkwoodElf In reply to Ciuva [2006-01-13 16:33:01 +0000 UTC]

You bet!

👍: 0 ⏩: 0

Happinessoftears [2005-12-31 23:24:20 +0000 UTC]

Wow... you did a really good job, as goes the rest of your art too, nice work.

👍: 0 ⏩: 1

Ciuva In reply to Happinessoftears [2005-12-31 23:35:43 +0000 UTC]

Thank you very much

👍: 0 ⏩: 0

Sargent3D [2005-12-11 01:11:31 +0000 UTC]

Great piece, its reminds me of Baulder's Gate

👍: 0 ⏩: 0

L130053 [2005-11-27 17:22:54 +0000 UTC]

I forgot to comment on this?

I love it.

That is all I can say, and hell; who cares if the sword is slightly crooked...
I love swords. So much passion goes into making them, (or, if not presently, WENT into making them o_O?).

Wait...Was I going to be all sentimental and mature then?
Mmmmnope.

👍: 0 ⏩: 1

Ciuva In reply to L130053 [2005-11-28 20:15:45 +0000 UTC]

Oh yes, I love swords too... I can hardly stand taking the bus from the city centre and home anymore, because it drives straight by a not-quite-souvenir-shop-but-not-quite-not that sells viking things, and there are some gorgeous swords on display there. I so wish I could afford one, and know how to use it. It's seriously one of the most beautiful things I know of, so sleek and smooth and cold and... *ehem*. Exactly.

👍: 0 ⏩: 0

Zaiye [2005-11-20 16:57:44 +0000 UTC]

Very interesting. It portrays the items in you description very well.

👍: 0 ⏩: 1

Ciuva In reply to Zaiye [2005-11-20 17:32:10 +0000 UTC]

Thank you

👍: 0 ⏩: 0

Salvador-Almarda [2005-11-20 15:41:40 +0000 UTC]

Exelent job on the textures and painting style. I really like how you painted the jewel pendant thing and how you did a reflection of it on the table ^_^

👍: 0 ⏩: 1

Ciuva In reply to Salvador-Almarda [2005-11-20 17:33:31 +0000 UTC]

The reflection was just an afterthought, but I'm glad I remembered it. Thanks

👍: 0 ⏩: 0

gaux-gaux [2005-11-20 04:14:55 +0000 UTC]

holy geeez!!!! that looks awesome!!!! great digital painting. Awesome attention to detail. Close ups like these really show your talent. The only thing I could nitpick on is you need more shading where the string for the necklace is. The string seems kinda flat.....add shadows to that and this would be perfect!

👍: 0 ⏩: 1

Ciuva In reply to gaux-gaux [2005-11-20 04:18:45 +0000 UTC]

Ah yes. I didn't work on the string at all. Well, except for... making it... (Sorry, it's five in the morning and I've been up all night, I have veeery bad humour.)

But thanks a lot - I could have made the sword shinier, but for now I'll be satisfied with just being able to paint a sword at all Glad you like it

👍: 0 ⏩: 0

ladyshalafae [2005-11-19 19:44:28 +0000 UTC]

very very nicely done. i love the textures on everything. it looks 3 dimensional , and this is so cool

👍: 0 ⏩: 1

Ciuva In reply to ladyshalafae [2005-11-19 20:16:27 +0000 UTC]

Thank you - I've never really painted anything like this before, so I'm glad it worked. But I tried to make it less smooth than I use to without making it unrefined, in a way. It seems like it worked - and it didn't even become as blurry as it tends to become when sizing down so much... Which was nice.

👍: 0 ⏩: 1

ladyshalafae In reply to Ciuva [2005-11-21 07:31:29 +0000 UTC]

i hate how things blur during resizing. yet i hate showing off really large pieces. i'll save the really fine details for the prints.

it would be cool to see you do more like this, since you seem to do it so well

👍: 0 ⏩: 1

Ciuva In reply to ladyshalafae [2005-11-21 09:15:01 +0000 UTC]

There will be at least one more of these (guaranteed), provided I learn how to make the swords look shiny... Not only was it fun, it was great for learning (or re-learning) about shading and colours. I tend to forget too much when drawing humans, because I always do that and feel that I know how to do it... Not always true.

And yes, I really agree about the large pieces - I know that when I am looking at art myself, I almost never look at pictures where I have to scroll to even get an idea what's in it... No point in having it big for other than prints, really. It's all about making it as good as possible for people to look at...

👍: 0 ⏩: 1

ladyshalafae In reply to Ciuva [2005-11-21 16:31:47 +0000 UTC]

oh yes, definitely. if people can't be bothered to stop and see your piece, they can't be bothered to read more about it, to enjoy the story behind it, or to take them time to really absorb it.

coloring and shading is fun. i like playing with new textures, seeing how i can get something done.

and shiny swords. really shiny steel has very sharply contrasted shadows and highlights. like, almost pure white and deep darks, with a little of the surrounding colors (and images if the blade is shiney enough). unfortunately, i've yet to find a good tutorial about making metal.

👍: 0 ⏩: 1

Ciuva In reply to ladyshalafae [2005-12-01 12:48:05 +0000 UTC]

Yes, those tutorials can be hard to find. I did make a thread about it on GFXArtist though, and I got some good tutorials in return, if you want to take a look at it it's located here: [link]
But really, unless you're making sigs or similar things, there are few good tutorials.

I guess I just have to resist my urge to soften every edge of every highlight and shadow... I always do it, almost as if everything I paint is skin or similar soft, non-shiny (often) textures.

👍: 0 ⏩: 1

ladyshalafae In reply to Ciuva [2005-12-01 18:00:08 +0000 UTC]

i find it hard to get the highlights of particularly shiny objects correct. stuff like metal and glass.

and i will most certainly be sorting through the tutorials, seeing what can help me out. thanks

👍: 0 ⏩: 0