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Published: 2014-10-08 16:41:45 +0000 UTC; Views: 7659; Favourites: 336; Downloads: 178
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Description
A brief look at how I approach some of my paintings and my thoughts as I work through the process.Download for Full Rez.
This is for a recent painting The Impish Imp. Hi Rez here:Β
Please feel free to ask any questions and let me know if there are any other guides or tutorials you would like to see.
All C & C Welcome.
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Comments: 25
JennyChr [2014-10-30 22:39:20 +0000 UTC]
OH! This is amazing!!!!
Thank you for sharing, love that facial expression, so perfect sooooo good
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LarryWilson In reply to JennyChr [2014-10-30 23:20:19 +0000 UTC]
Hiya, Β Thanks for the cool feedback Happy Helloween!
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JennyChr In reply to LarryWilson [2014-10-31 07:55:26 +0000 UTC]
Happy Halloween LarryΒ Β
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ashigaru [2014-10-11 19:20:07 +0000 UTC]
Great tutorial! Thanks for the info; goes to show you can accomplish a great deal using just a few brushes!
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LarryWilson In reply to ashigaru [2014-10-13 17:01:14 +0000 UTC]
Hiya, Thanks for the feedback
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LarryWilson In reply to Kuritsutei [2014-10-13 17:01:46 +0000 UTC]
Anytime let me know if you have any questions.
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ScoffsArt [2014-10-11 10:17:34 +0000 UTC]
Hey! Really interesting process, love the end result. A quick question about the final stages, where it says you add a grain screen at 20% what does that mean, is it a texture or a noise filter or something like that? Thanks!
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LarryWilson In reply to ScoffsArt [2014-10-13 17:11:34 +0000 UTC]
Hi there. You are correct on both counts. The 'grain screen' is there to simply add a little 'noise' to the final finish as opposed to a more noticeable texture overlay (like brushwork or the canvas showing through).
My grain screens are usually set up like this. Take any image, blur it out and desaturate to get some interesting B&W shapes. This just gives a little bit more visual interest. You can also start with a simple black layer or paint in your own shapes or gradients. Add noise via the PS Filters. Set the layer to Overlay or multiply depending on your needs and drop the opacity down to around 10-20%. You can also duplicate and sharpen this layer(to make the effect more noticeable, then erase some areas where you want less focus.Β
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ScoffsArt In reply to LarryWilson [2014-10-16 11:19:37 +0000 UTC]
Thanks for the reply! Yes that makes a lot of sense, Id always presumed the grain was just simple noise and there was a stock way to do it everybody used but like you say using other images for different shapes in the grain will be a lot more interesting. Really good work Ill be sure to look out for your future tutorials and paintings
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Sumire-Art [2014-10-10 09:04:02 +0000 UTC]
awesome! But It's a very difficult tutorial for beginners >_< I hope I can learn faster!
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LarryWilson In reply to Sumire-Art [2014-10-10 16:54:43 +0000 UTC]
Hi thanks for the feedback. Yup this was def meant for more intermediate level. If there is something you are needing help with let me know and i will look at doing something aimed more at beginner levels.
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LarryWilson In reply to SatoshiD [2014-10-09 17:15:04 +0000 UTC]
My pleasure, thanks for the feedback
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MissUnashamed [2014-10-09 00:08:57 +0000 UTC]
AWESOME! I'll definitely be referencing this tutorial in the future!
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LarryWilson In reply to MissUnashamed [2014-10-09 17:15:25 +0000 UTC]
Good to hear let me know if you have any questions.
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aboveClouds [2014-10-08 23:33:00 +0000 UTC]
Ahh, this is a wonderful tutorial. I'm still trying to practice light drop-offs and realistic light gradients (and failing, mostly) but I'll try testing out some of the techniques here to see if that helps. Thank you for making this tutorial! ^^
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LarryWilson In reply to aboveClouds [2014-10-09 17:15:56 +0000 UTC]
Thanks for the feedback. Hope it helps you in some small way. Let me know if you have any questions.
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aboveClouds In reply to LarryWilson [2014-10-09 21:04:19 +0000 UTC]
You're welcome!
If it isn't too much trouble, could you please critique a WIP of mine? I'll understand completely if you don't have time or you don't want to, though. But if you're okay with critiquing it, I'll send you a link to what I have now.
To put it simply, I've been practicing my lighting, but I seem to make the same lighting mistakes over and over again. Here's a quick example of what's wrong with my work in general:
sta.sh/01ubuowyviny
I want my work to look dynamic like example A, but it always seems to turn out looking like example B for some reason? So... yeah. If you have any tips on avoiding that, that would be awesome.
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LarryWilson In reply to aboveClouds [2014-10-09 21:45:56 +0000 UTC]
Hiya. Always happy to help out with crits/paintovers.Β
The issue you are having with your lighting is a quick fix. You should be able to paint those spheres in 3-5 brush strokes. I'll give you some pointers later.
Send me the links to the piece you want critiqued & I will go over everything this evening.
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aboveClouds In reply to LarryWilson [2014-10-09 22:21:25 +0000 UTC]
Thank you so much! You're so awesome for doing this for me.
I sent you the link in a note if that's okay. That way I'll be able to easily find it again, since it can be a pain to dig up old comments on DA once they've been removed from your inbox.
Thanks again!
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LarryWilson In reply to aboveClouds [2014-10-10 00:06:38 +0000 UTC]
Heyo, Sent you back a lil paintover and crit
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