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Description
For more information on the entire series, read the "'Demon's Due' Defined" journal entry here faile35.deviantart.com/journal… or the "'Demon's Due' Plus" journal entry here faile35.deviantart.com/journal… .

The next page is here.

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Concern and doubt flash in her mind—Avora wonders if the powers of the wand will be sufficient to win free of the many threats she can sense growing about her, but she knows she’ll fare far better with it than without it. Twisting her body, the wizardess moves further onto the patch of grass and reaches for the wand, willing its cool, charged length into her grasp. As its most recent wielder, the rapport of sensitivity with it should draw it to her open hand, yet something keeps it beyond Avora's reach. Behind her, the wizardess feels the monger’s cape slip slightly in the tankroot tree’s grasp, but then it is alarmingly drawn further backwards, forcing the vulture clasp to bite into her throat.

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Stayed up a bit late to get this posted. Tomorrow's posting might be a bit late, too, as a result. A man's gotta sleep, you know.

Again, this is starting to look a lot more like the Twisted Plot folks were expecting, I think. Avora was again drawn from the wonderful reference material provided by Viator-Defessus and the model "Ava." This one was a rather difficult angle on the pose to get right, but--all modesty aside--I think I got it.

Also, this reaching image is dedicated (as all of them are) to everyone favorite reacher fan, reacherfan !

Enjoy!

Note: Twisted Plot and Demon's Due are a work of fantasy and fiction. The artist/creator in no way condones this kind of treatment toward any woman or man, by living person, gremlin, plant, assassin, ratman, viscous fluid, programmed device, animated home furnishings, or otherworldly spiritual beings. Furthermore, the artist opposes the marginalizing and restriction of women in general by any institution, political and/or religious, including those which have individual women amongst their membership touting/promoting their own happiness within that institution as evidence that ALL women should feel the same way. This includes the religion I was raised in and which I have utterly discarded from my life over this and other issues.

Description
For more information on the entire series, read the "'Demon's Due' Defined" journal entry here faile35.deviantart.com/journal… or the "'Demon's Due' Plus" journal entry here faile35.deviantart.com/journal… .

The next page is here.

**********************************************************

Concern and doubt flash in her mind—Avora wonders if the powers of the wand will be sufficient to win free of the many threats she can sense growing about her, but she knows she’ll fare far better with it than without it. Twisting her body, the wizardess moves further onto the patch of grass and reaches for the wand, willing its cool, charged length into her grasp. As its most recent wielder, the rapport of sensitivity with it should draw it to her open hand, yet something keeps it beyond Avora's reach. Behind her, the wizardess feels the monger’s cape slip slightly in the tankroot tree’s grasp, but then it is alarmingly drawn further backwards, forcing the vulture clasp to bite into her throat.

**********************************************************

Stayed up a bit late to get this posted. Tomorrow's posting might be a bit late, too, as a result. A man's gotta sleep, you know.

Again, this is starting to look a lot more like the Twisted Plot folks were expecting, I think. Avora was again drawn from the wonderful reference material provided by Viator-Defessus and the model "Ava." This one was a rather difficult angle on the pose to get right, but--all modesty aside--I think I got it.

Also, this reaching image is dedicated (as all of them are) to everyone favorite reacher fan, reacherfan !

Enjoy!

Note: Twisted Plot and Demon's Due are a work of fantasy and fiction. The artist/creator in no way condones this kind of treatment toward any woman or man, by living person, gremlin, plant, assassin, ratman, viscous fluid, programmed device, animated home furnishings, or otherworldly spiritual beings. Furthermore, the artist opposes the marginalizing and restriction of women in general by any institution, political and/or religious, including those which have individual women amongst their membership touting/promoting their own happiness within that institution as evidence that ALL women should feel the same way. This includes the religion I was raised in and which I have utterly discarded from my life over this and other issues.