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Published: 2009-06-05 10:10:29 +0000 UTC; Views: 29086; Favourites: 793; Downloads: 760
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Description
Kind of, sort of tutorial. It's more walk-through my painting process. I hope it will be useful to you.For constructing the knotworks - as I'm still learning that, I really don't feel entitled to give advice about it. Anyway, if you're interested in this art, I can recommend you two great books - Celtic art: Method of construction by George Bain nad Celtic knotwork by his son Ian Bain. The first book has more intuitive approach, although it's not always easy to understand. The second one is more technical, yet very systematic and comprehensible.
Finished picture can be found here: [link]
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Comments: 152
Charlene-Art In reply to ??? [2009-07-02 04:58:04 +0000 UTC]
Those gemstones looked so real and 3D!
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tHe-FOrger In reply to ??? [2009-07-02 00:39:51 +0000 UTC]
i love this!! the colors are so soft... and i really like the gems and the cracks..
awesome job!
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celticabria In reply to ??? [2009-06-16 13:49:08 +0000 UTC]
Wow thank you!!!! It's really useful! And I love the way the final result come out!
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AnnPars In reply to ??? [2009-06-09 04:17:06 +0000 UTC]
Wow, this was unbelievably helpful! Thank you so much for sharing !
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whisperinghearts In reply to ??? [2009-06-06 18:57:24 +0000 UTC]
This is wonderful! It's amazing to see the stages of a beautiful drawing from start to finish. ^_^
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Lawenta In reply to ??? [2009-06-06 17:06:40 +0000 UTC]
This makes me want to try it out. The background + stones, to be more exact. Yay!
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Lawenta In reply to LucieOn [2009-06-06 17:27:30 +0000 UTC]
Btw... Err... How much is usually masking fluid, and how is it called in Czech? So I don't feel like an idiot looking for it
And also to know if they're not trying to sell me something too expensive...
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LucieOn In reply to Lawenta [2009-06-06 17:35:08 +0000 UTC]
Maskovací kapalina The price varies, I use Schmincke's masking fluid, which is quite pricey (about 100 Kč
, but it's very nice to work with, because it's really fluid, not a gum. I tried something cheaper before (50 Kč or so), and it was completely useless, because it wasn't liquid at all, it was just like a gum :-/ I think, that for the white dots you can use gouache or even white tempera, if you don't want to spent money for the masking fluid.
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Lawenta In reply to LucieOn [2009-06-06 17:46:46 +0000 UTC]
Ach
Or just glue there tiny dots of paper
I guess it depends on whether the fluid can go bad. I really don't paint (or draw on that matter) often, so buying something I'd use once before I have to buy a new one doesn't seem such a good idea. But if it lasts years, that's another story
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LucieOn In reply to Lawenta [2009-06-06 17:58:00 +0000 UTC]
I'm not quite sure, but I think it doesn't last very long... certainly not for years :-/
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Lawenta In reply to LucieOn [2009-06-06 18:20:01 +0000 UTC]
Uh-oh. :/ Tempera it is, then. Probably. I'll find something
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JannaFairyArt [2009-06-06 10:30:21 +0000 UTC]
Fantastic tutorial! So happy you did it, it's very interesting and helpful!
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AriesNamarie [2009-06-05 23:26:32 +0000 UTC]
Thank you so much for posting this! It really inspired me
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Lynda-P [2009-06-05 20:39:48 +0000 UTC]
Found this absolutley fasinating,and love the finished picture.
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Lainiexox In reply to ??? [2009-06-05 19:42:32 +0000 UTC]
This might be a silly question, but when you paint in layers, do you mix the colour and paint it directly on, or do you wet the page first? I seem to have a lot of difficultly building up colour intensity in a gradient because I usually end up flooding the whole place with colour or making it look extremely unnatural (it jumps from one colour to another). I'm sorry if my description is confusing.
Thanks for writing the tutorial! It was extremely useful and interesting. I really admire your patience with knotwork... and all those layers of watercolour Great work
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LucieOn In reply to Lainiexox [2009-06-05 19:55:35 +0000 UTC]
Well, I'm not quite sure about the question, but I try to desribe how I paint. I usually don't wet the paper (which probably isn't the best idea). Wetting the paper is great for compact coloured area, though. When I use this, it's only for first washes and almost only for background. Than I paint layer over layer - and the most important thing is to wait for one layer of colour to dry! It has to be completely dry before you start painting another layer, otherwise it create only a messy blur.
For smaller areas, especially on main objects, I don't wet the paper at all. And again, I always wait till the area I'm currently painting is completely dry.
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Svera In reply to ??? [2009-06-05 19:05:16 +0000 UTC]
What a wonderful tutorial! Thank you for showing it
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LucieOn In reply to Svera [2009-06-05 19:42:51 +0000 UTC]
I'm glad you like it. It took me quite some time to put it together
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Svera In reply to LucieOn [2009-06-06 15:57:11 +0000 UTC]
I can see that But it's worth all the work.
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spiders-across-stars In reply to ??? [2009-06-05 17:13:02 +0000 UTC]
thank you for posting this up! Very helpful, especially about the gemstones
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InjectVibrancy [2009-06-05 15:42:29 +0000 UTC]
This is fantastic! Youve taught me alot, cant wait to put some of these techniques into practise! Thank you for sharing XD
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LucieOn In reply to InjectVibrancy [2009-06-05 19:43:29 +0000 UTC]
I'm glad you've found it useful
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CorazondeDios In reply to ??? [2009-06-05 13:06:16 +0000 UTC]
THIS IS SO BEAUTIFUL IT MAKES ME WANT TO SCREAM!!!
I love this tutorial. I'm going to use it in my watercolors and in my painting on clay with mason stains.
I guess I'll use shellac resist instead of masking fluid, since masking fluid is not going to work too good over white glaze.
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Lepidodendron In reply to ??? [2009-06-05 11:39:40 +0000 UTC]
Dragarta má pravdu...každopádně moc díky za malou instruktáž a inspiraci
Už strašně dlouho mám naskicovaný keltský kříž a tohle mě docela nutí ho konečně dodělat...
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LucieOn In reply to Lepidodendron [2009-06-05 11:44:01 +0000 UTC]
Že bych někdy uspořádala workshop? Ale to by mi nesměl zabrat každý obrázek takovou strašlivou dobu. Každopádně, jestli máš nějaké konkrétní dotazy nebo tak, tak já ráda poradím
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Lawenta In reply to LucieOn [2009-06-06 17:04:50 +0000 UTC]
Hlásím se jako třetí, taky bych tě u toho malování chtěla vidět. A když už jsme u toho, tak klidně i (skoro) bez malování
Takový český minidevMEET by nemusel být na škodu, jenom nevím, jak ho zorganizovat, nefunguje mi vyhledávání nejbližších spolupachatelů. Ale ten workshop nezní vůbec š
atně. Kde vlastně bydlíš, pokud se neptám už potřetí a pokud to není tajemství? Aspoň kraj...
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LucieOn In reply to Lawenta [2009-06-06 17:24:00 +0000 UTC]
Jsem ze středních Čech, zatím z Brandýsa, ale během měsíce se stěhuju do Lysé nad Labem
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Lawenta In reply to LucieOn [2009-06-06 17:43:30 +0000 UTC]
To nezní úlně marně
Sice jsem z Brna, ale v Praze mám "druhou základnu", takže pro mě Lysá není až tak z ruky. To kdybys ten workshop nááhodou zvažovala
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LucieOn In reply to Lawenta [2009-06-06 19:35:17 +0000 UTC]
Heh No moc to nevidím, ale kdybych ho zvažovala, ozvu se
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Lepidodendron In reply to LucieOn [2009-06-05 17:59:46 +0000 UTC]
Beru tě za slovo. až se vrhnu na ten kletský kříž...
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Dragarta [2009-06-05 10:28:07 +0000 UTC]
Chtela bych Te videt tvorit nazivo Nejak si takove zazraky akvarelem nedokazu predstavit XD
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LucieOn In reply to Dragarta [2009-06-05 10:34:34 +0000 UTC]
Ha! A já doufala, že ten tutorial napomůže lepší představě I když by to asi chtělo trochu častěji skenovat ten průběh, ale k tomu se už fakt nepřemluvím
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Dragarta In reply to LucieOn [2009-06-05 12:03:51 +0000 UTC]
Ale to jo, tutorial pomaha, ale videt nekoho primo pri tvorbe je zase trochu o necem jinym Mela bys nekomu rict, aby Te nafilmoval a hodil na youtube XD
👍: 0 ⏩: 1
LucieOn In reply to Dragarta [2009-06-05 12:33:53 +0000 UTC]
Nevím nevím koho by bavilo nade mnou stát takovou dobu s kamerou )
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